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1. Catherine of Braganza

Catherine of Braganza
Creator:
Print made by Edward Le Davis, active 1671–1691, British
Date:
1682
Medium:
Line engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 18 7/8 × 10 13/16 inches (47.9 × 27.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2. Portrait of a Woman Wearing a Feather

Portrait of a Woman Wearing a Feather
Creator:
Print made by Johann Lorenz Haid, 1702–1750, German
Date:
undated
Medium:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 17 7/16 x 12 7/16 inches (44.3 x 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3. Don Ferdinand

Don Ferdinand
Creator:
Print made by Edward Fisher, 1722–1785, British
Date:
1777
Medium:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 17 3/16 x 11 3/4 inches (43.6 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

4. Clara

Clara
Creator:
Print made by Edward Fisher, 1722–1785, British
Date:
1777
Medium:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 17 3/8 x 11 9/16 inches (44.2 x 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5. Mary Robinson

No cover image available
Creator:
Print made by William Dickinson, 1746–1823, British
Date:
1785
Medium:
Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/8 x 12 13/16 inches (44.1 x 32.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. Jane, Duchess of Gordon

No cover image available
Creator:
Print made by William Dickinson, 1746–1823, British
Date:
1775
Medium:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 17 1/8 x 12 3/4 inches (43.5 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund