Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
Riverside Scene with Figures, Hexagonal Building Left and Horse-Drawn Wagon Crossing Bridge at Right
undated
110
Samuel Prout, 1783–1852, British
Sketches of Peasants and Work-Horses
undated
111
Thomas Rowlandson, 1756–1827, British
Interior of a Stable
undated
112
Thomas Hosmer Shepherd, 1792–1864, British
St. Paul's Cathedral
undated
113
Thomas Hosmer Shepherd, 1792–1864, British
Temple Bar
undated
114
Peter Tillemans, 1684–1734, Flemish, active in Britain (from 1708)
Cavalry Troops and Camp Followers on the Move
undated
115
Thomas Shotter Boys, 1803–1874, British
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
116
William Bradford, active 1809
Pass in the Mountains Between Nisa and Villa Velha
1809
117
Thomas Bradshaw, Born 1767, British
Port Louis from La Petite Montagne (Twilight) with a Rider and Figures in Foreground
undated
118
Thomas Rowlandson, 1756–1827, British
The Heralds
undated
119
Thomas Rowlandson, 1756–1827, British
Riding and Driving Mishaps
undated
120
Thomas Rowlandson, 1756–1827, British
Three Horses in Stalls
undated
121
Thomas Rowlandson, 1756–1827, British
Dr Syntax outside the Halfway House
1821
122
Thomas Rowlandson, 1756–1827, British
The Woolpack Inn
undated
123
Thomas Rowlandson, 1756–1827, British
A Phaeton and Six
undated
124
Thomas Patch, 1725–1782, British
Sketchbook of Portrait Studies
1760s
125
Thomas Rowlandson, 1756–1827, British
A Water-Wheel Driving a Transporter
undated
126
Thomas Rowlandson, 1756–1827, British
Landscape with a Hunting Party
undated
127
Thomas Rowlandson, 1756–1827, British
Customs House at Boulogne
1790s
128
Thomas Rowlandson, 1756–1827, British
Scene Outside an Inn
undated
129
Thomas Rowlandson, 1756–1827, British
The Waggoner's Rest
between 1800 and 1805
130
Thomas Rowlandson, 1756–1827, British
Hungarian and Highland Broadsword Exercise
undated
131
Thomas Rowlandson, 1756–1827, British
Loading a Waggon
undated
132
Thomas Rowlandson, 1756–1827, British
Review of Light Horse Volunteers on Wimbledon Common
1798
133
Thomas Rowlandson, 1756–1827, British
The Paris Diligence
undated
134
Thomas Rowlandson, 1756–1827, British
Hyde Park Corner
undated
135
Thomas Rowlandson, 1756–1827, British
Newbury Market Place, Berkshire
between 1815 and 1820
136
Capt. Thomas Hastings, 1778–1854, British
Taken From the Dunloh Road, 6 September 1841
1841
137
Sawrey Gilpin, 1733–1807, British
Study of cattle with horses in the background
undated
138
Sawrey Gilpin, 1733–1807, British
Four horses galloping: (?) a mythological study, possibly for Phaeton's Chariot
undated
139
Sawrey Gilpin, 1733–1807, British
Study of Horses Carrying Calves on their Backs
undated
140
Sawrey Gilpin, 1733–1807, British
Horseman fleeing storm
undated
141
Sawrey Gilpin, 1733–1807, British
Hound Trial with hounds named
undated
142
Sawrey Gilpin, 1733–1807, British
Horses Fighting
undated
143
Sawrey Gilpin, 1733–1807, British
Four horses, figure faintly sketched in background
undated
144
Sawrey Gilpin, 1733–1807, British
Study of a Saddled Horse and Horse's Head
undated
145
Lionel Edwards, 1878–1966, British
`Now then! Are you ready?'
1905
146
Jack Butler Yeats, 1871–1957, Irish
The Last Bank
1897
147
Thomas Girtin, 1775–1802, British
Sketch for the Eidometropolis: Panorama, Great Surrey Street and Christchurch, Southwark
between 1797 and 1802
148
Thomas Rowlandson, 1756–1827, British
Newport High Street, Isle of Wight
between 1797 and 1800
149
Paul Sandby, 1731–1809, British
A View of Vinters at Boxley, Kent, with Mr. Whatman's Turkey Paper Mills
1794
150
Edward Dayes, 1763–1804, British
The Meeting of the Rivers Severn and Wye, near Chepstow
1795
151
unknown artist, eighteenth century
Landscape with Horses by a Pool
undated
152
Jean B. C. Chatelain, 1710–1771, French
View with a Cart and Figures in a Wooded Landscape
undated
153
Edward Dayes, 1763–1804, British
Queen Square, London
1786
154
Francis Oliver Finch, 1802–1862, British
Valley of Rocks, Lynton, North Devon
undated
155
unknown artist, nineteenth century
Hudibras and Rolpho
undated
156
after John Flaxman, 1755–1826, British
The Morn, All Beauteous to Behold, from Aeschylus, The Persians
undated
157
Robert Hills, 1769–1844, British
Farmyard with Horses Waiting
undated
158
Samuel Hieronymus Grimm, 1733–1794, Swiss
View of Wingerworth Hall, Derbyshire
1783
159
Samuel Hieronymus Grimm, 1733–1794, Swiss
Mill on the Avon, Pershore, Worcestershire
undated
160
Joseph Michael Gandy, 1771–1843, British
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830
161
John Augustus Atkinson, 1775–1831, British
Bologna, View in the Strada Maggiore
1819
162
Samuel Hieronymus Grimm, 1733–1794, Swiss
Landscape with Cottage, Bridge and Figures
1774
163
Samuel Hieronymus Grimm, 1733–1794, Swiss
Kennington Common
1776
164
attributed to Samuel Hieronymus Grimm, (previously S.H. Grimm), 1733–1794, Swiss
Landscape with a Ruined Norman Church
undated
165
James Wyatt, 1746–1813, British
Projected Design for Fonthill Abbey, Wiltshire
1798
166
Thomas Rowlandson, 1756–1827, British
Attendance on a Nobleman
ca. 1817
167
Thomas Rowlandson, 1756–1827, British
Comforts of Bath: Coaches Arriving
1798
168
Thomas Rowlandson, 1756–1827, British
The Enraged Vicar
undated
169
Thomas Rowlandson, 1756–1827, British
A Dead Horse on a Knacker's Cart
undated
170
Tessa Pullan, born 1953, British
Racing Scene: three racehorses with jockeys up
1994
171
James Seymour, 1702–1752, British
Six Studies of Horses and Riders
undated
172
unknown artist, eighteenth century
Morning
1799
173
unknown artist
Evening
1799
174
George Alken, 1794–active 1837, British
Foxhunting: Rider, Taking a Fence
undated
175
Henry Thomas Alken, 1785–1851, British
"Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc
1821
176
Henry Thomas Alken, 1785–1851, British
"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
1821
177
Henry Thomas Alken, 1785–1851, British
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
178
Henry Thomas Alken, 1785–1851, British
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
179
Henry Thomas Alken, 1785–1851, British
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
180
Henry Thomas Alken, 1785–1851, British
"Scraps", No. 8: Scenes of a Lancer and Other Cavalry
1823
181
Henry Thomas Alken, 1785–1851, British
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
182
Henry Thomas Alken, 1785–1851, British
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
183
Henry Thomas Alken, 1785–1851, British
Knight Falling From His Horse at a Squire's Tilt
undated
184
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
185
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
186
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
187
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
188
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
189
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
190
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
191
Henry Thomas Alken, 1785–1851, British
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
192
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
193
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
194
Henry Thomas Alken, 1785–1851, British
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
195
Henry Thomas Alken, 1785–1851, British
"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
1818
196
Henry Thomas Alken, 1785–1851, British
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
197
Henry Thomas Alken, 1785–1851, British
"Doing the Thing: and the Thing Done:" Doing it No How
1818
198
Henry Thomas Alken, 1785–1851, British
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
1818
199
Henry Thomas Alken, 1785–1851, British
"Doing the Thing: and the Thing Done:" Doing it Somehow
1818
200
Henry Thomas Alken, 1785–1851, British
"Doing the Thing: and the Thing Done:" The Down Leap Done