Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
ca. 1750
2
Giovanni Battista Borra, 1713–1770, Italian
Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian
ca. 1750
3
Giovanni Battista Borra, 1713–1770, Italian
Details of a Composite Order from the Temple of Augustus at Mylasa
ca. 1750
4
Giovanni Battista Borra, 1713–1770, Italian
Posizione delle Piramidi di Sachara
ca. 1750
5
Giovanni Battista Borra, 1713–1770, Italian
Plan and View of a Cave, Temple, or Tomb
ca. 1750
6
Giovanni Battista Borra, 1713–1770, Italian
Sepolcro di Zagaria
ca. 1750
7
Giovanni Battista Borra, 1713–1770, Italian
Plans and Views of Two Pyramids, One Cephron's at Giza
ca. 1750
8
Giovanni Battista Borra, 1713–1770, Italian
View, Cross Section, and Other Details of Cheop's Pyramid at Giza
ca. 1750
9
Giovanni Battista Borra, 1713–1770, Italian
Topographical View of the Pyramids at Giza
ca. 1750
10
Giovanni Battista Borra, 1713–1770, Italian
Plan of Jerusalem
ca. 1750
11
Giovanni Battista Borra, 1713–1770, Italian
View and Plan of the Grotto of St. Jerome at Lydda (Lod)
ca. 1750
12
Giovanni Battista Borra, 1713–1770, Italian
View of a Passage Cut into a Hillside
ca. 1750
13
James Bruce, 1730–1794, British
Plan of the Temple at Baalbec
undated
14
James Bruce, 1730–1794, British
Quadrifrontal Arch Tripoli
undated
15
James Bruce, 1730–1794, British
Triumphal Arch of Hieron of Temples Sheitla
undated
16
James Bruce, 1730–1794, British
Unidentified Ungulate
undated
17
James Bruce, 1730–1794, British
Aquaduct of Julia Ceasarea
undated
18
Charles Gore, 1729–1807, British
View of Dürrenstein
undated
19
Giovanni Battista Borra, 1713–1770, Italian
Frieze and Capitals (from Priene?)
ca. 1750
20
Giovanni Battista Borra, 1713–1770, Italian
Details of a Corinthian Temple on the Acropolis of Pergamon
ca. 1750
21
James Bruce, 1730–1794, British
Aquaduct of Julia Ceasarea
undated
22
James Bruce, 1730–1794, British
Plate II Tombe de la Chretienne
undated
23
James Bruce, 1730–1794, British
Tomb of Juba II near Algiers
undated
24
Francis Swaine, 1730–1782, British
Fishing Boats
undated
25
James Bruce, 1730–1794, British
Weighing Scale
undated
26
James Bruce, 1730–1794, British
Sketches of architectural detail of temple at Baalbec
undated
27
James Bruce, 1730–1794, British
Elevation and plan of part of Temples at Baalbec
undated
28
James Bruce, 1730–1794, British
Plan of the most entire temple at Baalbec
undated
29
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Moonlight
1745
30
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
31
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
32
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
33
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
34
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
35
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
36
Print made by James Watson, 1740–1790, British
Carolina Matilda, Queen of Denmark
undated
37
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Morning
1745
38
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Night and a Ship on Fire
1745
39
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Noon
1745
40
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Moonlight
1745
41
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Sun Under a Cloud
1745
42
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
A Strong Gale or Squall
1745
43
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Shipwreck
1745
44
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
A Ship in Distress
1745
45
Giovanni Battista Borra, 1713–1770, Italian
Details of a Corinthian Order at Geramo
ca. 1750
46
Giovanni Battista Borra, 1713–1770, Italian
A Doorway from Geramo
ca. 1750
47
Giovanni Battista Borra, 1713–1770, Italian
Plan, View and Second Plan of Ruins at Sardis
ca. 1750
48
Giovanni Battista Borra, 1713–1770, Italian
Plan of the Temple of Artemis at Ephesus
ca. 1750
49
Giovanni Battista Borra, 1713–1770, Italian
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
50
Giovanni Battista Borra, 1713–1770, Italian
Members of a Ionic Temple in Ruins at Priene (now Turunclar)
ca. 1750
51
Giovanni Battista Borra, 1713–1770, Italian
Members of an Ionic Temple at Teos
ca. 1750
52
Giovanni Battista Borra, 1713–1770, Italian
Door in the Corinthian Order from Aphrodisias (now Geyve)
ca. 1750
53
Giovanni Battista Borra, 1713–1770, Italian
Remains of an Ionic Temple of Bacchus at Aphrodisias
ca. 1750
54
Giovanni Battista Borra, 1713–1770, Italian
Details of a Corinthian Order from a Temple at Cnidus
ca. 1750
55
Giovanni Battista Borra, 1713–1770, Italian
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
56
Giovanni Battista Borra, 1713–1770, Italian
Facade of a Baroque Church, Probably the Facade that Bernini Added to Pichetti's Chiesa da le Barberine in Rome in 1639
ca. 1750
57
Giovanni Battista Borra, 1713–1770, Italian
Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
ca. 1750
58
Giovanni Battista Borra, 1713–1770, Italian
Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
ca. 1750
59
Giovanni Battista Borra, 1713–1770, Italian
Sepolcro di Absalon
ca. 1750
60
Giovanni Battista Borra, 1713–1770, Italian
View and Plan of the Grotto of Gethsemene
ca. 1750
61
Giovanni Battista Borra, 1713–1770, Italian
View and Plan of the Theater of Hierapolis (now Pamukkale)
ca. 1750
62
Giovanni Battista Borra, 1713–1770, Italian
Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
ca. 1750
63
Giovanni Battista Borra, 1713–1770, Italian
Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
ca. 1750
64
Giovanni Battista Borra, 1713–1770, Italian
Plan of the Second Theater of Laodicea and Details of a Composite Order
ca. 1750
65
Giovanni Battista Borra, 1713–1770, Italian
Details of a Doric Order from Toreh
ca. 1750
66
Giovanni Battista Borra, 1713–1770, Italian
Frieze and Capital of the Ionic Temple at Toreh
ca. 1750
67
Giovanni Battista Borra, 1713–1770, Italian
Plan of the Temple of Juno at Samos and Details of a Column
ca. 1750
68
Giovanni Battista Borra, 1713–1770, Italian
Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
ca. 1750
69
Giovanni Battista Borra, 1713–1770, Italian
Details of the Ionic Temple at Toreh
ca. 1750
70
Giovanni Battista Borra, 1713–1770, Italian
Plan and View of the Third Theater at Laodicea
ca. 1750
71
Giovanni Battista Borra, 1713–1770, Italian
Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)