Medium: laid paper / Associated Places: City of Westminster / Topic subjectplace ss: London

1. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

Creator:: Simon Gribelin, 1662–1733, French, active in Britain
Date:: ca. 1720
Medium:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 37 3/4 × 18 1/2 inches (95.9 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The City of Westminster from Near the York Water Gate

Creator:: Canaletto, 1697–1768, Venetian, active in Britain (1746–55)
Date:: between 1746 and 1747
Medium:: Watercolor, gray wash, and pen and brown ink on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 x 28 1/4 inches (38.7 x 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Whitehall Palace, London: Elevation of Proposed Design

Creator:: unknown artist
Date:: between 1710 and 1740
Medium:: Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 9/16 × 17 11/16 inches (34.4 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

Creator:: Print made by Paul Angier, active 1749, French (active in London)
Date:: 1749
Medium:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 18 7/8 inches (31.4 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

5. A Large Church (Westminster Abbey) at Sunset

Creator:: Attributed to Charles Gore, 1729–1807, British
Date:: undated
Medium:: Pen and black ink, watercolor and graphite on moderately thick, moderately textured, greened white laid paper
Dimensions:: Sheet: 5 1/2 × 9 inches (14 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Westminster Abbey from Dean's Yard

Creator:: Alexander Nasmyth, 1758–1840, British
Date:: undated
Medium:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 11/16 × 8 15/16 inches (17 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. A Family in Hyde Park

Creator:: Paul Sandby, 1731–1809, British
Date:: undated
Medium:: Gray wash, graphite with pen and gray and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/4 x 18 1/4 inches (12.1 x 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Scenery, Haymarket Theatre

Creator:: attributed to Michael "Angelo" Rooker, 1746–1801, British
Date:: undated
Medium:: Gray ink and gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 3/4 x 15 1/2 inches (17.1 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Whitehall Palace, London: Section of Proposed Design

Creator:: unknown artist
Date:: between 1710 and 1740
Medium:: Pen and brown ink, gray wash within double-ruled border on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 x 17 1/2 inches (33 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Skating on the Serpentine

Creator:: Thomas Rowlandson, 1756–1827, British
Date:: before 1790
Medium:: Pen and gray and black ink and wash over graphite; verso: pen and black ink on repaired section on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 14 7/16 inches (22.5 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Hyde Park Corner

Creator:: Thomas Rowlandson, 1756–1827, British
Date:: undated
Medium:: Pen and black ink and gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 15/16 x 24 7/16 inches (22.7 x 62.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

Creator:: unknown artist, eighteenth century
Date:: printed 1740, drawn ca. 1760
Medium:: Line engraving marked with pen and black ink, blue wash, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 15/16 × 28 3/4 inches (53.2 × 73 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Half the Plan of Ceiling, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1790 and 1802
Medium:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/16 × 3 1/4 inches (15.4 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Plan of Moldings, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1790 and 1802
Medium:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 6 3/8 inches (21 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Plan of Moldings, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1790 and 1802
Medium:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper with flier attached
Dimensions:: Sheet: 8 1/8 × 7 1/8 inches (20.6 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817, British
Date:: ca. 1781
Medium:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 6 3/8 × 3 13/16 inches (16.2 × 9.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817, British
Date:: ca. 1781
Medium:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 5 3/4 × 4 1/2 inches (14.6 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817, British
Date:: ca. 1781
Medium:: Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:: Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817, British
Date:: ca. 1781
Medium:: Graphite and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 13 1/2 inches (26 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817, British
Date:: ca. 1780
Medium:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817, British
Date:: ca. 1780
Medium:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 5 1/2 inches (16.5 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Impost and Base of Columns, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1790 and 1802
Medium:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 4 3/16 inches (18.4 × 10.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817, British
Date:: ca. 1780
Medium:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817, British
Date:: ca. 1780
Medium:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 5 1/2 inches (17.1 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817, British
Date:: ca. 1780
Medium:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 11/16 × 4 1/8 inches (14.4 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. View of the Office of Ordnance with the Entrance of the House of Lords

Creator:: unknown artist
Date:: undated
Medium:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 4 3/4 inches (17.5 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. East End, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1793 and 1799
Medium:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 8 3/8 × 13 1/4 inches (21.3 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Plan of Princes Chamber, One Pair

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1800 and 1807
Medium:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 6 1/4 × 3 1/2 inches (15.9 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. East Front of Princes Chamber

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1800 and 1807
Medium:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 12 1/4 × 7 3/4 inches (31.1 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Princes Chamber, East Side with the Old House of Lords

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1800 and 1807
Medium:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 7 3/8 × 7 3/8 inches (18.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Princes Chamber

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1800 and 1807
Medium:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 7 3/4 × 3 1/4 inches (19.7 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. South Side of Princes Chamber West

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1800 and 1807
Medium:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 5 7/8 × 7 1/2 inches (14.9 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Window Detail, Princes Chamber

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1800 and 1807
Medium:: Graphite on slightly textured, medium, white laid paper
Dimensions:: Sheet: 3 3/16 × 2 1/4 inches (8.1 × 5.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster

Creator:: Print made by John Woods, active 1836–1860
Date:: 1825
Medium:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 7 5/16 × 4 13/16 inches (18.6 × 12.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Drawing Room Ceiling, No. 3 Old Palace Yard

Creator:: Charles James Richardson, 1806–1871, British
Date:: 1871
Medium:: Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:: Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Ceiling of Front Parlor House in Old Palace Yard

Creator:: Charles James Richardson, 1806–1871, British
Date:: 1871
Medium:: Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:: Sheet: 12 1/4 × 10 3/8 inches (31.1 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The South-East Prospect of King Henry The VII's Chapel at Westminster

Creator:: Print made by William Henry Toms, ca. 1700–ca. 1750, British
Date:: 1739
Medium:: Line engraving on moderately textured, medium, white laid paper
Dimensions:: Sheet: 11 7/8 × 13 inches (30.2 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Buildings on East Side of Dean's Yard

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1806 and 1815
Medium:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 35 1/4 inches (28.6 × 89.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Earthquake Scare in Piccadilly

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: 1750
Medium:: Pen and brown ink, graphite, and brown wash on medium, moderately textured, cream laid paper
Dimensions:: Mount: 10 5/8 × 16 1/2 inches (27 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Admiralty Building from Whitehall

Creator:: Michael "Angelo" Rooker, 1746–1801, British
Date:: 1782
Medium:: Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 11 1/4 inches (18.4 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. East View of Modern Buildings in Continuation from St Stephen's Chapel

Creator:: John Carter, 1748–1817, British
Date:: between 1790 and 1802
Medium:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 17 3/8 inches (13 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Entrance Doorway in the Tower, St Stephen's Chapel

Creator:: unknown artist, eighteenth century
Date:: undated
Medium:: Graphite and traces of red chalk on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 3 1/2 inches (14 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. South View in the Entrance of Porch at West End of St. Stephen's Chapel West

Creator:: John Carter, 1748–1817, British
Date:: between 1790 and 1802
Medium:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 11/16 × 13 inches (22 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1790 and 1802
Medium:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 13 inches (21.3 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Details of the Screen of Entrance Porch, St Stephen's Chapel

Creator:: unknown artist
Date:: undated
Medium:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 4 1/8 inches (44.5 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. New East Front, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817, British
Date:: ca. 1801
Medium:: Graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 × 6 1/2 inches (39.7 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Springing of an Arch, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1790 and 1802
Medium:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 × 5 1/8 inches (14.6 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

Creator:: Attributed to John Carter, 1748–1817, British
Date:: ca. 1781
Medium:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 9 5/8 inches (36.8 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817, British
Date:: ca. 1780
Medium:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 5 5/8 inches (17.5 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. House of Commons and the Entrance to the House of Lords with the Office of Ordnance

Creator:: Print made by Charles Grignion, 1717–1810, British
Date:: undated
Medium:: Engraving with graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/16 × 7 1/2 inches (11 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Entrance of the House of Lords with the Office of Ordnance

Creator:: Print made by unknown artist, (A Smith)
Date:: undated
Medium:: Etching and line engraving on medium, smooth, cream laid paper
Dimensions:: Sheet: 6 1/2 × 3 3/4 inches (16.5 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Plan of the Basement Story under the House of Lords

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1800 and 1807
Medium:: Graphite and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 7/8 × 6 5/16 inches (20 × 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Parts in Stone Underhouse of Lords

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1800 and 1807
Medium:: Graphite and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 3/8 × 5 1/4 inches (18.7 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. View of the Higher House of Parliament in England

Creator:: Print made by unknown artist
Date:: ca. 1695
Medium:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/2 × 15 1/8 inches (47 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Palace at Westminster

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1800 and 1807
Medium:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 6 × 3 1/2 inches (15.2 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Side Window, North, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1793 and 1799
Medium:: Graphite and pen and ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 6 7/8 × 7 3/4 inches (17.5 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. East Front of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1793 and 1799
Medium:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 12 1/2 × 13 1/2 inches (31.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1793 and 1799
Medium:: Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 5 5/8 × 7 7/8 inches (14.3 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Wall Paintings

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1793 and 1799
Medium:: Graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 7 5/8 × 12 1/4 inches (19.4 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Enlarged Detail of Figures from Painting Shown in Previous Sketch

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1793 and 1799
Medium:: Graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 9 5/8 × 5 inches (24.4 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Sections of Room under Painted Chamber

Creator:: Charles James Richardson, 1806–1871, British
Date:: 1827
Medium:: Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 11 × 8 1/4 inches (27.9 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Seats in Henry VII Chapel, Westminster Abbey

Creator:: Attributed to John Carter, 1748–1817, British
Date:: ca. 1793
Medium:: Graphite and pen and black ink on slightley textured, medium, white laid paper
Dimensions:: Sheet: 14 1/2 × 10 3/8 inches (36.8 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Henry the Seventh's Chapel

Creator:: Print made by Edward Rooker, 1724–1774, British
Date:: undated
Medium:: Etching on slightly textured, medium, white laid paper
Dimensions:: Sheet: 4 1/2 × 6 3/8 inches (11.4 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Continuation of the Preceeding Ornaments

Creator:: Attributed to John Carter, 1748–1817, British
Date:: 1793
Medium:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 6 3/4 × 9 3/8 inches (17.1 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Door-way in Wall of South Precints of Westminster Abbey

Creator:: Attributed to John Carter, 1748–1817, British
Date:: undated
Medium:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 × 5 7/16 inches (20 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Line of Buildings on East Side, Dean's Yard

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1806 and 1815
Medium:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 9/16 × 31 1/8 inches (29.4 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Continuation of Details

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1806 and 1815
Medium:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 12 3/4 × 7 3/8 inches (32.4 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Window, Dean's Yard

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1806 and 1815
Medium:: Graphite on slightly textured, medium, white laid paper
Dimensions:: Sheet: 6 1/2 × 3 3/4 inches (16.5 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Continuation of Detail

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1806 and 1815
Medium:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 12 3/4 × 7 3/4 inches (32.4 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Continuation of Detail

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1806 and 1815
Medium:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Detail, Dean's Yard

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1806 and 1815
Medium:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 12 3/4 × 7 5/8 inches (32.4 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Figure study, Henry VII Chapel

Creator:: Attributed to John Carter, 1748–1817, British
Date:: ca. 1793
Medium:: Graphite on slightly textured, medium, white laid paper
Dimensions:: Sheet: 4 3/16 × 2 1/16 inches (10.6 × 5.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817, British
Date:: ca. 1781
Medium:: Graphite on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 4 7/16 × 3 1/8 inches (11.3 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Details of Capitals and Arches, Painted Chamber

Creator:: unknown artist
Date:: between 1793 and 1799
Medium:: Graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 5 3/4 × 5 1/16 inches (14.6 × 12.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Paintings on the Wall by H in Plan

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1793 and 1799
Medium:: Pen and black ink and graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 7 5/8 × 12 1/2 inches (19.4 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Ticket to Westminster Abbey

Creator:: Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:: before 1791
Medium:: Line engraving and stipple engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 5 11/16 inches (22.2 × 14.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817, British
Date:: ca. 1781
Medium:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 6 3/8 × 5 1/2 inches (16.2 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Details of one of the Figures

Creator:: Attributed to John Carter, 1748–1817, British
Date:: ca. 1795
Medium:: Graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 4 1/4 × 2 3/8 inches (10.8 × 6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Ceiling to Boudoir House in Old Palace Yard

Creator:: Charles James Richardson, 1806–1871, British
Date:: 1871
Medium:: Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:: Sheet: 12 1/8 × 9 5/16 inches (30.8 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. View of Modern Gateway in South East Angle of Dean's Yard

Creator:: John Carter, 1748–1817, British
Date:: between 1780 and 1807
Medium:: Graphite on slightly textured, medium, white laid paper
Dimensions:: Sheet: 4 3/4 × 4 7/8 inches (12.1 × 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey

Creator:: Attributed to John Carter, 1748–1817, British
Date:: 1792
Medium:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 10 3/4 inches (21.3 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Part of the Old Dormitory

Creator:: Attributed to John Carter, 1748–1817, British
Date:: 1815
Medium:: Graphite, pen and brown ink, and gray wash on slightly textured, medium, white laid paper
Dimensions:: Sheet: 8 3/16 × 11 7/8 inches (20.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. South View of the Abbey Church, Westminster, Taken from Dean's Yard

Creator:: Attributed to John Carter, 1748–1817, British
Date:: 1785
Medium:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 8 7/16 × 7 7/16 inches (21.4 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Buildings on North Side, Dean's Yard

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1806 and 1815
Medium:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 10 1/4 × 11 inches (26 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Detail for Preceding Elevations

Creator:: Attributed to John Carter, 1748–1817, British
Date:: between 1806 and 1815
Medium:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 12 3/4 × 7 7/8 inches (32.4 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The National Gallery

Creator:: Print made by Stanley Anderson, 1884–1966, British
Date:: undated
Medium:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/8 x 16 inches (33.3 x 40.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

87. An Encampment in St. James Park

Creator:: Paul Sandby, 1731–1809, British
Date:: ca. 1780
Medium:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 17 7/8 inches (30.2 x 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger

Creator:: Michael "Angelo" Rooker, 1746–1801, British
Date:: 1789
Medium:: Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Contemporary drawn border: 14 x 18 5/8 inches (35.6 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830

Creator:: John Linnell, 1792–1882, British
Date:: 1830
Medium:: Watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 x 7 3/8 inches (14.6 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Whitehall Showing Holbein's Gate and Banqueting Hall

Creator:: Thomas Sandby, 1721–1798, British
Date:: ca. 1760
Medium:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 23 1/2 inches (39.4 x 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. St. Martin's Church

Creator:: Print made by unknown artist
Date:: between 1731 and 1754
Medium:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Shakespeare Sacrificed; or, The Offering to Avarice

Creator:: Print made by James Gillray, 1756–1815, British
Date:: 1789
Medium:: Etching with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 3/4 x 15 1/8 inches (50.2 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Lovelace in Prison

Creator:: Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:: 1788
Medium:: Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 x 17 7/16 inches (39 x 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Ticket to Westminster Abbey

Creator:: Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:: before 1791
Medium:: Etching and line engraving on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 7 3/8 inches (22.3 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Westminster Abbey from Dean's Yard

Creator:: Print made by Ernest L. Hampshire, born 1882, British
Date:: undated
Medium:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 x 12 1/4 inches (21.9 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

YCBA Collections Search

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1. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

2. The City of Westminster from Near the York Water Gate

3. Whitehall Palace, London: Elevation of Proposed Design

4. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

5. A Large Church (Westminster Abbey) at Sunset

6. Westminster Abbey from Dean's Yard

7. A Family in Hyde Park

8. Scenery, Haymarket Theatre

9. Whitehall Palace, London: Section of Proposed Design

10. Skating on the Serpentine

11. Hyde Park Corner

12. A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

13. Half the Plan of Ceiling, St Stephen's Chapel

14. Plan of Moldings, St Stephen's Chapel

15. Plan of Moldings, St Stephen's Chapel

16. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

17. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

18. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

19. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

20. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

21. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

22. Impost and Base of Columns, St Stephen's Chapel

23. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

24. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

25. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

26. View of the Office of Ordnance with the Entrance of the House of Lords

27. East End, Painted Chamber

28. Plan of Princes Chamber, One Pair

29. East Front of Princes Chamber

30. Princes Chamber, East Side with the Old House of Lords

31. Princes Chamber

32. South Side of Princes Chamber West

33. Window Detail, Princes Chamber

34. Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster

35. Drawing Room Ceiling, No. 3 Old Palace Yard

36. Ceiling of Front Parlor House in Old Palace Yard

37. The South-East Prospect of King Henry The VII's Chapel at Westminster

38. Buildings on East Side of Dean's Yard

39. The Earthquake Scare in Piccadilly

40. The Admiralty Building from Whitehall

41. East View of Modern Buildings in Continuation from St Stephen's Chapel

42. Entrance Doorway in the Tower, St Stephen's Chapel

43. South View in the Entrance of Porch at West End of St. Stephen's Chapel West

44. Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West

45. Details of the Screen of Entrance Porch, St Stephen's Chapel

46. New East Front, St Stephen's Chapel

47. Springing of an Arch, St Stephen's Chapel

48. Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

49. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

50. House of Commons and the Entrance to the House of Lords with the Office of Ordnance

51. Entrance of the House of Lords with the Office of Ordnance

52. Plan of the Basement Story under the House of Lords

53. Parts in Stone Underhouse of Lords

54. View of the Higher House of Parliament in England

55. Palace at Westminster

56. Side Window, North, Painted Chamber

57. East Front of Painted Chamber

58. Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber

59. Wall Paintings

60. Enlarged Detail of Figures from Painting Shown in Previous Sketch

61. Sections of Room under Painted Chamber

62. Seats in Henry VII Chapel, Westminster Abbey

63. Henry the Seventh's Chapel

64. Continuation of the Preceeding Ornaments

65. Door-way in Wall of South Precints of Westminster Abbey

66. Line of Buildings on East Side, Dean's Yard

67. Continuation of Details

68. Window, Dean's Yard

69. Continuation of Detail

70. Continuation of Detail

71. Detail, Dean's Yard

72. Figure study, Henry VII Chapel

73. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel