View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
13
Attributed to J. Hadley, active 1730–1758
The Severn-Henbury Village and Blaize Castle from the road in the Mill
undated
14
Charles Gore, 1729–1807, British
Hubertusburg Château
undated
15
Charles Gore, 1729–1807, British
Florence Opposite the Cassines
undated
16
Charles Gore, 1729–1807, British
View of Dürrenstein
undated
17
Giovanni Battista Borra, 1713–1770, Italian
Ruins at Pergamon, Probably of the Amphitheatre
ca. 1750
18
Rev. William Gilpin, 1724–1804, British
Classical Landscape with Ruin on Left, Two Figures on Right
between 1745 and 1748
19
Rev. William Gilpin, 1724–1804, British
Mountainous Landscape with River, Trees and Foliage in Foreground
between 1745 and 1748
20
Rev. William Gilpin, 1724–1804, British
Hilly Landscape
between 1745 and 1748
21
Rev. William Gilpin, 1724–1804, British
Three Figures in a Hilly Landscape with Ruins, beyond
between 1745 and 1748
22
Rev. William Gilpin, 1724–1804, British
Landscape with Classical Building at Left
between 1745 and 1748
23
Rev. William Gilpin, 1724–1804, British
Two Figures on a Road with Castle in Center Distance
between 1745 and 1748
24
Rev. William Gilpin, 1724–1804, British
Two Figures on a Road by a Lake
between 1745 and 1748
25
Rev. William Gilpin, 1724–1804, British
Shipping Scene with Three Figures on shore
between 1745 and 1748
26
Rev. William Gilpin, 1724–1804, British
A Rocky Landscape
between 1745 and 1748
27
Rev. William Gilpin, 1724–1804, British
Landscape with a Ruined Castle on the Right
between 1745 and 1748
28
Rev. William Gilpin, 1724–1804, British
Landscape with Four Figures
between 1745 and 1748
29
Rev. William Gilpin, 1724–1804, British
Landscape with Three Figures on a Road
between 1745 and 1748
30
Rev. William Gilpin, 1724–1804, British
A Lake with Mountains Rising Beyond
between 1745 and 1748
31
Rev. William Gilpin, 1724–1804, British
Mountainous Landscape with Rocky Crag at Right
between 1745 and 1748
32
James Deacon, c. 1728–1750, British
Rocky Landscape with Classical Buildings
undated
33
Thomas Ross, active from 1753, British
Netting Partridges
ca. 1750
34
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
35
James Adam, 1732–1794, Scottish
Landscape with River and Figures
undated
36
Rev. William Gilpin, 1724–1804, British
Landscape with Mountain in Center Distance
between 1745 and 1748
37
Rev. William Gilpin, 1724–1804, British
Classical Landscape with Two Figures on Lake Shore
between 1745 and 1748
38
Rev. William Gilpin, 1724–1804, British
Two Figures on Shore with Mountain Rising Behind
between 1745 and 1748
39
Rev. William Gilpin, 1724–1804, British
Landscape with Two Horsemen on a Road
between 1745 and 1748
40
Rev. William Gilpin, 1724–1804, British
Classical Landscape with Two Figures on Horseback at Right
between 1745 and 1748
41
Alexander Cozens, 1717–1786, British
Landscape with a Lake and Distant Mountain
ca. 1750
42
Alexander Cozens, 1717–1786, British
The Glade
ca. 1750
43
Rev. William Gilpin, 1724–1804, British
Mountainous Landscape with a River
between 1745 and 1748
44
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Morning
1745
45
unknown artist
Views in the Levant: Landscape with Fields in Foreground, Town and Volcanic Mountains
ca. 1750
46
Giovanni Battista Borra, 1713–1770, Italian
Mausolio d'Haliatte in Faccia a Sardes
ca. 1750
47
Giovanni Battista Borra, 1713–1770, Italian
Plan, View and Second Plan of Ruins at Sardis
ca. 1750
48
Giovanni Battista Borra, 1713–1770, Italian
Pianura dell'Hermo in Faccia a Sardes
ca. 1750
49
Giovanni Battista Borra, 1713–1770, Italian
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
50
Giovanni Battista Borra, 1713–1770, Italian
Castello di Smirna
ca. 1750
51
Giovanni Battista Borra, 1713–1770, Italian
View of the Valley of Hierapolis (now Pamukkale)
ca. 1750
52
Giovanni Battista Borra, 1713–1770, Italian
Topographical Map of Halicarnassus at its Harbor
ca. 1750
53
Giovanni Battista Borra, 1713–1770, Italian
Situazione Di Ceramo
ca. 1750
54
Giovanni Battista Borra, 1713–1770, Italian
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
55
Giovanni Battista Borra, 1713–1770, Italian
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
56
Giovanni Battista Borra, 1713–1770, Italian
Napolosa in Samaria
ca. 1750
57
Giovanni Battista Borra, 1713–1770, Italian
Veduta Occidentale del Monte Tabor
ca. 1750
58
Giovanni Battista Borra, 1713–1770, Italian
Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
ca. 1750
59
Giovanni Battista Borra, 1713–1770, Italian
View and Plan of the Theater of Hierapolis (now Pamukkale)