No. 18 drawings of ornamental detail of friezes and verso: the entablature and plan of a temple at Baalbec or Palmyra
undated
2
James Bruce, 1730–1794, British
No. 21 view from the North Angle of the peristyle of the temple
undated
3
James Bruce, 1730–1794, British
No. 25 drawing of temple remains at Baalbec or Palmyra
undated
4
James Bruce, 1730–1794, British
No. 29 sketch of temple remains at Baalbec or Palmyra
undated
5
James Bruce, 1730–1794, British
Lower Arch at Makther on Back
undated
6
James Bruce, 1730–1794, British
Trajans Arch, Makter
undated
7
James Bruce, 1730–1794, British
XVLL Arch at Makther
undated
8
James Bruce, 1730–1794, British
Sketch of Arches in Perspective
ca. 1768
9
James Bruce, 1730–1794, British
Plan of the circular temple at Baalbec
undated
10
Arthur Bradley, active 1740, British
Record Drawing of the 1639 Altarpiece in Exeter Cathedral
undated
11
James Wyatt, 1746–1813, British
Goodwood, West Sussex: Ceiling Design
undated
12
George Richardson, ca.1738–ca.1813, British
Design for a Ceiling
undated
13
Sir David Young Cameron, 1865–1945, British
The North Porch, Harfleur
1904
14
James Bruce, 1730–1794, British
Arch and Corinthian Temple of Assuras mod. Zanfour
undated
15
James Bruce, 1730–1794, British
Lambressa, the Praerorium
undated
16
James Bruce, 1730–1794, British
Graphite elevation of unidentified column with graphite and pen and ink dimensions
undated
17
James Bruce, 1730–1794, British
Gate at Medjez-el-bab
undated
18
James Bruce, 1730–1794, British
Back view of the same circular temple in its present state
undated
19
James Bruce, 1730–1794, British
Architectural Details of Arch at Makther
undated
20
James Bruce, 1730–1794, British
Details of Lower Arch Mactar, Modern Makther
undated
21
James Bruce, 1730–1794, British
Entrance Gate, Zaghouan
ca. 1768
22
James Bruce, 1730–1794, British
Details of Temple Above Spring at Zaghouan
ca. 1768
23
James Bruce, 1730–1794, British
Arch of Trajan Makther
undated
24
James Bruce, 1730–1794, British
Temple Above Spring at Zaghouan
ca. 1768
25
Print made by Edward Goodall, 1795–1870, British
Tivoli, a Composition
1827
26
Print made by Edward Goodall, 1795–1870, British
Tivoli, a Composition
1827
27
Frederic Leighton, 1830–1896, British
The Reconciliation of the Montagues and the Capulets
1854
28
unknown artist, eighteenth century
A Georgian Mansion, front and side elevations
ca. 1790
29
Thomas Daniell, 1749–1840, British, active in India
An Excavated Temple on the Island of Salsette: The Great Chaitya Temple (Cave 3), Kanheri
July 1795
30
Attributed to John Carter, 1748–1817, British
New East Front, St Stephen's Chapel
ca. 1801
31
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
32
Sir William Chambers, 1723–1796, British
Headfort House, Ireland: Elevations of the North and South Fronts
1765
33
Sir William Chambers, 1723–1796, British
Headfort House, Ireland: Sections of the House and Offices
1765
34
Samuel Davis, 1760–1819, British
River Scene and Bridge with Artist Sketching in Foreground
1777
35
Samuel Scott, 1701/2–1772, British
A Wood Yard on the Thames at Nine Elms
undated
36
Print made by Frederick Landseer Maur Griggs, 1876–1938, British
The Barbican
1920
37
Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565, French
Theatrum Sive Coliseum Romanum
1538
38
Print made by unknown artist, sixteenth century
Templi Ignoti, Sed ex eius Fragmentis
between 1546 and 1562
39
Print made by unknown artist
Sepulchrum C. Cesti Epulonis Ostiensi via et pyramide et marmore quadrato noblissimum atq. omnium vetustissimum
1547
40
Sir Richard Colt Hoare, 1758–1838, British
Church of S. Domenico near Sora built upon the ruins of Cicero's Villa
1790
41
Victor Marie Picot, 1744–1805, French
Wanstead House in Essex
1775
42
Print made by Gerard van der Gucht, 1696–1776, British
Fort St. George
1736
43
Sir Richard Colt Hoare, 1758–1838, British
The Carthusian Convent at Trisulto, near Alatri
1790
44
Sir Richard Colt Hoare, 1758–1838, British
The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora
1790
45
Sir Richard Colt Hoare, 1758–1838, British
The Carthusian Convent at Trisulto
1790
46
Sir Richard Colt Hoare, 1758–1838, British
Ducal Palace at Isola di Sora
1790
47
Sir Richard Colt Hoare, 1758–1838, British
Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora
1791
48
Sir Richard Colt Hoare, 1758–1838, British
The Carthusian Convent at Trisulto
1790
49
Sir Richard Colt Hoare, 1758–1838, British
Ducal Palace etc at Isola di Sora
1791
50
Sir Richard Colt Hoare, 1758–1838, British
Ducal Palace at Isola di Sora
1791
51
Sir Richard Colt Hoare, 1758–1838, British
Monastery of La Trappe, at Casamare
1790
52
Sir Richard Colt Hoare, 1758–1838, British
Convento del Carmine, at Isola di Sora
1790
53
Paul Sandby, 1731–1809, British
The Victor Conducted in Triumph
ca. 1781
54
Print made by Hendrick van Schoel, died 1622, Dutch
Senatus Populus Que Romanus Divo Tito Divi Vespasiani Filio Vespasiano Augusto
1548
55
Print made by Benjamin Cole, 1697–1783, British
Merchant Taylors' School and St. Paul's School
1756
56
R. F. Tringham
The West Perspective Views of His Majesty's New Royal Hospital Building near Plymouth
ca.1762
57
Stephen Riou, 1720–1780
Design for a villa: `The Ground Plan and Elevations of a Villa'