A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
2
Attributed to John Carter, 1748–1817, British
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
3
Attributed to John Carter, 1748–1817, British
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
4
Attributed to John Carter, 1748–1817, British
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
5
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
6
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
7
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
8
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
9
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
10
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
11
Attributed to John Carter, 1748–1817, British
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
12
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
13
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
14
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
15
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
16
Attributed to John Carter, 1748–1817, British
East End, Painted Chamber
between 1793 and 1799
17
Attributed to John Carter, 1748–1817, British
Plan of Princes Chamber, One Pair
between 1800 and 1807
18
Attributed to John Carter, 1748–1817, British
East Front of Princes Chamber
between 1800 and 1807
19
Attributed to John Carter, 1748–1817, British
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
20
Attributed to John Carter, 1748–1817, British
Princes Chamber
between 1800 and 1807
21
Attributed to John Carter, 1748–1817, British
South Side of Princes Chamber West
between 1800 and 1807
22
Attributed to John Carter, 1748–1817, British
Window Detail, Princes Chamber
between 1800 and 1807
23
Print made by John Woods, active 1836–1860
Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster
1825
24
Charles James Richardson, 1806–1871, British
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
25
Charles James Richardson, 1806–1871, British
Ceiling of Front Parlor House in Old Palace Yard
1871
26
Print made by William Henry Toms, ca. 1700–ca. 1750, British
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
27
Attributed to John Carter, 1748–1817, British
Buildings on East Side of Dean's Yard
between 1806 and 1815
28
John Carter, 1748–1817, British
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
29
unknown artist, eighteenth century
Entrance Doorway in the Tower, St Stephen's Chapel
undated
30
John Carter, 1748–1817, British
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
31
Attributed to John Carter, 1748–1817, British
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
32
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
33
Attributed to John Carter, 1748–1817, British
New East Front, St Stephen's Chapel
ca. 1801
34
Attributed to John Carter, 1748–1817, British
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
35
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
36
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
37
Print made by Charles Grignion, 1717–1810, British
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
38
Print made by unknown artist, (A Smith)
Entrance of the House of Lords with the Office of Ordnance
undated
39
Attributed to John Carter, 1748–1817, British
Plan of the Basement Story under the House of Lords
between 1800 and 1807
40
Attributed to John Carter, 1748–1817, British
Parts in Stone Underhouse of Lords
between 1800 and 1807
41
Print made by unknown artist
View of the Higher House of Parliament in England
ca. 1695
42
Attributed to John Carter, 1748–1817, British
Palace at Westminster
between 1800 and 1807
43
Attributed to John Carter, 1748–1817, British
Side Window, North, Painted Chamber
between 1793 and 1799
44
Attributed to John Carter, 1748–1817, British
East Front of Painted Chamber
between 1793 and 1799
45
Attributed to John Carter, 1748–1817, British
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
46
Attributed to John Carter, 1748–1817, British
Wall Paintings
between 1793 and 1799
47
Attributed to John Carter, 1748–1817, British
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
48
Charles James Richardson, 1806–1871, British
Sections of Room under Painted Chamber
1827
49
Attributed to John Carter, 1748–1817, British
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
50
Print made by Edward Rooker, 1724–1774, British
Henry the Seventh's Chapel
undated
51
Attributed to John Carter, 1748–1817, British
Continuation of the Preceeding Ornaments
1793
52
Attributed to John Carter, 1748–1817, British
Door-way in Wall of South Precints of Westminster Abbey
undated
53
Attributed to John Carter, 1748–1817, British
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
54
Attributed to John Carter, 1748–1817, British
Continuation of Details
between 1806 and 1815
55
Attributed to John Carter, 1748–1817, British
Window, Dean's Yard
between 1806 and 1815
56
Attributed to John Carter, 1748–1817, British
Continuation of Detail
between 1806 and 1815
57
Attributed to John Carter, 1748–1817, British
Continuation of Detail
between 1806 and 1815
58
Attributed to John Carter, 1748–1817, British
Detail, Dean's Yard
between 1806 and 1815
59
Attributed to John Carter, 1748–1817, British
Figure study, Henry VII Chapel
ca. 1793
60
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
61
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
62
Attributed to John Carter, 1748–1817, British
Paintings on the Wall by H in Plan
between 1793 and 1799
63
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
64
Attributed to John Carter, 1748–1817, British
Details of one of the Figures
ca. 1795
65
Charles James Richardson, 1806–1871, British
Ceiling to Boudoir House in Old Palace Yard
1871
66
Attributed to John Carter, 1748–1817, British
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
67
Attributed to John Carter, 1748–1817, British
Part of the Old Dormitory
1815
68
Attributed to John Carter, 1748–1817, British
South View of the Abbey Church, Westminster, Taken from Dean's Yard