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William Blake The Poems of Thomas Gray, Design 79, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 93, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 93, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 95, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 95, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 53, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 57, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 57, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 59, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 59, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 23, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 23, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 27, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 31, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
Isaac Taylor Unidentified Periodical / Play Illustration
Isaac Taylor, 1730–1807, British
Unidentified Periodical / Play Illustration
undated
Richard Wilson Gulliver Bound by the Lilliputians
Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
Gulliver Bound by the Lilliputians
undated
unknown artist Alcibiades and Timon
unknown artist
Alcibiades and Timon
undated
George Jones Portentous Things
George Jones, 1786–1869, British
Portentous Things
undated
Thomas Stothard The Tenth Day of the Decameron
Thomas Stothard, 1755–1834, British
The Tenth Day of the Decameron
ca. 1825
unknown artist The Death of Cordelia
unknown artist
The Death of Cordelia
undated
Alfred Edward Chalon Cleopatra on the Cydnus to Meet Antony
Alfred Edward Chalon, 1780–1860, British
Cleopatra on the Cydnus to Meet Antony
ca. 1821
John Massey Wright Falstaff Disguised as Herne
John Massey Wright, 1777–1866, British
Falstaff Disguised as Herne
undated
George Fennell Robson Macbeth and Banquo on the Heath
George Fennell Robson, 1788–1833, British
Macbeth and Banquo on the Heath
ca. 1830
Henry William Bunbury The Duel: 'Twelfth Night,' Act III, Scene IV
Henry William Bunbury, 1750–1811, British
The Duel: 'Twelfth Night,' Act III, Scene IV
ca. 1790
Edward Goodall St. Julienne's Chapel
Print made by Edward Goodall, 1795–1870, British
St. Julienne's Chapel
1834
John Boyne Malvolio: Possibly a Self-Portrait in the Role
John Boyne, ca. 1750–1810, British
Malvolio: Possibly a Self-Portrait in the Role
undated
Sir David Wilkie Scene from Quentin Durward
Sir David Wilkie, 1785–1841, British
Scene from Quentin Durward
1833
Sir John Gilbert Enter Malvolio, Crossgartered...
Sir John Gilbert, 1817–1897, British
Enter Malvolio, Crossgartered..
1863
Sir John Gilbert Apotheosis of Shakespeare's Characters
Sir John Gilbert, 1817–1897, British
Apotheosis of Shakespeare's Characters
1871
William Hamilton Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
William Hamilton, 1751–1801, British
Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
undated
Theodor von Holst Sheet of Sketches
Theodor von Holst, 1810–1844, British
Sheet of Sketches
undated
Theodor von Holst Ferdinand Riding the Waves
Theodor von Holst, 1810–1844, British
Ferdinand Riding the Waves
ca. 1830
Theodor von Holst Prospero Watching Ferdinand and Miranda
Theodor von Holst, 1810–1844, British
Prospero Watching Ferdinand and Miranda
ca. 1840
Theodor von Holst Faust and Margaret
Theodor von Holst, 1810–1844, British
Faust and Margaret
undated
George Henry Harlow Queen Katherine's Dream
George Henry Harlow, 1787–1819, British
Queen Katherine's Dream
1807
George Henry Harlow Hecate
George Henry Harlow, 1787–1819, British
Hecate
1815
Francis Hayman Falstaff Inspecting the Recruits
Francis Hayman, 1707/8–1776, British
Falstaff Inspecting the Recruits
between 1761 and 1765
Henry Fuseli Study for 'Finding of the Body of Bassanio'
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Study for 'Finding of the Body of Bassanio'
1804
Robert Smirke Anne Page and Slender
Robert Smirke, 1752–1845, British
Anne Page and Slender
1821
Robert Smirke Prospero and Ariel
Robert Smirke, 1752–1845, British
Prospero and Ariel
1821
Robert Smirke Falstaff Instructing Bardolph
Robert Smirke, 1752–1845, British
Falstaff Instructing Bardolph
1825
Robert Smirke Falstaff Dragging the Body of Hotspur
Robert Smirke, 1752–1845, British
Falstaff Dragging the Body of Hotspur
1825
Dante Gabriel Rossetti Illustration to the Maids of Elfen-Mere
Dante Gabriel Rossetti, 1828–1882, British
Illustration to the Maids of Elfen-Mere
1854
Henry Pierce Bone The Sleepwalking Scene in Macbeth
Henry Pierce Bone, 1779–1855, British
The Sleepwalking Scene in Macbeth
undated
Henry William Bunbury Launce Teaching His Dog Crab
Henry William Bunbury, 1750–1811, British
Launce Teaching His Dog Crab
undated
Michael "Angelo" Rooker Illustration to Beaumont and Fletcher
Michael "Angelo" Rooker, 1746–1801, British
Illustration to Beaumont and Fletcher
undated
William Young Ottley Prospero Summoning Ariel
William Young Ottley, 1771–1836, British
Prospero Summoning Ariel
ca. 1800
William Henry Pyne An Illustration to Rob Roy: Interior with a Party Drinking
William Henry Pyne, 1769–1843, British
An Illustration to Rob Roy: Interior with a Party Drinking
undated
Thomas Grieve Design for Midsummer Night's Dream
Thomas Grieve, 1799–1882, British
Design for Midsummer Night's Dream
undated
Robert Smirke Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
Robert Smirke, 1752–1845, British
Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
1821
Robert Smirke Lysander Awakening to See Helena
Robert Smirke, 1752–1845, British
Lysander Awakening to See Helena
1825
Robert Smirke Falstaff in the Boar's Head
Robert Smirke, 1752–1845, British
Falstaff in the Boar's Head
1807
Samuel De Wilde Head of a Man with a Beard and Long Hair in the Wind
Samuel De Wilde, 1748–1832, British
Head of a Man with a Beard and Long Hair in the Wind
1786
Robert Smirke Falstaff at Herne's Oak
Robert Smirke, 1752–1845, British
Falstaff at Herne's Oak
1807
Alexander Runciman Celadon and Amelia from Thomson's 'The Seasons'
Alexander Runciman, 1736–1785, British
Celadon and Amelia from Thomson's 'The Seasons'
undated
James Northcote Macbeth and the Witches
James Northcote, 1746–1831, British
Macbeth and the Witches
between 1777 and 1778
Philippe-Jacques de Loutherbourg Thomas Weston as Spy in Bates "The Rival Candidates"
Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771)
Thomas Weston as Spy in Bates "The Rival Candidates"
undated
Edward Burne-Jones Study for The Wedding Feast of Sir Degrevaunt
Edward Burne-Jones, 1833–1898, British
Study for The Wedding Feast of Sir Degrevaunt
undated
Edward Burne-Jones The Land of Beulah
Edward Burne-Jones, 1833–1898, British
The Land of Beulah
1881
Thomas Rowlandson Henderson in the Character of Falstaff
Thomas Rowlandson, 1756–1827, British
Henderson in the Character of Falstaff
undated
Frederic Leighton The Reconciliation of the Montagues and the Capulets
Frederic Leighton, 1830–1896, British
The Reconciliation of the Montagues and the Capulets
1854
unknown artist Infant Shakespeare, wih Comedy and Tragedy
unknown artist
Infant Shakespeare, wih Comedy and Tragedy
undated
unknown artist Troilus and Cressida?
unknown artist
Troilus and Cressida?
undated
unknown artist A Midsummer Night's Dream: Three Figures
unknown artist
A Midsummer Night's Dream: Three Figures
undated
unknown artist Scene from the Inferno Dramatic Landscape
unknown artist
Scene from the Inferno Dramatic Landscape
undated
unknown artist Scene from the Inferno
unknown artist
Scene from the Inferno
undated
Sawrey Gilpin Study for the Figure of Gulliver
Sawrey Gilpin, 1733–1807, British
Study for the Figure of Gulliver
ca. 1769
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
unknown artist Hudibras and Rolpho
unknown artist, nineteenth century
Hudibras and Rolpho
undated
John Flaxman The Morn, All Beauteous to Behold, from Aeschylus, The Persians
after John Flaxman, 1755–1826, British
The Morn, All Beauteous to Behold, from Aeschylus, The Persians
undated
unknown artist Fluellen Forcing Pistol to Eat His Leek
unknown artist
Fluellen Forcing Pistol to Eat His Leek
undated
Richard Westall Alcibiades and Timon
Richard Westall, 1765–1836, British
Alcibiades and Timon
ca. 1805
Mary Hoare Lady Percy Watching the Sleeping Hotspur
Mary Hoare, 1744–1820, British
Lady Percy Watching the Sleeping Hotspur
1781
Mary Hoare Prospero and Miranda
Mary Hoare, 1744–1820, British
Prospero and Miranda
1781
Mary Hoare Imogen in the Cave, 'Cymbeline', Act III, Scene VI
Mary Hoare, 1744–1820, British
Imogen in the Cave, 'Cymbeline', Act III, Scene VI
1782
Mary Hoare Antigonus Disposing of Perdita
Mary Hoare, 1744–1820, British
Antigonus Disposing of Perdita
ca. 1781
Mary Hoare Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
Mary Hoare, 1744–1820, British
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
1780
Joseph Michael Gandy A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
Joseph Michael Gandy, 1771–1843, British
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830
Joseph Farington Shakespearean Scene (?): A Pilgrim
Joseph Farington, (landscape), 1747–1821, British
Shakespearean Scene (?): A Pilgrim
1796
Mary Hoare Ophelia's Death
Mary Hoare, 1744–1820, British
Ophelia's Death
ca. 1781
Mary Hoare Lady Macbeth, Sleepwalking
Mary Hoare, 1744–1820, British
Lady Macbeth, Sleepwalking
1781
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
George Cressal Ellis Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
George Cressal Ellis, ca. 1810–1875
Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
undated
John Flaxman Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
John Flaxman, 1755–1826, British
Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
undated
John Flaxman To Phoebus at His Birth, From Aeschylus, Furies
John Flaxman, 1755–1826, British
To Phoebus at His Birth, From Aeschylus, Furies
undated
Henry Fuseli The Peasant's Dream, Paradise Lost, Book 1, 781-8
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
The Peasant's Dream, Paradise Lost, Book 1, 781-8
1793 to 1800
Mary Hoare The Three Witches from Macbeth: Double, Double, Toil and Trouble
Mary Hoare, 1744–1820, British
The Three Witches from Macbeth: Double, Double, Toil and Trouble
1781
Mary Hoare The Three Witches from Macbeth: Though the Bark Cannot be Lost...
Mary Hoare, 1744–1820, British
The Three Witches from Macbeth: Though the Bark Cannot be Lost..
ca. 1781
Mary Hoare The Apparition of the Armed Head: Macbeth
Mary Hoare, 1744–1820, British
The Apparition of the Armed Head: Macbeth
ca. 1781
Mary Hoare Lear and Cordelia
Mary Hoare, 1744–1820, British
Lear and Cordelia
ca. 1781
Mary Hoare Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
Mary Hoare, 1744–1820, British
Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
1781