Medium: laid paper / Subject Terms: putti / Associated People: Cupid - YCBA Collections Search Search Results

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Medium laid paper

Subject Terms putti

Associated People Cupid

1. Frontispiece design for John Fayram's "Eight Views after Nature"

Frontispiece design for John Fayram's "Eight Views after Nature"

Creator:: John Fayram, op.1713–1743, British
Date:: ca. 1739
Medium:: Pen, black ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 × 5 7/8 inches (18.1 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Virgin Adoring the Sleeping Christ

Virgin Adoring the Sleeping Christ

Creator:: Richard Cosway, 1742–1821, British
Date:: undated
Medium:: Graphite and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Mount: 8 3/4 x 10 1/8 inches (22.2 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. Stuart P. Feld

3. Sylvio and Dorinda

Sylvio and Dorinda

Creator:: Print made by William Faithorne the Younger, ca. 1669–1703, British
Date:: between 1752 and 1768
Medium:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/16 x 14 1/8 inches (26.2 x 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. Juno and Iris

Creator:: Print made by William Faithorne the Younger, ca. 1669–1703, British
Date:: between 1695 and 1703
Medium:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/4 x 13 inches (23.5 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

5. Sylvio and Dorinda

Sylvio and Dorinda

Creator:: Print made by William Faithorne the Younger, ca. 1669–1703, British
Date:: between 1680 and 1703
Medium:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 × 12 5/8 inches (23.1 × 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund