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A Lodge at Cassiobury
Creator:
William Henry Hunt, 1790–1864, British
Date:
ca. 1820
Medium:
Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/8 x 14 7/8 inches (27 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Farmyard
Creator:
William Henry Hunt, 1790–1864, British
Date:
ca. 1815
Medium:
Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 x 12 3/4 inches (26.7 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Boat Building
Creator:
John Varley, 1778–1842, British
Date:
1806
Medium:
Watercolor, gum and scraping out over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 13 7/16 x 21 9/16 inches (34.2 x 54.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wood Carriers
Creator:
Print made by Robert Sargent Austin, 1895–1973, British
Date:
1932
Medium:
Line engraving and etching on moderately thick, slightly textured, white laid paper
Dimensions:
Sheet: 12 5/8 x 11 1/8 inches (32 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Fulham End of Putney Bridge
Creator:
James Miller, active 1773–1814
Date:
undated
Medium:
Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 7/16 × 7 13/16 inches (16.4 × 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove
No cover image available
Creator:
Print made by Robert Robinson, active 1674–1706, British
Date:
undated
Medium:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 7 7/8 inches (24.8 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund