Simon Gribelin, 1662–1733, French, active in Britain
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
ca. 1720
3
Samuel Hieronymus Grimm, 1733–1794, Swiss
A View of the Fire in Covent Garden
1769
4
Canaletto, 1697–1768, Venetian, active in Britain (1746–55)
View of Old Somerset House from the Thames
undated
5
Wenceslaus Hollar, 1607–1677, Bohemian
In Saint Paul's Church, One of the Choir Doors
between 1656 and 1658
6
Attributed to Theodore Jacobsen, died 1772, British
The Chapel of the Foundling Hospital, London
undated
7
Attributed to Theodore Jacobsen, died 1772, British
The Chapel of the Foundling Hospital, London
undated
8
Canaletto, 1697–1768, Venetian, active in Britain (1746–55)
The City of Westminster from Near the York Water Gate
between 1746 and 1747
9
unknown artist, eighteenth century
Sketch for the Oil Painting "The Conversion of St. Paul"
undated
10
Thomas Sandby, 1721–1798, British
Receipt for a Set of Six London Views
ca. 1758
11
Sir John Soane, 1753–1837, British
Hinton St. George, Somerset: View of the Saloon
1797
12
Samuel Scott, 1701/2–1772, British
Westminster Abbey and Bridge from Somerset Garden
1759
13
William Henry Hunt, 1790–1864, British
St. Paul's Cathedral and Blackfriar's Bridge
ca. 1817
14
John Maurer, active 1713–1761
The Rotunda and Gardens, Ranelagh
ca. 1744
15
John Maurer, active 1713–1761
The Mansion House
undated
16
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
17
James Wyatt, 1746–1813, British
Design for the Staircase at Stratford Place
undated
18
Print made by Paul Angier, active 1749, French (active in London)
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
19
George Vertue, 1684–1756, British
The Monument in Westminster Abbey of King Henry V
between 1699-1756
20
Claude Du Bosc, c.1711–1740
The Monument of King Edward III in Westminster Abbey
undated, ca. 1726-1740
21
Print made by Stanley Anderson, 1884–1966, British
Horse Guards
1911
22
William Henry Hunt, 1790–1864, British
The Building of Waterloo Bridge
ca. 1816
23
unknown artist
Design for the Parterre at Hampton Court
early 18th century
24
Sir James Thornhill, 1675–1734, British
Design for a Ceiling at Addiscombe: Bacchus and Ariadne
undated
25
Attributed to Theodore Jacobsen, died 1772, British
The Chapel of the Foundling Hospital, London
undated
26
John Linnell, 1792–1882, British
Near Edgware Road, London
1806
27
William Kent, ca.1686–1748, British
The Treasury, Whitehall, London: Alternate Elevations of the Facade
ca. 1733
28
William Kent, ca.1686–1748, British
King's Mews, Charing Cross, London: Section
1731
29
William Augustus Barron, active 1777
Broom House, Fulham, London
1774
30
attributed to Michael "Angelo" Rooker, 1746–1801, British
Scenery, Haymarket Theatre
undated
31
unknown artist, nineteenth century
Croydon Church
undated
32
unknown artist
Whitehall Palace, London: Section of Proposed Design
between 1710 and 1740
33
unknown artist, nineteenth century
View of London from Richmond House, Whitehall
undated
34
John Varley, 1778–1842, British
View of New Street, near London Bridge
undated
35
Charles Tomkins, 1757–1823, British
Painter-Stainers’ Hall
1799
36
Samuel Wale, 1721–1786, British
Guys Hospital
undated
37
Samuel Wale, 1721–1786, British
St. Bartholomews Hospital
undated
38
Print made by Johannes Kip, 1653–1722, Dutch
St James's House, Le Palais Royal de St James
1707
39
Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
The Adam and Eve Tavern, Old Chelsea
1878
40
Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
Old Hungerford Bridge
1861
41
Sir William Chambers, 1723–1796, British
Royal Botanic Gardens, Kew: Design for Interior of a Mosque
ca. 1761
42
unknown artist
Stainborough Hall, Yorkshire: Three Floor Plans
undated
43
unknown artist
Stainborough Hall, Yorkshire: Front and Back Elevations
undated
44
unknown artist
Bush Hill, Edmonton, London: Plan of a Knot Garden
1713
45
unknown artist, eighteenth century
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
46
Attributed to John Carter, 1748–1817, British
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
47
Attributed to John Carter, 1748–1817, British
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
48
Attributed to John Carter, 1748–1817, British
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
49
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
50
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
51
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
52
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
53
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
54
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
55
Attributed to John Carter, 1748–1817, British
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
56
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
57
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
58
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
59
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
60
Attributed to John Carter, 1748–1817, British
East End, Painted Chamber
between 1793 and 1799
61
Attributed to John Carter, 1748–1817, British
Plan of Princes Chamber, One Pair
between 1800 and 1807
62
Attributed to John Carter, 1748–1817, British
East Front of Princes Chamber
between 1800 and 1807
63
Attributed to John Carter, 1748–1817, British
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
64
Attributed to John Carter, 1748–1817, British
Princes Chamber
between 1800 and 1807
65
Attributed to John Carter, 1748–1817, British
South Side of Princes Chamber West
between 1800 and 1807
66
Attributed to John Carter, 1748–1817, British
Window Detail, Princes Chamber
between 1800 and 1807
67
Print made by John Woods, active 1836–1860
Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster
1825
68
Charles James Richardson, 1806–1871, British
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
69
Charles James Richardson, 1806–1871, British
Ceiling of Front Parlor House in Old Palace Yard
1871
70
Print made by William Henry Toms, ca. 1700–ca. 1750, British
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
71
Attributed to John Carter, 1748–1817, British
Buildings on East Side of Dean's Yard
between 1806 and 1815
72
William Beilby, 1740–1819, British
Syon House, London
undated
73
Michael "Angelo" Rooker, 1746–1801, British
The Admiralty Building from Whitehall
1782
74
Michael Searles, 1750–1813, British
Design for a London Townhouse: Elevation
undated
75
John Carter, 1748–1817, British
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
76
unknown artist, eighteenth century
Entrance Doorway in the Tower, St Stephen's Chapel
undated
77
John Carter, 1748–1817, British
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
78
Attributed to John Carter, 1748–1817, British
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
79
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
80
Attributed to John Carter, 1748–1817, British
New East Front, St Stephen's Chapel
ca. 1801
81
Attributed to John Carter, 1748–1817, British
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
82
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
83
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
84
Print made by Charles Grignion, 1717–1810, British
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
85
Print made by unknown artist, (A Smith)
Entrance of the House of Lords with the Office of Ordnance
undated
86
Attributed to John Carter, 1748–1817, British
Plan of the Basement Story under the House of Lords
between 1800 and 1807
87
Attributed to John Carter, 1748–1817, British
Parts in Stone Underhouse of Lords
between 1800 and 1807
88
Print made by unknown artist
View of the Higher House of Parliament in England
ca. 1695
89
Attributed to John Carter, 1748–1817, British
Palace at Westminster
between 1800 and 1807
90
Attributed to John Carter, 1748–1817, British
Side Window, North, Painted Chamber
between 1793 and 1799
91
Attributed to John Carter, 1748–1817, British
East Front of Painted Chamber
between 1793 and 1799
92
Attributed to John Carter, 1748–1817, British
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
93
Attributed to John Carter, 1748–1817, British
Wall Paintings
between 1793 and 1799
94
Attributed to John Carter, 1748–1817, British
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
95
Charles James Richardson, 1806–1871, British
Sections of Room under Painted Chamber
1827
96
Attributed to John Carter, 1748–1817, British
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
97
Print made by Edward Rooker, 1724–1774, British
Henry the Seventh's Chapel
undated
98
Attributed to John Carter, 1748–1817, British
Continuation of the Preceeding Ornaments
1793
99
Attributed to John Carter, 1748–1817, British
Door-way in Wall of South Precints of Westminster Abbey