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Sir Violet Sighaway & Mr. Villiers
Creator:
J. Findlay, active 1825–1857
Date:
undated
Medium:
Pen and black ink, graphite and watercolor on medium, slightly textured, cream wove paper mounted to card, with attached offset print
Dimensions:
Sheet: 3 1/2 × 6 inches (8.9 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Illustration to Rob Roy: Interior with a Party Drinking
Creator:
William Henry Pyne, 1769–1843, British
Date:
undated
Medium:
Brown wash and graphite with pen and brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 5/8 × 7 5/16 inches (11.7 × 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Union Club
Creator:
Charles Williams, active 1796–1830, British
Date:
undated
Medium:
Pen and black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 1/4 x 16 7/16 inches (31.1 x 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Life of a Nobleman: Scene the Second - The First Party
Creator:
Henry Dawe, 1790–1848, British
Date:
undated
Medium:
Brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 6 1/8 inches (19.1 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Hawking Party
Creator:
Jan Wyck, ca. 1645–1700, Dutch, active in Britain (from ca. 1664)
Date:
undated
Medium:
Pen and black ink, gray ink, gray wash and graphite on medium, moderately textured, beige laid paper
Dimensions:
Mount: 13 7/8 × 11 inches (35.2 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Tea Party
Creator:
Marcellus Laroon the Younger, 1679–1772, British
Date:
ca. 1770
Medium:
Pen and brown ink, gray wash, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 17 7/8 × 13 inches (45.4 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Supper Box at Vauxhall
Creator:
Isaac Cruikshank, 1764–1811, British
Date:
undated
Medium:
Pen and black ink, gray wash, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 13/16 × 6 1/2 inches (24.9 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Flight
Creator:
Isaac Cruikshank, 1764–1811, British
Date:
undated
Medium:
Graphite, gray wash, brown wash, pen and black ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 9 5/16 × 6 7/8 inches (23.7 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Public Refreshment in Low Society
Creator:
Robert Isaac Cruikshank, 1789–1856, British
Date:
undated
Medium:
Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 11/16 × 13 1/16 inches (22.1 × 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Public Refreshment in High Society
Creator:
Robert Isaac Cruikshank, 1789–1856, British
Date:
undated
Medium:
Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 13 inches (21 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Philipines
Creator:
Adelaide Claxton, 1858–1905, British
Date:
undated
Medium:
Pen and black ink, gray wash and graphite on medium, slightly textured, cream wove paper mounted to moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 5 1/4 × 9 inches (13.3 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
One o'clock a.m. Supper
Creator:
Adelaide Claxton, 1858–1905, British
Date:
undated
Medium:
Gray wash and graphite on moderately thick, smooth, cream card
Dimensions:
Sheet: 6 7/8 × 6 1/2 inches (17.5 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund