Medium: hand coloring / Credit Line: Yale Center for British Art, Paul Mellon Collection

William Blake, 1757–1827, British

The Complaint and The Consolation: or Night Thoughts

ca. 1797

Print made by John Boydell, 1720–1804, British

Greenland Fishery

1754

Print made by Thomas Boydell, active 1750–1751

A Small Breeze

1753

Print made by John Boydell, 1720–1804, British

Morning

1753

Print made by John Boydell, 1720–1804, British

Evening

1755

Print made by John Boydell, 1720–1804, British

Noon

1753

Print made by John Boydell, 1720–1804, British

A Calm

1754

Print made by James Bretherton, ca. 1730–1806, British

A Modern Spread Eagle

1782

unknown artist, ( Lewis )

Returning from a Review...Paris

1802

unknown artist, ( Lewis )

Breakfast at Breteuil

1801

Print made by John Hill, 1770–1850, British

The Great Cloister, Cassiobury

1816

Print made by Robert Havell, 1769–1832, British

Cassiobury, Hertfordshire, The Seat of the Earl of Essex

1816

Print made by William Gauci, active 1825–1854, British

The Water Mill

1852

Print made by John Hill, 1770–1850, British

North-West Front, Cassiobury

1816

Print made by unknown artist, nineteenth century

The Three Swords

1821

Print made by John Hill, 1770–1850, British

North-West Front, Cassiobury

1816

Print made by unknown artist, nineteenth century

Teignmouth

1836

Print made by Richard Gilson Reeve, 1803–1889

Clare Hall, Cambridge

1807

Print made by Richard Gilson Reeve, 1803–1889

Malmsbury Abbey

1809

Print made by Richard Gilson Reeve, 1803–1889

Peterborough Cathedral

1809

Print made by Richard Gilson Reeve, 1803–1889

Christ Church Cathedral, Oxford

1807

Print made by Robert Havell, 1769–1832, British

Cassiobury, Herfordshire, The Seat of the Earl of Essex

1816

Print made by Robert Havell, 1769–1832, British

Cassiobury, Hertfordshire, The Seat of the Earl of Essex

1816

Print made by unknown artist, eighteenth century

A View of the Orchestra with the Band of Music, the Grand Walk, etc. in Marybone Gardens

1755

Print made by James Walker, 1748–1808, British

Peterborough

1796

Print made by M. H. Long

A Village Fair

1884

Print made by M. H. Long

St. Herbert's Chapel

1884

Print made by M. H. Long

Loch Lommond

1884

Print made by M. H. Long

Galileo's Villa

1884

Print made by M. H. Long

Rome, Castle of St. Angelo

1884

Print made by M. H. Long

Paestum

1884

Print made by M. H. Long

Evening (Datur Hora Quieti)

1884

Print made by François-Séraphin Delpech, 1778–1825, French

Louis XV

undated

Print made by Day & Haghe, 1824–1913, British

The High Street, Southampton

1828

Print made by Day & Co., 1824–1913, British

Royal Crescent, County Hospital, St. George's Chapel, Kemp Town

1839

Print made by Day & Haghe, 1824–1913, British

New Steine and Rock Gardens

1839

Print made by William Daniell, 1769–1837, British

A View of the East India Docks

1808

Print made by Anthony Cardon, 1772–1813, Flemish

Do You Want Any Matches?

1794

Print made by Luigi Schiavonetti, 1765–1810, Italian

Milk below Maids

1793

Print made by Charles J. Hullmandel, 1789–1850, British

View of Palace Yard on the day of the Coronation of His Majesty George IV

1821

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

unknown artist Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Print made by unknown artist

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

undated

Print made by William Henry Simmons, 1811–1882, British

The Return (First Class)

1857

Samuel Ireland, active 1760–died 1800, British

Stone Buildings, Lincoln's Inn

1800

Samuel Ireland, active 1760–died 1800, British

Inner Temple

1800

Samuel Ireland, active 1760–died 1800, British

Lion's Inn

1800

Samuel Ireland, active 1760–died 1800, British

Lincoln's Inn Gate

1800

Samuel Ireland, active 1760–died 1800, British

Garden Front of Furnival's Inn

1800

Print made by Paul Fourdrinier, 1698–1758, French

A Sea Engagement between the English and Algerines

ca. 1743

Print made by John West Giles, active 1827–1865

Four Prize Wethers

1837

Print made by Matthew Dubourg, active 1786–1838, British

Snipe Shooting

1822

Print made by Matthew Dubourg, active 1786–1838, British

Grouse Shooting

1822

Print made by Matthew Dubourg, active 1786–1838, British

Partridge Shooting

1822

Print made by Matthew Dubourg, active 1786–1838, British

Pheasant Shooting

1822

Remi Parr The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

Print made by Remi Parr, active 1723–1750, British

The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds

undated

Print made by J. Carwitham, active 1720–1740

An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore..

1778

Print made by Alfred W. Cooper, active 1850–1901, British

The Farmer's Boy

undated

Samuel Ireland, active 1760–died 1800, British

Middle Temple Gate

1800

Samuel Ireland, active 1760–died 1800, British

Southwest View of Middle Temple

1800

Samuel Ireland, active 1760–died 1800, British

Gray's Inn

1800

Samuel Ireland, active 1760–died 1800, British

Guildhall

1800

Samuel Ireland, active 1760–died 1800, British

Sergeant's Inn

1800

Samuel Ireland, active 1760–died 1800, British

Barnard's Inn

1800

Samuel Ireland, active 1760–died 1800, British

North Front of Temple Hall

1800

Samuel Ireland, active 1760–died 1800, British

Temple Church

1800

Samuel Ireland, active 1760–died 1800, British

Leather Fullers Hall

1800

Samuel Ireland, active 1760–died 1800, British

Staple Inn

1800

Samuel Ireland, active 1760–died 1800, British

Clement's Inn

1800

Samuel Ireland, active 1760–died 1800, British

Rolls Chapel

1800

Samuel Ireland, active 1760–died 1800, British

Lincoln's Inn Hall and Chapel

1800

Samuel Ireland, active 1760–died 1800, British

Westminster Hall

1800

Samuel Ireland, active 1760–died 1800, British

New Inn

1800

Samuel Ireland, active 1760–died 1800, British

Clifford's Inn

1800

Samuel Ireland, active 1760–died 1800, British

Furnival's Inn

1800

Charles Turner, 1774–1857, British

James Gillray

1819

James Gillray, 1756–1815, British

Charming-well again

1804

Print made by Luigi Schiavonetti, 1765–1810, Italian

Sweet China Oranges, Sweet China

1794

Print made by Luigi Schiavonetti, 1765–1810, Italian

Two Bunches a Penny Primroses, Two Bunches a Penny

1793

Print made by Giovanni Vendramini, 1769–1839, Italian

Fresh Gathered Peas, Young Hastings

1795

Print made by Giovanni Vendramini, 1769–1839, Italian

Knives, Scissors, and Razors to Grind

1795

Print made by Niccoló Schiavonetti, 1771–1813, Italian

New Mackrel, New Mackrel

1795

Print made by Giovanni Vendramini, 1769–1839, Italian

Old Chairs to Mend

1795

Print made by Giovanni Vendramini, 1769–1839, Italian

Strawberrys, Scarlet Strawberrys

1795

Print made by Anthony Cardon, 1772–1813, Flemish

Round & Sound, Five Pence a Pound, Duke Cherries

1795

Print made by Thomas Gaugain, 1748–1812, French

Turnips & Carrots ho

1797

Print made by Giovanni Vendramini, 1769–1839, Italian

Hot Spice Gingerbread, Smoking Hot!

1796

Print made by Anthony Cardon, 1772–1813, Flemish

A New Love Song, Only ha'Penny a Piece

1796

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXII: The Story of Hezekiah

1842

James Basire the younger Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus

1842

James Basire the younger Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha

1842

James Basire the younger Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger

after 1819

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City

1842

Print made by Frederick Rosenberg, active 1816–1832

The Mail Coach in a Flood

1827

James Gillray, 1756–1815, British

Britania's Assassination..or - The Republican Amuseument

1782

James Gillray, 1756–1815, British

A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)

1783

James Gillray, 1756–1815, British

Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself

1798

James Gillray, 1756–1815, British

Scene le Vrog House

1782

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Medium hand coloring

Credit Line Yale Center for British Art, Paul Mellon Collection

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