Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
2
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sepulchre
etching begun ca. 1800; impression printed in 1924
3
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Moeris and Galatea
1880-1883
4
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Bellman
1879
5
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Cypress Grove
plate etched between ca. 1880 and 1883; impression printed in 1924
6
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
begun ca. 1880
7
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
8
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Lonely Tower
1879
9
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
10
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
11
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Lonely Tower
1879
12
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sepulchre
between 1880 and 1883
13
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
plate etched in 1880; impression printed in 1920
14
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
plate etched in 1880; impression printed in 1926
15
Etched by Joseph Mallord William Turner, 1775–1851, British
Apuleia in Search of Apuleius
between 1813 and 1823
16
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Aesacus and Hesperie
1819
17
George Romney, 1734–1802, British
Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
undated
18
George Romney, 1734–1802, British
Lear Awakened by Cordelia
ca. 1774
19
George Romney, 1734–1802, British
John Henderson as Falstaff
1780
20
George Romney, 1734–1802, British
Tempest, Version A
undated
21
George Romney, 1734–1802, British
Sketch for Canidia and the Youth
undated
22
George Romney, 1734–1802, British
Miranda, Prospero, and Caliban: The Tempest
undated
23
George Romney, 1734–1802, British
Prospero and Miranda
ca. 1787
24
George Romney, 1734–1802, British
Daphnis and Chloe
undated
25
George Romney, 1734–1802, British
Standing Figure, Probably for Lady Macbeth
undated
26
George Romney, 1734–1802, British
"Lear in the Storm," King Lear, Act III, Scene II
undated
27
George Romney, 1734–1802, British
Lear Awakened by Cordelia
between 1774 and 1775
28
William Blake, 1757–1827, British
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
29
William Blake, 1757–1827, British
Satan Approaching the Court of Chaos
1784 to 1785
30
William Blake, 1757–1827, British
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
31
Isaac Taylor, 1730–1807, British
Unidentified Periodical / Play Illustration
undated
32
Isaac Taylor, 1730–1807, British
Unidentified Periodical / Play Illustration
undated
33
Isaac Taylor, 1730–1807, British
Unidentified Periodical / Play Illustration
undated
34
Print made by Thomas Goff Lupton, 1791–1873, British
Procris and Cephalus
1864
35
Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
Gulliver Bound by the Lilliputians
undated
36
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
37
unknown artist
The Death of Cordelia
undated
38
Sir David Wilkie, 1785–1841, British
Scene from Quentin Durward
1833
39
Theodor von Holst, 1810–1844, British
Sheet of Sketches
undated
40
Theodor von Holst, 1810–1844, British
Prospero Watching Ferdinand and Miranda
ca. 1840
41
Robert Smirke, 1752–1845, British
Prospero and Ariel
1821
42
Henry William Bunbury, 1750–1811, British
Falstaff Carrying Dead Hotspur
undated
43
Michael "Angelo" Rooker, 1746–1801, British
Illustration to Beaumont and Fletcher
undated
44
John Michael Rysbrack, 1694–1770, Flemish, active in Britain (from 1720)
Illustration to the Iliad
between 1760 and 1769
45
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Tom Jones Assisting Molly Seagrim
1782
46
Thomas Carwitham, active 1723, British
Ceres and Abas: Ovid, Metamorphoses, Book 5
ca. 1723
47
Robert Smirke, 1752–1845, British
Falstaff in the Boar's Head
1807
48
Samuel De Wilde, 1748–1832, British
Head of a Man with a Beard and Long Hair in the Wind
1786
49
Thomas Carwitham, active 1723, British
Illustration to Homer's Iliad
1723
50
Robert Smirke, 1752–1845, British
Falstaff at Herne's Oak
1807
51
John Hamilton Mortimer, 1740–1779, British
Literary Characters Assembled Around the Medallion of Shakespeare
1776
52
Alexander Runciman, 1736–1785, British
Celadon and Amelia from Thomson's 'The Seasons'
undated
53
James Northcote, 1746–1831, British
Study for Burying the Royal Children
ca. 1790
54
James Northcote, 1746–1831, British
Macbeth and the Witches
between 1777 and 1778
55
Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771)
Thomas Weston as Spy in Bates "The Rival Candidates"
undated
56
Thomas Rowlandson, 1756–1827, British
Henderson in the Character of Falstaff
undated
57
Frederic Leighton, 1830–1896, British
The Reconciliation of the Montagues and the Capulets
1854
58
unknown artist
Troilus and Cressida?
undated
59
unknown artist
Scene from the Inferno Dramatic Landscape
undated
60
unknown artist
Scene from the Inferno
undated
61
Sawrey Gilpin, 1733–1807, British
Study for the Figure of Gulliver
ca. 1769
62
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket: Anacreontic Society Meeting
1773
63
unknown artist, nineteenth century
Hudibras and Rolpho
undated
64
Mary Hoare, 1744–1820, British
Lady Percy Watching the Sleeping Hotspur
1781
65
Mary Hoare, 1744–1820, British
Prospero and Miranda
1781
66
Mary Hoare, 1744–1820, British
Antigonus Disposing of Perdita
ca. 1781
67
Mary Hoare, 1744–1820, British
Ophelia's Death
ca. 1781
68
Mary Hoare, 1744–1820, British
The Three Witches from Macbeth: Though the Bark Cannot be Lost..
ca. 1781
69
Mary Hoare, 1744–1820, British
Lear and Cordelia
ca. 1781
70
Mary Hoare, 1744–1820, British
Lear and Cordelia
ca. 1781
71
Print made by Charles Gauthier Playter, died 1809
Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
1793
72
Thomas Ryder, 1746–1810, Irish
Twelfth Night, Act III, Scene IV: Olivia's House
1803
73
Print made by unknown artist, (A. Dick)
Grandpapa's Story or The Witches Frolick
1838
74
Samuel Howitt, 1756–1822, British
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
75
Samuel Howitt, 1756–1822, British
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
76
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
77
Print made by Robert Thew, 1758–1802, British
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
78
Print made by Jean B. Michel, active 1803
King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)
1791
79
Print made by Robert Thew, 1758–1802, British
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
80
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
John Henderson as Iago
1786
81
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
82
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
83
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
84
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
85
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
86
unknown artist
Scene from the Tempest
undated
87
David Allan, 1744–1796, British, born in Scotland
Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd
1788
88
John Downman, 1750–1824, British
John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
1787
89
unknown artist
A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
undated
90
unknown artist
Mrs. Yates in the Character of Medea
after 1771
91
unknown artist
Titania and Bottom from A Midsummer Night's Dream
undated
92
James Gillray, 1756–1815, British
Sophia, Honour, and the Chambermaid
1780
93
John Finlayson, 1730–1776, British
David Garrick in the Character of 'Kitely'
1769
94
John Massey Wright, 1777–1866, British
The Rustics Perform from "A Midsummer Night's Dream"
undated
95
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
96
Print made by John Hall, 1739–1797, British
Comedies
ca. 1776
97
George Augustus Sala, 1828–1895, British
Mefistofile II
1880
98
Print made by Lydia Bates, active 1784
Literary Characters Assembled around the Medallion of Shakespeare