Medium: laid paper / Period: 19th century - YCBA Collections Search Search Results

Francis Danby, 1793–1861, Irish

The Ferry

ca. 1840

Francis Danby, 1793–1861, Irish

Hope near Bergen

ca. 1840

attributed to John Constable, 1776–1837, British

Pollarded Willows

undated, after 1804

John Constable, 1776–1837, British

Male Nude

1808

John Constable, 1776–1837, British

Two Figures by a River

between 1807 and 1809

John Constable, 1776–1837, British

Helmingham: The Silent Pool

ca. 1800

John Constable, 1776–1837, British

Four East Indiamen at Archor

1803

John Constable, 1776–1837, British

Mr. Hobson of Markfield and Family

ca. 1806

John Constable, 1776–1837, British

Two Ships at Anchor

1803

John Constable, 1776–1837, British

Wooded Slope with a Receding Road

ca. 1805

John Constable, 1776–1837, British

Landscape at East Bergholt

ca. 1805

John Constable, 1776–1837, British

Trees and Deer

1825

John Constable, 1776–1837, British

Cottage among Trees

ca. 1795

John Constable, 1776–1837, British

Dedham Vale from Langham

ca. 1813

John Constable, 1776–1837, British

Mary Constable Reading

1812

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold: Early Morning

ca. 1880

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Brambles

undated

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Foxgloves

undated

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Herdsman's Cottage

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

1880-1883

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Harvest under a Crescent Moon

ca. 1826

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Cypress Grove

between 1880 and 1883

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

between 1880 and 1883

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Christmas

1877

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1920

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1926

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Skylark

1850

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Entrance of Calais Harbour

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Dumblain Abbey, Scotland

1816

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Entrance of Calais Harbour

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Norham Castle on the Tweed

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Ville de Thun, Switzerland

1816

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

The Source of the Arveron in the Valley of Chamouni, Savoy

1816

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

The Source of the Arveron in the Valley of Chamouni, Savoy

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Tenth Plague of Egypt

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

The Alcove, Isleworth

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

East Gate, Winchelsea, Sussex

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Isis

1819

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Interior of a Church

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Glaucus and Scylla

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

The Alcove, Isleworth

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Inverary Castle and Town, Scotland

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Ben Arthur, Scotland

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Christ and the Woman of Samaria

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Sheep-Washing, Windsor

between 1813 and 1823

Print made by Joseph Mallord William Turner, 1775–1851, British

The Evening Gun

ca. 1825

Joseph Mallord William Turner, 1775–1851, British

Sketch of Two Ships on a Catalogue Page

ca. 1823

Print made by Joseph Mallord William Turner, 1775–1851, British

Paestum

between 1820 and 1826

Print made by Joseph Mallord William Turner, 1775–1851, British

Ship in a Storm

between 1820 and 1826

Print made by Joseph Mallord William Turner, 1775–1851, British

Shields Lighthouse

between 1820 and 1826

Etched by Joseph Mallord William Turner, 1775–1851, British

The Castle above the Meadows

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

The Straw Yard

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Mt. St. Gothard

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Mt. St. Gothard

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Holy Island Cathedral

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Pembury Mill, Kent

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Ships in a Breeze

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Pembury Mill, Kent

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Holy Island Cathedral

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Dunstanborough Castle

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Lake of Thun, Switzerland

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

The Farm-yard with the Cock

1809

Etched by Joseph Mallord William Turner, 1775–1851, British

The Drawing of the Clyde

1809

Etched by Joseph Mallord William Turner, 1775–1851, British

Original Sketch of a Picture for W. Leader, Esq

1809

Etched by Joseph Mallord William Turner, 1775–1851, British

Bridge and Cows

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

Flint Castle, Vessels Unloading

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

Dumbarton Rock

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Solitude

1814

Etched by Joseph Mallord William Turner, 1775–1851, British

Norham Castle on the Tweed

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Bonneville, Savoy

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Bonneville, Savoy

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Bridge and Cows

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

Basle

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

Ships in a Breeze

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Ships in a Breeze

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Lake of Thun, Switzerland

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

The Bridge in Middle Distance

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

The Fifth Plague of Egypt

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Little Devil's Bridge over the Russ above Altdorft, Switzerland

1809

Etched by Joseph Mallord William Turner, 1775–1851, British

Original Sketch of a Picture for W. Leader, Esq

1809

Etched by Joseph Mallord William Turner, 1775–1851, British

Juvenile Tricks

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Juvenile Tricks

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Dumbarton Rock

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Ben Arthur, Scotland

1819

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Medium laid paper

Period 19th century

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