Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Cornfields with Barn, Shoreham
ca. 1829
2
Joseph Mallord William Turner, 1775–1851, British
Rheinfels Looking to Katz and Gourhausen
1817
3
Sir Robert Smirke the younger, 1781–1867, British
Powder Tower, One of the Original City Gates into the City of Prague
1802-1804
4
Giovanni Battista Borra, 1713–1770, Italian
View of a Valley with Ruins at Sardis
ca. 1750
5
Giovanni Battista Borra, 1713–1770, Italian
View of the Modern City of Pergamon
ca. 1750
6
Henry Swinburne, 1743–1803, British
Rocky Landscape with Waterfalls and Goats
undated
7
John Thomas Smith, 1766–1833, British
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
8
John Thomas Smith, 1766–1833, British
The Smock Exposed
1817
9
John Thomas Smith, 1766–1833, British
The Reconcilation
1817
10
John Thomas Smith, 1766–1833, British
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
11
John Thomas Smith, 1766–1833, British
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
12
Luigi Balugani, 1737–1770, Italian
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
ca. 1768
13
Luigi Balugani, 1737–1770, Italian
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits
ca. 1768
14
James Bruce, 1730–1794, British
Study of the Front of a Horse
undated
15
Attributed to George Perfect Harding, 1780–1853, British
Iconographie Anglaise par Reynolds et Autres: Dr. Richard D. Bentley
undated
16
Wenceslaus Hollar, 1607–1677, Bohemian
A View from Peterborough Tower at Tangier
1669
17
Harry John Johnson, 1826–1884, British
Alicante, Spain
1853
18
John Thomas Smith, 1766–1833, British
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
19
John Thomas Smith, 1766–1833, British
The Eleventh Hour
1817
20
unknown artist, nineteenth century
A Winding River
undated
21
Joseph Windham, 1739–1810, British
Netley Abbey
undated
22
Thomas Hearne, 1744–1817, British
Farmhouse and Buildings by a Stream
undated
23
William Knight, active 1807–1845
Chiddingstone Place, View from the Lake
ca. 1850s
24
James Malton, 1761–1803, British
Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
25
Dr. Thomas Monro, 1759–1833, British
Composition: The Edge of a Wood
undated
26
James Paine, 1717–1789, British
Design for a Temple on a Square Plan and with a Dome: Elevation
undated
27
William Jefferys, 1730–ca. 1805, British
Maidstone, Kent
undated
28
Hamlet Winstanley, 1698–1756, British
The Adoration
1723
29
Henry Tresham, 1751–1814, British
Playing at Dice, Trepani
between 1780 and 1790
30
John Kendall, 1766–1829, British
Sarcophagus in a Church
May 10, 1806
31
Paul Sandby, 1731–1809, British
London Cries: All Fire and No Smoke
ca. 1759
32
Paul Sandby, 1731–1809, British
London Cries: A Man Swaggering
undated
33
John Thomas Smith, 1766–1833, British
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
34
Charles Brooking, 1723–1759, British
Two Frigates before the Wind
undated
35
Joseph Wilton, 1722–1803, British
Design for a Frieze
undated
36
Paul Sandby, 1731–1809, British
London Cries: Shoe Cleaner
ca. 1759
37
Paul Sandby, 1731–1809, British
London Cries: Throws for a Ha'penny Have You a Ha'penny
undated
38
Paul Sandby, 1731–1809, British
London Cries: Small Coal or Brushes
ca. 1759
39
pupil of Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
Italianate Landscape Composition
undated
40
Augustus Welby Northmore Pugin, 1812–1852, British
Design for a Gothic Screen
undated
41
Sir Charles D'Oyly, 1781–1845, British, active in India
Garden Reach - Calcutta
undated
42
James Sowerby, 1756–1822, British
Grebes
undated
43
Sawrey Gilpin, 1733–1807, British
Horseman fleeing storm
undated
44
unknown artist, eighteenth century
Landscape with Trees and a Distant Castle
ca. 1800
45
Heneage Finch fourth Earl of Aylesford, 1751–1812, British
Landscape with a Bridge
1790 to 1795
46
John Flaxman, 1755–1826, British
Two Women Talking to a Man at a Counter
undated
47
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Port Mahon
between 1756 and 1773
48
Sawrey Gilpin, 1733–1807, British
Studies of Cattle
undated
49
Francis Towne, 1740–1816, British
Oakhampton Castle
1772
50
unknown artist
Tattersall's Training School
1771
51
Attributed to Batty Langley, 1696–1751, British
Moody Hall: Floor Plan of the First Design
undated
52
Samuel Collings, active 1784–1795, British
A Querulous Committee Meeting
undated
53
Thomas Chippendale, 1718–1779, British
Designs for Gothic Chairs
undated
54
Attributed to Augustin Heckel, 1690–1770, German
Design for a Cartouche with Putti
undated
55
Attributed to Augustin Heckel, 1690–1770, German
Design for a Cartouche with Putto
undated
56
Charles Hamilton Smith, 1776–1859, Belgian
Title Page: The Naturalist Library: Mammalia. Introduction. Volume: 1:13
ca. 1837
57
James Ward, 1769–1859, British
Studies of Gulls
undated
58
William Alexander, 1767–1816, British
Conway, North Wales: The Castle and the Old College House
1802
59
unknown artist
Erlestoke Park
ca. 1825
60
John Glover, 1767–1849, British
On the River Wye with Wilton Castle Ruins on a Bend in the River
after 1794
61
Thomas Rowlandson, 1756–1827, British
Mrs. Abington
undated
62
Samuel Hieronymus Grimm, 1733–1794, Swiss
The Bishop's Palace, Bromley (A Country House)
undated
63
Henry Swinburne, 1743–1803, British
Architectural Sketches of Sections in Alhambra of Granada
1775 to 1776
64
Henry Swinburne, 1743–1803, British
Sketches for Capitals of Columns and Mosaic Squares at Alhambra
1775 to 1776
65
Gwen John, 1876–1939, British
Young Woman playing a Violin
between 1897 and 1898
66
Sir Robert Smirke the younger, 1781–1867, British
Front of La Maddalena Church, Venice
1802-1804
67
Giovanni Battista Borra, 1713–1770, Italian
Reconstruction of the Second Theatre at Laodicea
ca. 1750
68
Giovanni Battista Borra, 1713–1770, Italian
Pianura dell'Hermo in Faccia a Sardes
ca. 1750
69
Giovanni Battista Borra, 1713–1770, Italian
Plan of the Ruins at Sardis with Vestiges of Ancient Buildings Still Existing in 1750
ca. 1750
70
Giovanni Battista Borra, 1713–1770, Italian
Topographical Map of Halicarnassus at its Harbor
ca. 1750
71
Giovanni Battista Borra, 1713–1770, Italian
Two Corinthian Pillars Found near the Ionic Temple at Aphrodisias (now Geyve)
ca. 1750
72
Giovanni Battista Borra, 1713–1770, Italian
Plan of a Temple at Mylasa and Detail of a Coffered Ceiling from a Tomb
ca. 1750
73
Giovanni Battista Borra, 1713–1770, Italian
Plan of a Temple at Mylasa and of Another Three Hours from Thence on the Road to Mandaleus
ca. 1750
74
Giovanni Battista Borra, 1713–1770, Italian
Cnidus: Plan of the Harbor and Map of Sites
ca. 1750
75
Giovanni Battista Borra, 1713–1770, Italian
View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune
ca. 1750
76
Giovanni Battista Borra, 1713–1770, Italian
Plan of the Bay of Tyre
ca. 1750
77
Giovanni Battista Borra, 1713–1770, Italian
Samos
ca. 1750
78
Giovanni Battista Borra, 1713–1770, Italian
View of Micale Promontorio
ca. 1750
79
Giovanni Battista Borra, 1713–1770, Italian
Plan of the Port of Sigacik (ancient Teos)
ca. 1750
80
Giovanni Battista Borra, 1713–1770, Italian
View of a Long Aqueduct
ca. 1750
81
Giovanni Battista Borra, 1713–1770, Italian
View of Maglova Aqueduct
ca. 1750
82
Giovanni Battista Borra, 1713–1770, Italian
Reconstruction of the Proscenium of the Theater at Hierapolis
ca. 1750
83
Henry Phillip Hope, active 1799–1818
Bedgebury: Design for the Stone Floor of the Pavilion.. (1 of 4)