Medium: hand coloring / Creator Gender: male / On-site Access: Accessible by appointment in the Study Room

William Blake, 1757–1827, British

The Complaint and The Consolation: or Night Thoughts

ca. 1797

Print made by John Boydell, 1720–1804, British

Greenland Fishery

1754

Print made by Thomas Boydell, active 1750–1751

A Small Breeze

1753

Print made by John Boydell, 1720–1804, British

Morning

1753

Print made by John Boydell, 1720–1804, British

Evening

1755

Print made by John Boydell, 1720–1804, British

Noon

1753

Print made by John Boydell, 1720–1804, British

A Calm

1754

Print made by James Bretherton, ca. 1730–1806, British

A Modern Spread Eagle

1782

unknown artist, ( Lewis )

Returning from a Review...Paris

1802

unknown artist, ( Lewis )

Breakfast at Breteuil

1801

Print made by John Hill, 1770–1850, British

The Great Cloister, Cassiobury

1816

Print made by Robert Havell, 1769–1832, British

Cassiobury, Hertfordshire, The Seat of the Earl of Essex

1816

Print made by William Gauci, active 1825–1854, British

The Water Mill

1852

Print made by John Hill, 1770–1850, British

North-West Front, Cassiobury

1816

Print made by unknown artist, nineteenth century

The Three Swords

1821

Print made by John Hill, 1770–1850, British

North-West Front, Cassiobury

1816

Print made by unknown artist, nineteenth century

Teignmouth

1836

Print made by Richard Gilson Reeve, 1803–1889

Clare Hall, Cambridge

1807

Print made by Richard Gilson Reeve, 1803–1889

Malmsbury Abbey

1809

Print made by Richard Gilson Reeve, 1803–1889

Peterborough Cathedral

1809

Print made by Richard Gilson Reeve, 1803–1889

Christ Church Cathedral, Oxford

1807

Print made by Robert Havell, 1769–1832, British

Cassiobury, Herfordshire, The Seat of the Earl of Essex

1816

Print made by Robert Havell, 1769–1832, British

Cassiobury, Hertfordshire, The Seat of the Earl of Essex

1816

Print made by Paul Angier, active 1749, French (active in London)

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

1749

Print made by unknown artist, eighteenth century

A View of the Orchestra with the Band of Music, the Grand Walk, etc. in Marybone Gardens

1755

Print made by James Walker, 1748–1808, British

Peterborough

1796

Print made by Michael Hanhart, active 1841–1852

L'Adieu

ca. 1858

Print made by John Raphael Smith, 1752–1812, British

Serena

1782

Print made by William Heath, 1795–1840, British

Who'll Have a Crown - Now's Your Time

1830

Print made by Felix Rosenstiel, active from 1880–died 1895, German

Ruth and Naomi

between 1880 and 1895

Print made by Adam Ludwig Wirsing, 1733–1797, German

Caryophyllus X. Mercurius. Plate 67 from 'Hortus Nitidissimis Omnem per Annum Superbiens Floribus', Nuremberg, 1768

1768

Mark Catesby An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

Print made by workshop of Mark Catesby, 1682–1749, British

An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

1754

John Harris the elder Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Print made by John Harris the elder, 1767–1832, British

Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

1797

Mark Catesby An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

Print made by Mark Catesby, 1682–1749, British

An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

1754

Print made by James Caldwall, 1739–1819, British

The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812

1800

John Harris the elder Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Print made by John Harris the elder, 1767–1832, British

Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

1797

Print made by Joseph Constantine Stadler, active 1780–1812, British

The White Lily with Variegated-Leaves, 1800, from Robert John Thornton, the 'Temple of Flora', 1799-1812

1800

Print made by William Ward, 1766–1826, British

The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812

December 1, 1801

Print made by Samuel Halle, 1824–1889, French or German

Carl August Struensee von Carlsbach

undated

Print made by Georg Dionysius Ehret, 1708–1770, German

The Banana Tree, Plate 16

1750

Print made by M. H. Long

A Village Fair

1884

Print made by M. H. Long

St. Herbert's Chapel

1884

Print made by M. H. Long

Loch Lommond

1884

Print made by M. H. Long

Galileo's Villa

1884

Print made by M. H. Long

Rome, Castle of St. Angelo

1884

Print made by M. H. Long

Paestum

1884

Print made by M. H. Long

Evening (Datur Hora Quieti)

1884

Print made by François-Séraphin Delpech, 1778–1825, French

Louis XV

undated

Print made by Day & Haghe, 1824–1913, British

The High Street, Southampton

1828

Print made by G. E. Madeley, active 1840–1859, British

The Connoisseur

1830

Print made by Day & Co., 1824–1913, British

Royal Crescent, County Hospital, St. George's Chapel, Kemp Town

1839

Print made by Day & Haghe, 1824–1913, British

New Steine and Rock Gardens

1839

Print made by William Daniell, 1769–1837, British

A View of the East India Docks

1808

Print made by Edward Goodall, 1795–1870, British

Scene at Colgong on the Ganges

1836

Print made by W. J. Cook, active 1830s–1840s, British

Mr. Brooke's Bungalow at Sarawak

1848

unknown artist King Leopold's Public Entry into Brussels and Weighing Cotton at Bombay for the English Market; Page from Illustrated London News

Upper print made by unknown artist

King Leopold's Public Entry into Brussels and Weighing Cotton at Bombay for the English Market; Page from Illustrated London News

1862

Print made by Thomas Dean & Co., active 1808–1933, British

Town and Fort of Trichinopoly

1847

Print made by Thomas Dean & Co., active 1808–1933, British

Headman of the Village Holding his Court

1847

John Hill, 1770–1850, British

St. Sepulchres, The Round Church

1814

Print made by Anthony Cardon, 1772–1813, Flemish

Do You Want Any Matches?

1794

Print made by Luigi Schiavonetti, 1765–1810, Italian

Milk below Maids

1793

Print made by Charles J. Hullmandel, 1789–1850, British

View of Palace Yard on the day of the Coronation of His Majesty George IV

1821

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

Print made by William Henry Simmons, 1811–1882, British

The Return (First Class)

1857

Samuel Ireland, active 1760–died 1800, British

Stone Buildings, Lincoln's Inn

1800

Samuel Ireland, active 1760–died 1800, British

Inner Temple

1800

Samuel Ireland, active 1760–died 1800, British

Lion's Inn

1800

Samuel Ireland, active 1760–died 1800, British

Lincoln's Inn Gate

1800

Samuel Ireland, active 1760–died 1800, British

Garden Front of Furnival's Inn

1800

Print made by Paul Fourdrinier, 1698–1758, French

A Sea Engagement between the English and Algerines

ca. 1743

Print made by John West Giles, active 1827–1865

Four Prize Wethers

1837

Print made by Matthew Dubourg, active 1786–1838, British

Snipe Shooting

1822

Print made by Matthew Dubourg, active 1786–1838, British

Grouse Shooting

1822

Print made by Matthew Dubourg, active 1786–1838, British

Partridge Shooting

1822

Print made by Matthew Dubourg, active 1786–1838, British

Pheasant Shooting

1822

Remi Parr The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

Print made by Remi Parr, active 1723–1750, British

The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds

undated