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Associated People William Hogarth

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John Thomas Smith Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.
John Thomas Smith, 1766–1833, British
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
John Thomas Smith, 1766–1833, British
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
John Thomas Smith Hogarth Declaring His Love to Miss Thornhill
John Thomas Smith, 1766–1833, British
Hogarth Declaring His Love to Miss Thornhill
1817
John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
John Thomas Smith, 1766–1833, British
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
John Thomas Smith Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
John Thomas Smith, 1766–1833, British
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
John Thomas Smith Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
John Thomas Smith, 1766–1833, British
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
John Thomas Smith, 1766–1833, British
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
John Thomas Smith Hogarth at Old Slaughter's Hobbing with Highmore the Painter
John Thomas Smith, 1766–1833, British
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
John Thomas Smith Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
John Thomas Smith, 1766–1833, British
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
John Thomas Smith The Eleventh Hour
John Thomas Smith, 1766–1833, British
The Eleventh Hour
1817
John Thomas Smith Hogarth Engraving His Master's Shop-bill the Sign of the Angel
John Thomas Smith, 1766–1833, British
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
John Thomas Smith, 1766–1833, British
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
John Thomas Smith Hogarth Drawing Sarah Malcolm
John Thomas Smith, 1766–1833, British
Hogarth Drawing Sarah Malcolm
1817
John Thomas Smith Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
John Thomas Smith, 1766–1833, British
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
John Thomas Smith Hogarth Sitting to Roubiliac for His Bust
John Thomas Smith, 1766–1833, British
Hogarth Sitting to Roubiliac for His Bust
1817