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Credit Line Yale Center for British Art, Paul Mellon Collection

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John Constable A Bridge near Salisbury Court, Perhaps Milford Bridge
John Constable, 1776–1837, British
A Bridge near Salisbury Court, Perhaps Milford Bridge
ca. 1829
Sir Robert Smirke the younger The Ruins of an Ancient Temple on the Summit of a Mountain Near Andritza
Sir Robert Smirke the younger, 1781–1867, British
The Ruins of an Ancient Temple on the Summit of a Mountain Near Andritza
1802-1804
Sir Robert Smirke the younger Temple of Aphaea
Sir Robert Smirke the younger, 1781–1867, British
Temple of Aphaea
1802-1804
Sir Robert Smirke the younger Temple Ruins
Sir Robert Smirke the younger, 1781–1867, British
Temple Ruins
1802-1804
Giovanni Battista Borra View of the Valley of Laodicea
Giovanni Battista Borra, 1713–1770, Italian
View of the Valley of Laodicea
ca. 1750
Giovanni Battista Borra Is'Tmo di Cizico unito al Continente
Giovanni Battista Borra, 1713–1770, Italian
Is'Tmo di Cizico unito al Continente
ca. 1750
Alexander Cozens A Valley
Alexander Cozens, 1717–1786, British
A Valley
between 1775 and 1780
Thomas Smith of Derby Town and Lake of Lugano
Thomas Smith of Derby, ca. 1720–1767, British
Town and Lake of Lugano
undated
John James Barralet Landscape with Ledbury Church Spire
John James Barralet, 1747–1815, British
Landscape with Ledbury Church Spire
undated
Sir George Howland Beaumont seventh Baronet Mount Palatine
Sir George Howland Beaumont seventh Baronet, 1753–1827, British
Mount Palatine
1783
John Glover Two Little Girls
John Glover, 1767–1849, British
Two Little Girls
ca. 1810
Henry William Bunbury Back from the Wars
Henry William Bunbury, 1750–1811, British
Back from the Wars
undated
Paul Sandby Munn Pale Melancholy
Paul Sandby Munn, 1773–1845, British
Pale Melancholy
ca. 1804
John Boyne Malvolio: Possibly a Self-Portrait in the Role
John Boyne, ca. 1750–1810, British
Malvolio: Possibly a Self-Portrait in the Role
undated
John Renton A Mountain Landscape with a Shepherd
John Renton, 1774–c.1841, British
A Mountain Landscape with a Shepherd
undated
Henry Wigstead Interior of the Brandenburg House Theatre, Hammersmith
Henry Wigstead, ca. 1745–ca. 1800, British
Interior of the Brandenburg House Theatre, Hammersmith
ca. 1792
Sir James Thornhill Design for a Ceiling
Sir James Thornhill, 1675–1734, British
Design for a Ceiling
undated
Michael "Angelo" Rooker Kenilworth Castle, with Figures on the Hillside
Michael "Angelo" Rooker, 1746–1801, British
Kenilworth Castle, with Figures on the Hillside
undated
C. John M. Whichelo Part of the Monastery of St. Saviours, Southwark
C. John M. Whichelo, 1784–1865, British
Part of the Monastery of St. Saviours, Southwark
1809
John Maurer The Mansion House
John Maurer, active 1713–1761
The Mansion House
undated
James Malton Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803, British
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
Peter Monamy Landing of William of Orange at Tor Bay
Peter Monamy, 1681–1749, British
Landing of William of Orange at Tor Bay
1688
Joseph Wilton Design for a Chimneypiece
Joseph Wilton, 1722–1803, British
Design for a Chimneypiece
undated
Moses Haughton Jr. A Young Country Couple
Moses Haughton Jr., 1772–1848, British
A Young Country Couple
undated
John Malchair Christ Church, Oxford
John Malchair, 1730–1812, German, active in Britain (1754–1812)
Christ Church, Oxford
undated
John Thomas Smith Man Beside a Stile
John Thomas Smith, 1766–1833, British
Man Beside a Stile
undated
Canaletto Capriccio of a Venetian Courtyard
Follower of Canaletto, 1697–1768, Venetian, active in Britain (1746–55)
Capriccio of a Venetian Courtyard
undated
Francis Place Extensive View of Windsor Castle
Francis Place, 1647–1728, British
Extensive View of Windsor Castle
undated
unknown artist Five Ladies in a Garden
unknown artist, eighteenth century-nineteenth century
Five Ladies in a Garden
undated
James Ward River Landscape with a Waterfall
James Ward, 1769–1859, British
River Landscape with a Waterfall
undated
Thomas Wyck View of the Waterhouse and Old St. Paul's, London
Thomas Wyck, 1616–1677, Dutch
View of the Waterhouse and Old St. Paul's, London
ca. 1663
Joseph Wilton Design for an Urn
Joseph Wilton, 1722–1803, British
Design for an Urn
undated
Sir Robert Smirke the younger Design for London Bridge Approach
Print made by Sir Robert Smirke the younger, 1781–1867, British
Design for London Bridge Approach
between 1827 and 1835
Richard Wilson Italianate Landscape Composition
pupil of Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
Italianate Landscape Composition
undated
Thomas Rowlandson Hyde Park Corner
Thomas Rowlandson, 1756–1827, British
Hyde Park Corner
undated
William Thomas Bree Old Farm Buildings in a Landscape
William Thomas Bree, 1754–1822
Old Farm Buildings in a Landscape
undated
Isaac Weld View of the Rock Bridge
Isaac Weld, 1774–1856, Irish
View of the Rock Bridge
between 1795 and 1797
Sawrey Gilpin Doe and Buck
Sawrey Gilpin, 1733–1807, British
Doe and Buck
undated
William Faithorne the Younger Charles II when a Child
William Faithorne the Younger, ca. 1669–1703, British
Charles II when a Child
between 1671 and 1686
John Flaxman The Creation of the Heavens
John Flaxman, 1755–1826, British
The Creation of the Heavens
ca. 1790
John White Abbott Figures on a Rocky River Bank at Canonteign, Devon
John White Abbott, 1763–1851, British
Figures on a Rocky River Bank at Canonteign, Devon
1801
Gangaram Chintaman Tambat A Rhinoceros in the Peshwa's Menagerie at Poona
Gangaram Chintaman Tambat, active 1790s, Indian
A Rhinoceros in the Peshwa's Menagerie at Poona
1790
Henry William Bunbury Illustration to H. Bunbury ('Geoffrey Gambado') Annals of Horsemanship: '6 Love and Wind'
Henry William Bunbury, 1750–1811, British
Illustration to H. Bunbury ('Geoffrey Gambado') Annals of Horsemanship: '6 Love and Wind'
undated
Cornelius Varley Monnow Bridge, Monmouth, North Wales, July 14, 1803
Cornelius Varley, 1781–1873, British
Monnow Bridge, Monmouth, North Wales, July 14, 1803
1803
Thomas Girtin Paris, A View of Pont au Changes
Print made by Thomas Girtin, 1775–1802, British
Paris, A View of Pont au Changes
1800 to 1802
Samuel Daniell Tswana Man Holding and Ostrich Feather Fan in a Landscape
Samuel Daniell, 1775–1811, British
Tswana Man Holding and Ostrich Feather Fan in a Landscape
ca. 1802
Jean B. C. Chatelain The Grotto and the Temple of Contemplation, Stowe
Jean B. C. Chatelain, 1710–1771, French
The Grotto and the Temple of Contemplation, Stowe
1752
unknown artist Old Cottages
unknown artist
Old Cottages
1800
John Sell Cotman Elevation of the Church of Columbiers, near Valognes, Normandy
John Sell Cotman, 1782–1842, British
Elevation of the Church of Columbiers, near Valognes, Normandy
1818
Samuel Davis Carriage Outside a Ruined Gateway
Samuel Davis, 1760–1819, British
Carriage Outside a Ruined Gateway
undated
George Dance Cut and Come Again
George Dance, 1741–1825, British
Cut and Come Again
undated
Thomas Girtin The Land Gate, Rye, Sussex
Thomas Girtin, 1775–1802, British
The Land Gate, Rye, Sussex
ca. 1795
Thomas Rowlandson A Livery Stable
Thomas Rowlandson, 1756–1827, British
A Livery Stable
undated
William Swainson Sooty Falcon
William Swainson, 1789–1855, British
Sooty Falcon
ca. 1837
James Ward Studies of Boats on a Riverside
James Ward, 1769–1859, British
Studies of Boats on a Riverside
undated
James Gwin Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
James Gwin Position pour le Garde en Tierce et le Coup de Tierce
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
James Gwin Position de la Garde en Quarte, et le Coup de Flanconnade
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
James Gwin Quatrieme Position du Salut
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
James Gwin Risposte Aprés Avoir Trompé la Parade du Poignard
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
unknown artist The City of London from Somerset House
unknown artist
The City of London from Somerset House
ca. 1780
Anthony Walker Political Caricature: "The Spiritualists"
Anthony Walker, 1726–1765, British
Political Caricature: "The Spiritualists"
undated
James Gwin Premiere Position pour tirer L'Epée
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
James Gwin Position pour la Garde en Quarte
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
James Gwin Position pour la Garde en Tierce
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
James Gwin Position pour la Garde en Quarte et le Coup de Quarte
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
James Gwin Position de la Garde de Tierce et le Coup de Seconde
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
James Gwin De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
James Gwin De la Parade de Tierce, sur le Coup de Tierce
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
James Gwin De la Parade du Cavé sur le Coup de Flanconnade
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
James Gwin De la Risposte de Quarte apres la Parade de Quarte
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
James Gwin De la Risposte en Quinte de Pied forme sur le Coup de Seconde
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
James Gwin De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
James Gwin Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
James Gwin De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
James Gwin Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
James Gwin Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
John Robert Cozens Bath: Queen Square
Print made by John Robert Cozens, 1752–1797, British
Bath: Queen Square
1773
John Robert Cozens The City of Bath taken from the London Road
Print made by John Robert Cozens, 1752–1797, British
The City of Bath taken from the London Road
1773
John Robert Cozens Bath: The New Bridge
Print made by John Robert Cozens, 1752–1797, British
Bath: The New Bridge
1773
William West of Clifton near Bristol Soliders in Costume of the Middle Ages around a Blazing Idol
William West of Clifton near Bristol, 1801–1861, British
Soliders in Costume of the Middle Ages around a Blazing Idol
undated
William West of Clifton near Bristol Bowmen at a Moonlit Lake Shooting Wildfowl
William West of Clifton near Bristol, 1801–1861, British
Bowmen at a Moonlit Lake Shooting Wildfowl
undated
John Robert Cozens Bath: The South Parade
Print made by John Robert Cozens, 1752–1797, British
Bath: The South Parade
1773
John Robert Cozens Bath: The Crescent
Print made by John Robert Cozens, 1752–1797, British
Bath: The Crescent
1773
John Robert Cozens Bath: The North Parade
Print made by John Robert Cozens, 1752–1797, British
Bath: The North Parade
1773
John Robert Cozens South View of Bath
Print made by John Robert Cozens, 1752–1797, British
South View of Bath
1773
unknown artist Views in the Levant: Study of Figures From a Frieze or Panel
unknown artist
Views in the Levant: Study of Figures From a Frieze or Panel
ca. 1785
Capt. Thomas Hastings The Bowder Stone, Jaws of Borrowdale, Saturday 27 June 1835
Capt. Thomas Hastings, 1778–1854, British
The Bowder Stone, Jaws of Borrowdale, Saturday 27 June 1835
1835
Sir Robert Smirke the younger Temple of Sunias Minerva
Sir Robert Smirke the younger, 1781–1867, British
Temple of Sunias Minerva
1802-1804
Sir Robert Smirke the younger Agonitra Near Olympia
Sir Robert Smirke the younger, 1781–1867, British
Agonitra Near Olympia
1802-1804
Sir Robert Smirke the younger A Study of an Ancient Building in Ruin
Sir Robert Smirke the younger, 1781–1867, British
A Study of an Ancient Building in Ruin
1802-1804
Giovanni Battista Borra Mausolio d'Haliatte in Faccia a Sardes
Giovanni Battista Borra, 1713–1770, Italian
Mausolio d'Haliatte in Faccia a Sardes
ca. 1750
Sir Robert Smirke the younger Trent
Sir Robert Smirke the younger, 1781–1867, British
Trent
1802-1804
Sir Robert Smirke the younger The Mad House in the Suburbs of Vienna
Sir Robert Smirke the younger, 1781–1867, British
The Mad House in the Suburbs of Vienna
1804
Giovanni Battista Borra View of the Valley of Hierapolis (now Pamukkale)
Giovanni Battista Borra, 1713–1770, Italian
View of the Valley of Hierapolis (now Pamukkale)
ca. 1750
Giovanni Battista Borra Situazione Di Ceramo
Giovanni Battista Borra, 1713–1770, Italian
Situazione Di Ceramo
ca. 1750
Sir Robert Smirke the younger Mosque at Argos
Sir Robert Smirke the younger, 1781–1867, British
Mosque at Argos
1803
Sir Robert Smirke the younger Among the Taygetos Mountains of Mystras
Sir Robert Smirke the younger, 1781–1867, British
Among the Taygetos Mountains of Mystras
1802-1804
Stephen Riou La Prigioni a Venezia
Stephen Riou, 1720–1780
La Prigioni a Venezia
1752
Stephen Riou Alzata della faciata d'una Casa per fare alla Villa
Stephen Riou, 1720–1780
Alzata della faciata d'una Casa per fare alla Villa
1752