Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
2
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Moeris and Galatea
1880-1883
3
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
4
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
5
James Bruce, 1730–1794, British
Madoqua (Dik-dik)
ca. 1768
6
Sawrey Gilpin, 1733–1807, British
Cattle in a field with mountains and bridge in background
undated
7
Sawrey Gilpin, 1733–1807, British
Two Horses
undated
8
Sawrey Gilpin, 1733–1807, British
Studies of facial features of a horse
undated
9
Sawrey Gilpin, 1733–1807, British
Goats
undated
10
Unknown artist, 18th century-19th century
Head of a Male Lion
undated
11
James Seymour, 1702–1752, British
A Hound Tethered to a Tree Stump
undated
12
John Vanderbank, 1694–1739, British
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
13
John Vanderbank, 1694–1739, British
"The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
1729
14
Mrs. P. D. H. Page, 20th century
Remora, Ventral View, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 29 A]
undated
15
James Seymour, 1702–1752, British
A Horse Lying Down
undated
16
Samuel Daniell, 1775–1811, British
Study of a Deer Resting, back view
ca. 1801
17
Sir Francis Seymour Haden, 1818–1910, British
The Two Sheep
1870
18
Sir Francis Seymour Haden, 1818–1910, British
Newcastle in Emlyn
1864
19
Sir Francis Seymour Haden, 1818–1910, British
Kenarth
1864
20
Sawrey Gilpin, 1733–1807, British
Two Tigers
1760
21
John Linnell, 1792–1882, British
Horses in a Paddock
1811
22
Print made by George Bickham the Elder, 1683/4–1758, British
A Man, a horse and two dogs, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 6)
undated
23
Print made by George Bickham the Elder, 1683/4–1758, British
A Duck and an Eagle with prey, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn From the Life by Mr. Francis Barlow, 1731 (1 of 9)
1731
24
Print made by George Bickham the Elder, 1683/4–1758, British
Title page for a 'New Drawing Book principally consisting of Beasts in various Actions' (1 of 6)
1730
25
Print made by George Bickham the Elder, 1683/4–1758, British
One eagle, one owl and three owlets, a Pl. for 'A New Drawing Book...of Various Kinds of Birds Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
26
Print made by George Bickham the Elder, 1683/4–1758, British
Doves and Pheasants on two plates on one sheet for 'A New Kind of Drawing Book...of various kinds of Birds Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
27
Print made by Placido Columbani, born ca. 1744, active 1801, Italian, active in Britain
At the Monte Cavallo at Rome
undated
28
Print made by Placido Columbani, born ca. 1744, active 1801, Italian, active in Britain
At the City of Albano
undated
29
Print made by George Bickham the Elder, 1683/4–1758, British
Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
30
Print made by George Bickham the Elder, 1683/4–1758, British
Two cows and a dog in a stream, Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)
undated
31
Print made by George Bickham the Elder, 1683/4–1758, British
A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
32
Print made by George Bickham the Elder, 1683/4–1758, British
A Vulture with prey, and a heron, a Pl. for 'A New Drawing Book...of various kinds of Birds, Drawn from life by Mr. Francis Barlow, 1731' (1 of 9)
1731
33
Mrs. P. D. H. Page, 20th century
Mayflower and Meadow Brown Butterfly, After the original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 45]