Medium: laid paper / Genre: genre subject - YCBA Collections Search Search Results

Print made by Charles Shannon, 1863–1937, British

December

ca. 1897

Thomas Rowlandson, 1756–1827, British

A Stage Coach Outside of the Entrance of an Inn

undated

Paul Sandby, 1731–1809, British

Two Girls Seated

undated

Paul Sandby, 1731–1809, British

Pony and Hooded Gig

undated

Paul Sandby, 1731–1809, British

Standing Figure of a Young Man

undated

Paul Sandby, 1731–1809, British

Two-wheeled Tip-cart with Horses

undated

Paul Sandby, 1731–1809, British

Girl with Packhorse

undated

Paul Sandby, 1731–1809, British

Light Dragoon, Mounted, Facing Left

undated

Paul Sandby, 1731–1809, British

Stout Man on a Bucking Horse

undated

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Night

undated

Paul Sandby, 1731–1809, British

A Carriage and Pair, with Coachman

1774

James Ward, 1769–1859, British

Sheep-shearing

undated

Henry William Bunbury, 1750–1811, British

A Travelling Coach and Pair

undated

George Chinnery, 1774–1852, British

Studies of Horses with Chinese Grooms, and a Dog, Nov. 10, 1840

1840

William Henry Hunt, 1790–1864, British

The Gamekeeper

1834

Thomas Rowlandson, 1756–1827, British

Travelling in France

between 1785 and 1789

James Ward, 1769–1859, British

A Young Boy with Dogs

ca. 1798

Thomas Rowlandson, 1756–1827, British

The Stable of an Inn

ca. 1790

James Seymour, 1702–1752, British

Sketches of a Hare, Horse, Stag, Man and Woman

undated

James Seymour, 1702–1752, British

Two Saddled Horses in Stalls in a Stable

undated

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

The Rag Gatherers

1858

Print made by George Cruikshank, 1792–1878, British

Mr. Weazel Renews an Old Friendship

undated

Print made by George Cruikshank, 1792–1878, British

The Capture of Coldough and Harvey

undated

James Seymour, 1702–1752, British

Horse and Rider Walking to Right

undated

Robert Dighton, 1752–1814, British

Fives played at the Tennis court Leicester Fields

ca. 1784

Robert Dighton, 1752–1814, British

Cricket played by the Gentlemens Club, Whiteconduit House

1784

Robert Dighton, 1752–1814, British

Trap Ball Played at the Black Prince, Newington, Butts

ca. 1784

unknown artist, ( English School ) nineteenth century

Too Late for the Meet, c. 1860: a Lady on horseback greeting a Man who is alighting from a gig

ca. 1860

Robert Dighton, 1752–1814, British

Four Corners Played at the Swan, Chelsea

ca. 1784

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Monitors

1887

Charles Schlecht, 1843–1932

The Stump Speaker

undated

Thomas Rowlandson, 1756–1827, British

Interior of a Dressing Room with Jack Bannister

between 1790 and 1795

Thomas Rowlandson, 1756–1827, British

Preparatory sketch for 'Dr Syntax Sketching the Lake'

1812

James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

The Open Book

1861

Sir John Everett Millais, 1829–1896, British

Awful Protection Against Midges

1853

Print made by unknown artist, (de Bois)

A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome

undated

Print made by unknown artist, (de Bois)

A View of Campo Vaccino at Rome

undated

Print made by unknown artist, (de Bois)

A View of the Salfatara, a Remarkable Mountain Near Naples

undated

Print made by unknown artist, (Dubois)

A View of the Mole and the New Castle at Naples

undated

Print made by unknown artist, (Dubois)

A View of the Royal Palace at Naples

undated

Print made by unknown artist, (de Bois)

The Palace of Mont Alto at Naples

undated

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Moonlight

1745

Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771)

Figures by a stream with cattle watering

undated

Print made by Charles William Cain, 1893–1962, British

The Highland Ferry, Scotland

undated

Attributed to Francis Cotes, 1726–1770, British

An Artist Sketching, possibly Paul Sandby

ca. 1755

Robert Dighton, 1752–1814, British

Foot Ball played at Market Place, Barnet

ca. 1784

Robert Dighton, 1752–1814, British

Coits Played opposite the Horns, Kennington Common

ca. 1784

Thomas Rowlandson, 1756–1827, British

Providence—The Protection of Drunken Men

ca. 1784

Print made by Jacob Gole, 1660–1737, Dutch

April

undated

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Bunting

1887

Thomas Rowlandson, 1756–1827, British

Horsemen Colliding

between 1785 and 1790

Thomas Rowlandson, 1756–1827, British

Ladies at Tea

between 1790 and 1795

Thomas Rowlandson, 1756–1827, British

Dr Syntax Meditating on the Tombstones

1820

Thomas Rowlandson, 1756–1827, British

Bodmin Cornwall: The Arrival of the Stage-Coach

1795

Thomas Rowlandson, 1756–1827, British

Two Gigs in Trouble

undated

Thomas Rowlandson, 1756–1827, British

Plymouth Dock

1817

Thomas Rowlandson, 1756–1827, British

Labourers at Rest

between 1790 and 1795

Thomas Rowlandson, 1756–1827, British

An Officer and his Servant

undated

Thomas Rowlandson, 1756–1827, British

A Review on Blackheath, May 1785

1785

Print made by unknown artist, eighteenth century

The Wife's Fortune Told

ca. 1768

Print made by John Raphael Smith, 1752–1812, British

The Bread and Butter Manufactory, or the Humors of Bagnigge Wells

1783

Lionel Grimston Fawkes, 1849–1931, British

Windward Islands, Barbados: A Slight Dispute in the Kitchen

undated

John Collet, ca. 1725–1780, British

Stable Boy Holding a Horse in a Landscape

undated

James Seymour, 1702–1752, British

Kindly, with Jockey Up

undated

William Makepeace Thackeray, 1811–1863, British

A Mail Coach in a Hilly Landscape

undated

John Vanderbank "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...

John Vanderbank, 1694–1739, British

"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..

1729

John Vanderbank "The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."

John Vanderbank, 1694–1739, British

"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."

1729

John Vanderbank, 1694–1739, British

"The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."

1729

James Ward, 1769–1859, British

Sir Charles Blunt at the Death of the Boar

undated

James Ward, 1769–1859, British

Sir Charles Blunt Hunting the Boar and Escaping From the Tiger

undated

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Little Annie Seated

undated

Thomas Daniell, 1749–1840, British, active in India

Sketch of a Bamboo and Wood Mechanical Device

undated

Thomas Daniell, 1749–1840, British, active in India

Sketch

undated

Thomas Daniell, 1749–1840, British, active in India

Sketch

undated

Print made by unknown artist, (de Bois)

A View of the Piazza Navona in the City of Rome

undated

Print made by unknown artist, (de Bois)

A View of the Piazza del Popolo in the City of Rome

undated

Print made by unknown artist, (de Bois)

Spanish Palace at Naples

undated

Print made by unknown artist, (de Bois)

A View of Part of the Royal Gardens at Naples Towards the Sea

undated

Print made by unknown artist, (Dubois)

A View of the Sea from the Palace of the Vice Roy at Naples

undated

Engraved by Robert Pollard, 1755–1838, British

View of Queen Square

1789

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Concert Ticket: Benefit Night of Luigi Borghi

1780

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket to a Concert of Ancient Vocal and Instrumental Music

1786

Peter P. Benazech, 1767–1794

For Japaning, Where may be 200 Different Sorts

1757

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745