Medium: laid paper / Subject Terms: landscape - YCBA Collections Search Search Results

Francis Danby, 1793–1861, Irish

The Ferry

ca. 1840

Francis Danby, 1793–1861, Irish

Hope near Bergen

ca. 1840

Robert Polhill Bevan, 1865–1925, British

Timber Hauling

ca. 1917

Robert Polhill Bevan, 1865–1925, British

A Cottage

undated

Robert Polhill Bevan, 1865–1925, British

Landscape with Three Trees

undated

attributed to John Constable, 1776–1837, British

Pollarded Willows

undated, after 1804

John Constable, 1776–1837, British

Two Figures by a River

between 1807 and 1809

John Constable, 1776–1837, British

Helmingham: The Silent Pool

ca. 1800

John Constable, 1776–1837, British

Wooded Slope with a Receding Road

ca. 1805

John Constable, 1776–1837, British

Landscape at East Bergholt

ca. 1805

John Constable, 1776–1837, British

Trees and Deer

1825

John Constable, 1776–1837, British

Cottage among Trees

ca. 1795

John Constable, 1776–1837, British

Dedham Vale from Langham

ca. 1813

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold: Early Morning

ca. 1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Herdsman's Cottage

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

1880-1883

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Harvest under a Crescent Moon

ca. 1826

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

between 1880 and 1883

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1920

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1926

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Skylark

1850

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner, 1775–1851, British

A Great Tree

ca. 1796

Etched by Joseph Mallord William Turner, 1775–1851, British

The Castle above the Meadows

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Dunstanborough Castle

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Lake of Thun, Switzerland

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Bridge and Cows

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

Bridge and Cows

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

Lake of Thun, Switzerland

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

The Bridge in Middle Distance

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

The Fifth Plague of Egypt

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Christ and the Woman of Samaria

1819

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Aesacus and Hesperie

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

The Fifth Plague of Egypt

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

The Straw Yard

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Bridge and Cows

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

The Woman and Tambourine

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

Tenth Plague of Egypt

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

The Hindoo Worshipper

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Dunstanborough Castle

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

The Woman and Tambourine

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

Little Devil's Bridge over the Russ above Altdorft, Switzerland

1809

Edward Lear, 1812–1888, British

Abu Seer

1867

George Romney, 1734–1802, British

Landscape

undated

George Romney, 1734–1802, British

Glade of Trees

undated

George Romney, 1734–1802, British

Sketch of Trees

undated

George Romney, 1734–1802, British

Wooded Landscape

undated

George Romney, 1734–1802, British

Landscape in Westmoreland

undated

George Romney, 1734–1802, British

The Destruction of Niobe's Children

undated

George Romney, 1734–1802, British

Eartham Wood

between 1749 and 1802

George Romney, 1734–1802, British

Glade in a Forest

undated

George Romney, 1734–1802, British

Landscape with a Leaning Tree

undated

George Romney, 1734–1802, British

Young Lady, Possibly Fleeing

undated

George Romney, 1734–1802, British

Study of a Clouded Moonlit Sky

undated

George Romney, 1734–1802, British

Carriage on Country Road

undated

George Romney, 1734–1802, British

Two Lovers in a Landscape

undated

George Romney, 1734–1802, British

Landscape

undated

George Romney, 1734–1802, British

Landscape, Possibly Eartham

undated

George Romney, 1734–1802, British

The Wave

undated

William Blake, 1757–1827, British

Landscape with Spire

ca. 1801

William Blake, 1757–1827, British

A Woody Landscape

ca. 1801

George Romney, 1734–1802, British

Sketch of a Landscape with Figures

undated

George Romney, 1734–1802, British

Ms. notes

undated

Giovanni Battista Borra, 1713–1770, Italian

View of a Valley with Ruins at Sardis

ca. 1750

Giovanni Battista Borra, 1713–1770, Italian

View of the Modern City of Pergamon

ca. 1750

Giovanni Battista Borra, 1713–1770, Italian

Monte delle Beatitudini

ca. 1750

Giovanni Battista Borra, 1713–1770, Italian

Plan of Lake Tiberias

ca. 1750

Giovanni Battista Borra, 1713–1770, Italian

View of the Ruined Theater of Aezani at Tjaden

ca. 1750

Giovanni Battista Borra, 1713–1770, Italian

View of the Source of the Lycus River (Nahr el-Kelb)

ca. 1751

Giovanni Battista Borra, 1713–1770, Italian

Gierusalemme

ca. 1750

Giovanni Battista Borra, 1713–1770, Italian

View of the Valley of Laodicea

ca. 1750

Giovanni Battista Borra, 1713–1770, Italian

Is'Tmo di Cizico unito al Continente

ca. 1750

Giovanni Battista Borra, 1713–1770, Italian

View of Ruins at Tivoli

ca. 1750

Giovanni Battista Borra, 1713–1770, Italian

Reggio di Calabria

ca. 1750

Giovanni Battista Borra, 1713–1770, Italian

View of a Passage Cut into a Hillside

ca. 1750

Giovanni Battista Borra, 1713–1770, Italian

View of the Ruined Baths at Hadrian's Villa at Tivoli

ca. 1750

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801, British

After Sun-Set

ca. 1797

Print made by Miles Edmund Cotman, 1810–1858, British

Study of Trees on the Banks of the Yare

1846

Print made by John Smith, 1652–1743, British

Tobias and the Angel

ca. 1685

Print made by John Browne, 1741–1801, British

Morning

ca. 1797

Print made by James Bretherton, ca. 1730–1806, British

Man with a Walking Stick in a Landscape

1773

Frederick Goulding, 1842–1909, British

Ruins of the Old Bridge, Vernon

1879

Print made by J. Carwitham, active 1720–1740

A New Drawing Book of Variety of Landskips

ca. 1730

Print made by Jean B. C. Chatelain, 1710–1771, French

Wooded Landscape with a River Leading to Distant Buildings

undated

Print made by Thomas Goff Lupton, 1791–1873, British

Procris and Cephalus

1864

Print made by Thomas Gainsborough, 1727–1788, British

Wooded Landscape with Herdsman and Cows

between 1785 and 1788

Sir Francis Seymour Haden, 1818–1910, British

Egham

1859

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