Trigger Fish, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 31 A]
undated
315
Sawrey Gilpin, 1733–1807, British
Horse Standing, Side View Facing Right
undated
316
Attributed to Inigo Jones, 1573–1652, British
A Plumed Saddle-Horse
ca. 1640
317
James Seymour, 1702–1752, British
A Greyhound, Facing Left
undated
318
James Seymour, 1702–1752, British
A Racehorse, Bridled and Saddled
undated
319
James Seymour, 1702–1752, British
Two Horses Trotting in Harness
undated
320
James Seymour, 1702–1752, British
Schooling Horses: Three Studies on a Page
undated
321
James Seymour, 1702–1752, British
Horse, With Rider Lightly Sketched, Walking to Left
undated
322
James Seymour, 1702–1752, British
A Hound Tethered to a Tree Stump
undated
323
James Seymour, 1702–1752, British
Saddled Horse, with a Crest Branded on His Flank, Walking to Right
undated
324
James Seymour, 1702–1752, British
Hind Legs and Tail of a Horse
undated
325
Peter Tillemans, 1684–1734, Flemish, active in Britain (from 1708)
A Saddled Horse, Facing Left
undated
326
John Vanderbank, 1694–1739, British
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
327
John Vanderbank, 1694–1739, British
"The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
1729
328
Sawrey Gilpin, 1733–1807, British
A Horse, Facing Left
undated
329
John Wootton, 1682–1764, British
Hounds in a Landscape
undated
330
James Seymour, 1702–1752, British
Le Piaffe (I): Training at the Pillar, Horse Wearing Bridle and Surcingle..
undated
331
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
332
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
333
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
334
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
335
Mrs. P. D. H. Page, 20th century
Dolphin, after the Orignial by John White in the British Museum [Caribbean and Oceanic, No. 26 A]
undated
336
Mrs. P. D. H. Page, 20th century
Flying-Fish, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 27 A]
undated
337
Mrs. P. D. H. Page, 20th century
Scorpions, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 8]
undated
338
Mrs. P. D. H. Page, 20th century
Frigate Bird, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 16]
undated
339
Mrs. P. D. H. Page, 20th century
Tropic Bird, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 17]
undated
340
Mrs. P. D. H. Page, 20th century
Remora, Dorsal View I, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 28 A]
undated
341
Mrs. P. D. H. Page, 20th century
Remora, Ventral View, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 29 A]
undated
342
Mrs. P. D. H. Page, 20th century
Common Box Tortoise, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 104]
undated
343
Mrs. P. D. H. Page, 20th century
Burfish, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 97 A]
undated
344
Print made by John Murphy, ca. 1748–1820, British
[Animals: an eagle with a dead pheasant, watched by a fox]
1799
345
Mrs. P. D. H. Page, 20th century
Land Crab, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 5 A]
undated
346
Mrs. P. D. H. Page, 20th century
Iguana, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 9 A]
undated
347
Mrs. P. D. H. Page, 20th century
Fireflies and Gadfly, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 7 A]
undated
348
Mrs. P. D. H. Page, 20th century
Alligator or Crocodile, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 10 A]
20th century
349
James Seymour, 1702–1752, British
A Chestnut Horse at Exercise
undated
350
Sir Francis Grant, 1803–1878, British
Study of a Hound, Running
undated
351
James Bruce, 1730–1794, British
Studies of Warriors on Horseback and Horseheads
undated
352
James Seymour, 1702–1752, British
Horse Walking to Left
undated
353
James Seymour, 1702–1752, British
A Horse Lying Down
undated
354
Paul Sandby, 1731–1809, British
A Dead Bird
undated
355
James Seymour, 1702–1752, British
Thirteen Drawings of Horses, Horsemen, Hounds, etc
undated
356
Sawrey Gilpin, 1733–1807, British
Study of Goats
undated
357
Sawrey Gilpin, 1733–1807, British
Study of a Lion
undated
358
Sawrey Gilpin, 1733–1807, British
Studies of a cow's head
undated
359
Sawrey Gilpin, 1733–1807, British
Landscape with Cows in Foreground
undated
360
Sawrey Gilpin, 1733–1807, British
Study of a Calf
undated
361
Sawrey Gilpin, 1733–1807, British
Horse and Rider being Attacked by a Lion
undated
362
Print made by Richard Houston, ca. 1721–1775, British
The Portraiture of White-Nose
1756
363
Print made by Richard Houston, ca. 1721–1775, British
The Portraiture of Lamprey
1755
364
Print made by Richard Houston, ca. 1721–1775, British
The Portraiture of Bald Charlotte
1756
365
Print made by Richard Houston, ca. 1721–1775, British
The Portraiture of Bay Bolton
1756
366
Sawrey Gilpin, 1733–1807, British
Study of Cattle and Donkeys
undated
367
Print made by Richard Houston, ca. 1721–1775, British
Childers, the Fleetest Horse that Ever Run at Newmarket
1755
368
Print made by Richard Houston, ca. 1721–1775, British
The Portraiture of the Fine Chesnut Arabian
1756
369
Print made by Richard Houston, ca. 1721–1775, British
The Portraiture of Babraham
1756
370
Print made by Richard Houston, ca. 1721–1775, British
The Portraiture of Dormouse
1755
371
Print made by Richard Houston, ca. 1721–1775, British
The Portraiture of the Famous Horse Old Partner
1755
372
Print made by Richard Houston, ca. 1721–1775, British
The Portrature of Sedbury
1755
373
Print made by Richard Houston, ca. 1721–1775, British
The Portraiture of the Cullen Arabian
1756
374
Print made by Richard Houston, ca. 1721–1775, British
The Portraiture of Crab, Late the Property of the Right Honorable Earl of Portmore
1755
375
Sawrey Gilpin, 1733–1807, British
Figures with Horses
undated
376
Sawrey Gilpin, 1733–1807, British
Figure on Horseback
undated
377
Sawrey Gilpin, 1733–1807, British
Study of an Elephant
undated
378
Sawrey Gilpin, 1733–1807, British
Study of Cattle
undated
379
Sawrey Gilpin, 1733–1807, British
Study of a Dead Woodcock and Another Bird
undated
380
Sawrey Gilpin, 1733–1807, British
Study of Horse with Figure Holding Reins
undated
381
Sawrey Gilpin, 1733–1807, British
Three Figures beside a Horse
undated
382
Sawrey Gilpin, 1733–1807, British
Study of a Camel
undated
383
Sawrey Gilpin, 1733–1807, British
Two figures kneeling beside a horse..
undated
384
Sawrey Gilpin, 1733–1807, British
Study of cattle with a calf in foreground
undated
385
Shaykh Zayn-al-Din, active 1777–1782, Indian
Asian Openbill Stork (Anastomus oscitans)
1781
386
Sawrey Gilpin, 1733–1807, British
A Lion Stalking its Prey
undated
387
Print made by William Wynne Ryland, 1732–1783, British
A Hawking Party
1765
388
Sawrey Gilpin, 1733–1807, British
Two overlapping Coats of Arms, flanked by an eagle and dog
undated
389
Sawrey Gilpin, 1733–1807, British
Horse running towards left..
undated
390
Sawrey Gilpin, 1733–1807, British
Study of a cow
undated
391
Sawrey Gilpin, 1733–1807, British
Study of a pig
undated
392
Sawrey Gilpin, 1733–1807, British
Study of a Lion
undated
393
Sawrey Gilpin, 1733–1807, British
Studies of figures on horses, cattle at lower left