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Medium laid paper

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Work Type intaglio print

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Subject Terms nymphs

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The Cypress Grove
Creator:
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:
plate etched between ca. 1880 and 1883; impression printed in 1924
Medium:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 15/16 x 12 1/16 inches (27.8 x 30.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Cypress Grove
Creator:
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:
between 1880 and 1883
Medium:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/8 x 14 1/8 inches (25.7 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Acteon and Diana
Creator:
Print made by Bernard Lens II, 1659–1725, British
Date:
undated
Medium:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/16 × 10 5/8 inches (35.7 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Acteon and Diana
Creator:
Print made by Bernard Lens II, 1659–1725, British
Date:
undated
Medium:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/16 × 10 1/16 inches (35.7 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Nymphs Bathing
Creator:
Print made by Bernard Lens II, 1659–1725, British
Date:
undated
Medium:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/8 × 11 11/16 inches (25.7 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Diana and Acteon
Creator:
Print made by John Smith, 1652–1743, British
Date:
1705
Medium:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 15 3/4 inches (29.5 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Juno and Iris
Creator:
Print made by William Faithorne the Younger, ca. 1669–1703, British
Date:
between 1695 and 1703
Medium:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 1/4 x 13 inches (23.5 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Pomona - The Goddess of Orchards
Creator:
Print made by Bernard Lens II, 1659–1725, British
Date:
undated
Medium:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 13/16 × 10 1/4 inches (35.1 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Nymphs Bathing
Creator:
Print made by Bernard Lens II, 1659–1725, British
Date:
undated
Medium:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 10 1/16 × 11 11/16 inches (25.6 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Diana and Acteon
Creator:
Print made by Bernard Lens II, 1659–1725, British
Date:
undated
Medium:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 13/16 × 9 3/4 inches (35.1 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Telemachus relating his Adventures to Calypso
Creator:
Edward Scriven, 1775–1841, British
Date:
1810
Medium:
Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 22 1/16 × 28 3/4 inches (56 × 73 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Robert Robinson, active 1674–1706, British
Date:
undated
Medium:
Mezzotint, state before all letters on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/16 × 7 1/8 inches (25.6 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund