Simon Gribelin, 1662–1733, French, active in Britain
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
ca. 1720
2
Canaletto, 1697–1768, Venetian, active in Britain (1746–55)
The City of Westminster from Near the York Water Gate
between 1746 and 1747
3
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
4
Print made by Paul Angier, active 1749, French (active in London)
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
5
Attributed to Charles Gore, 1729–1807, British
A Large Church (Westminster Abbey) at Sunset
undated
6
Alexander Nasmyth, 1758–1840, British
Westminster Abbey from Dean's Yard
undated
7
Paul Sandby, 1731–1809, British
A Family in Hyde Park
undated
8
attributed to Michael "Angelo" Rooker, 1746–1801, British
Scenery, Haymarket Theatre
undated
9
unknown artist
Whitehall Palace, London: Section of Proposed Design
between 1710 and 1740
10
Thomas Rowlandson, 1756–1827, British
Skating on the Serpentine
before 1790
11
Thomas Rowlandson, 1756–1827, British
Hyde Park Corner
undated
12
Samuel Scott, 1701/2–1772, British
Westminster Bridge under Construction
undated
13
unknown artist, eighteenth century
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
14
Attributed to John Carter, 1748–1817, British
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
15
Attributed to John Carter, 1748–1817, British
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
16
Attributed to John Carter, 1748–1817, British
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
17
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
18
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
19
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
20
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
21
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
22
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
23
Attributed to John Carter, 1748–1817, British
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
24
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
25
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
26
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
27
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
28
Attributed to John Carter, 1748–1817, British
East End, Painted Chamber
between 1793 and 1799
29
Attributed to John Carter, 1748–1817, British
Plan of Princes Chamber, One Pair
between 1800 and 1807
30
Attributed to John Carter, 1748–1817, British
East Front of Princes Chamber
between 1800 and 1807
31
Attributed to John Carter, 1748–1817, British
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
32
Attributed to John Carter, 1748–1817, British
Princes Chamber
between 1800 and 1807
33
Attributed to John Carter, 1748–1817, British
South Side of Princes Chamber West
between 1800 and 1807
34
Attributed to John Carter, 1748–1817, British
Window Detail, Princes Chamber
between 1800 and 1807
35
Print made by John Woods, active 1836–1860
Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster
1825
36
Charles James Richardson, 1806–1871, British
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
37
Charles James Richardson, 1806–1871, British
Ceiling of Front Parlor House in Old Palace Yard
1871
38
Print made by William Henry Toms, ca. 1700–ca. 1750, British
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
39
Attributed to John Carter, 1748–1817, British
Buildings on East Side of Dean's Yard
between 1806 and 1815
40
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
41
Michael "Angelo" Rooker, 1746–1801, British
The Admiralty Building from Whitehall
1782
42
John Carter, 1748–1817, British
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
43
unknown artist, eighteenth century
Entrance Doorway in the Tower, St Stephen's Chapel
undated
44
John Carter, 1748–1817, British
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
45
Attributed to John Carter, 1748–1817, British
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
46
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
47
Attributed to John Carter, 1748–1817, British
New East Front, St Stephen's Chapel
ca. 1801
48
Attributed to John Carter, 1748–1817, British
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
49
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
50
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
51
Print made by Charles Grignion, 1717–1810, British
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
52
Print made by unknown artist, (A Smith)
Entrance of the House of Lords with the Office of Ordnance
undated
53
Attributed to John Carter, 1748–1817, British
Plan of the Basement Story under the House of Lords
between 1800 and 1807
54
Attributed to John Carter, 1748–1817, British
Parts in Stone Underhouse of Lords
between 1800 and 1807
55
Print made by unknown artist
View of the Higher House of Parliament in England
ca. 1695
56
Attributed to John Carter, 1748–1817, British
Palace at Westminster
between 1800 and 1807
57
Attributed to John Carter, 1748–1817, British
Side Window, North, Painted Chamber
between 1793 and 1799
58
Attributed to John Carter, 1748–1817, British
East Front of Painted Chamber
between 1793 and 1799
59
Attributed to John Carter, 1748–1817, British
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
60
Attributed to John Carter, 1748–1817, British
Wall Paintings
between 1793 and 1799
61
Attributed to John Carter, 1748–1817, British
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
62
Charles James Richardson, 1806–1871, British
Sections of Room under Painted Chamber
1827
63
Attributed to John Carter, 1748–1817, British
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
64
Print made by Edward Rooker, 1724–1774, British
Henry the Seventh's Chapel
undated
65
Attributed to John Carter, 1748–1817, British
Continuation of the Preceeding Ornaments
1793
66
Attributed to John Carter, 1748–1817, British
Door-way in Wall of South Precints of Westminster Abbey
undated
67
Attributed to John Carter, 1748–1817, British
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
68
Attributed to John Carter, 1748–1817, British
Continuation of Details
between 1806 and 1815
69
Attributed to John Carter, 1748–1817, British
Window, Dean's Yard
between 1806 and 1815
70
Attributed to John Carter, 1748–1817, British
Continuation of Detail
between 1806 and 1815
71
Attributed to John Carter, 1748–1817, British
Continuation of Detail
between 1806 and 1815
72
Attributed to John Carter, 1748–1817, British
Detail, Dean's Yard
between 1806 and 1815
73
Attributed to John Carter, 1748–1817, British
Figure study, Henry VII Chapel
ca. 1793
74
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
75
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
76
Attributed to John Carter, 1748–1817, British
Paintings on the Wall by H in Plan
between 1793 and 1799
77
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket to Westminster Abbey
before 1791
78
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
79
Attributed to John Carter, 1748–1817, British
Details of one of the Figures
ca. 1795
80
Charles James Richardson, 1806–1871, British
Ceiling to Boudoir House in Old Palace Yard
1871
81
John Carter, 1748–1817, British
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
82
Attributed to John Carter, 1748–1817, British
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
83
Attributed to John Carter, 1748–1817, British
Part of the Old Dormitory
1815
84
Attributed to John Carter, 1748–1817, British
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
85
Attributed to John Carter, 1748–1817, British
Buildings on North Side, Dean's Yard
between 1806 and 1815
86
Attributed to John Carter, 1748–1817, British
Detail for Preceding Elevations
between 1806 and 1815
87
Samuel Scott, 1701/2–1772, British
The Thames with Montagu House and Westminster Bridge
undated
88
Print made by Stanley Anderson, 1884–1966, British
The National Gallery
undated
89
Paul Sandby, 1731–1809, British
An Encampment in St. James Park
ca. 1780
90
Michael "Angelo" Rooker, 1746–1801, British
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
91
John Linnell, 1792–1882, British
Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830
1830
92
Thomas Sandby, 1721–1798, British
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
93
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
94
Print made by James Gillray, 1756–1815, British
Shakespeare Sacrificed; or, The Offering to Avarice
1789
95
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Lovelace in Prison
1788
96
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket to Westminster Abbey
before 1791
97
Print made by unknown artist, ( J. Cary )
Royal Humane Society's Receiving House in Hyde Park
undated
98
Print made by John Cleghorn, active 1840–1881, British
Plan of the Regent's Park
1827
99
Hedley Fitton, 1859–1929, British
St. Martin's Church
undated
100
Print made by Ernest L. Hampshire, born 1882, British