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Medium laid paper

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Creator Fuseli, Henry, 1741–1825

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Work Type drawing

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Macbeth and the Witches
Creator:
James Northcote, 1746–1831, British
Date:
between 1777 and 1778
Medium:
Pen and brown ink, brown wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/4 x 16 1/4 inches (32.4 x 41.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Selling of Cupids
Creator:
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Date:
between 1775 and 1776
Medium:
Black chalk, red chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/4 x 19 inches (31.1 x 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Study of a Lady
Creator:
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Date:
undated
Medium:
Graphite, gray wash, brown wash, and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 x 7 1/2 inches (24.1 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Hermaphrodite
Creator:
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Date:
between 1795 and 1800
Medium:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 x 3 1/2 inches (15.2 x 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of a Seated Woman
Creator:
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Date:
1791
Medium:
Watercolor, graphite, pen and gray ink, gray wash, gouache, and black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 7 7/8 inches (30.5 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Woman Reading, Seated Before a Window
Creator:
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Date:
1805
Medium:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/8 x 7 7/8 inches (25.1 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Back View of a Standing Female, Called Mrs. Fuseli
Creator:
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Date:
1810
Medium:
Watercolor, gray wash and graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/8 x 8 3/4 inches (36.5 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Figure Leaning over Stairs
Creator:
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Date:
1789
Medium:
Pen and black ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 x 7 7/8 inches (30.5 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Percival Frees Belisane from the Spell of Urma
Creator:
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Date:
1811
Medium:
Graphite and gray wash; verso: pen and black ink and graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 x 8 3/4 inches (18.4 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of a Back of a Female Nude, Standing
Creator:
attributed to Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Date:
undated
Medium:
Watercolor, graphite, pen and brown ink and white chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 x 3 5/8 inches (16.5 x 9.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Drawing for the Frontispiece of Erasmus Darwin's "The Botanic Garden"
Creator:
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Date:
1791
Medium:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 x 6 3/8 inches (22.2 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Lowell Libson