Print made by Joseph Mallord William Turner, 1775–1851, British
Catania, Sicily
ca. 1825
12
Joseph Mallord William Turner, 1775–1851, British
High Street, Edinburgh
ca. 1818
13
Joseph Mallord William Turner, 1775–1851, British
Crichton Castle (Mountainous Landscape with a Rainbow)
ca. 1818
14
Edward Lear, 1812–1888, British
Entrance to the Port of Marseille
undated
15
Edward Lear, 1812–1888, British
A Country House
ca. 1834
16
Edward Lear, 1812–1888, British
Derwentwater
1836
17
Edward Lear, 1812–1888, British
Derwentwater, September 1836
1836
18
Edward Lear, 1812–1888, British
Ullswater
1836
19
Edward Lear, 1812–1888, British
Ullswater, 14 Oct. 1836
1836
20
Edward Lear, 1812–1888, British
Parham, Sept. 30, 1834
1834
21
Edward Lear, 1812–1888, British
Fruit trees, 3 April 1863
1863
22
Edward Lear, 1812–1888, British
Villa Torlania, formerly Villa Conti, Erascati
ca. 1844
23
Edward Lear, 1812–1888, British
S. Pietro Degli Agostiniani. Leonessa
1844
24
Edward Lear, 1812–1888, British
Sheikh Abadeh, 3:15 pm, 6 January 1867 (84)
1867
25
Edward Lear, 1812–1888, British
Abu Seer
1867
26
Edward Lear, 1812–1888, British
Near Wady Halfeh
1867
27
Edward Lear, 1812–1888, British
Abu Simbel, 4:30 pm, 8 February 1867 (379)
1867
28
Edward Lear, 1812–1888, British
Abu Simbel, 1:10 pm, 9 February 1867 (385)
1867
29
Edward Lear, 1812–1888, British
Ibreem, 6:30 am, 11 February 1867 (405)
1867
30
Edward Lear, 1812–1888, British
Sabooa
1867
31
Edward Lear, 1812–1888, British
Karnak, 24 February 1867 (545)
1867
32
Edward Lear, 1812–1888, British
Near Daboad
1867
33
Edward Lear, 1812–1888, British
Gebel Sheikh Eredi
1867
34
Edward Lear, 1812–1888, British
Gebel Sheikh Abu Fodde, 12:30 pm, 4 March 1867 (592)
1867
35
Edward Lear, 1812–1888, British
Deir El Adra
1867
36
Edward Lear, 1812–1888, British
Gebel Sheikh Abu Fodde, 7:30 am, 4 March 1867 (590)
1867
37
Edward Lear, 1812–1888, British
Sheikh Abadeh, 3:20 pm, 6 January 1867 (85)
1867
38
Edward Lear, 1812–1888, British
Opposite Beni Hassan
1867
39
Edward Lear, 1812–1888, British
Near Gezir Sherg el Hian
1867
40
Edward Lear, 1812–1888, British
Near Negadeh, 12:30 pm, 17 January 1867 (188)
1867
41
Edward Lear, 1812–1888, British
La Cava, 19 July 1838
1838
42
Edward Lear, 1812–1888, British
Lago di Garda
1867
43
Edward Lear, 1812–1888, British
Deir Kadige, noon., January 2, 1867 (27)
1867
44
Edward Lear, 1812–1888, British
Gebel Sheikh Embarak
1867
45
Edward Lear, 1812–1888, British
Sharaone
1867
46
Edward Lear, 1812–1888, British
Ibreem, 11:00 am, 2 February 1867 (319)
1867
47
Edward Lear, 1812–1888, British
Ibreem, 10:00 pm, 10 February 1867 (404)
1867
48
Edward Lear, 1812–1888, British
Amada, 7:20 am, 12 February 1867 (421)
1867
49
Edward Lear, 1812–1888, British
Karnak, 9:30 am, 24 February 1867 (546)
1867
50
Edward Lear, 1812–1888, British
Near Beer El Abt, 4:30 pm, 28 March 1867 (23)
1867
51
Edward Lear, 1812–1888, British
Near El Areesh, 3:30 pm, 30 March 1867 (27)
1867
52
Edward Lear, 1812–1888, British
Salahiyeh
1867
53
Edward Lear, 1812–1888, British
Salahiyeh
1867
54
Edward Lear, 1812–1888, British
Kurayim
1867
55
Edward Lear, 1812–1888, British
Gozo, near Malta
1866
56
Edward Lear, 1812–1888, British
Albania
between 1848 and 1849
57
Edward Lear, 1812–1888, British
Venice, the Doge's Palace
undated
58
Edward Lear, 1812–1888, British
Nice from the Genoa Road
1865
59
George Romney, 1734–1802, British
Plans for the House to be Built at Hampstead
1794
60
George Romney, 1734–1802, British
Birth of Man
undated
61
George Romney, 1734–1802, British
The Temptation of Christ
undated
62
George Romney, 1734–1802, British
Hell
undated
63
George Romney, 1734–1802, British
Seated Woman
undated
64
George Romney, 1734–1802, British
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
65
George Romney, 1734–1802, British
Slight Sketch of Figures
undated
66
George Romney, 1734–1802, British
Deposition
undated
67
Sir Robert Smirke the younger, 1781–1867, British
Temple Near the Site of Ancient Phigalia
1803
68
Sir Robert Smirke the younger, 1781–1867, British
Fragment of a Doric Cornice Among the Ruins of Eleusis
1802-1804
69
Sir Robert Smirke the younger, 1781–1867, British
Landscape of Trees, and Ruins
1802-1804
70
Sir Robert Smirke the younger, 1781–1867, British
The Capital and Entablature to the Columns of the Temple of Juno Lucina, Agrigentum
1802-1804
71
Sir Robert Smirke the younger, 1781–1867, British
Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels
1802-1804
72
Capt. Thomas Hastings, 1778–1854, British
As Much Underneath, Before the Road, Hastings
1820
73
Capt. Thomas Hastings, 1778–1854, British
At Hastings, 5 October 1820
1820
74
Capt. Thomas Hastings, 1778–1854, British
Sketch of a Man Watching Large Waves, Hastings
1820
75
Henry Swinburne, 1743–1803, British
View of the Cappuccini Mount, the Po & the Bridge from the Road to the Palatine"
1764
76
David Allan, 1744–1796, British, born in Scotland
Costume Study
undated
77
Michel Jean Cazabon, 1813–1888, Trinidadian
Corbeaux Town, Port of Spain
1857
78
Michel Jean Cazabon, 1813–1888, Trinidadian
Forest Scenery near Tamana
1857
79
John Thomas Smith, 1766–1833, British
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
80
John Thomas Smith, 1766–1833, British
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
81
John Thomas Smith, 1766–1833, British
Hogarth Declaring His Love to Miss Thornhill
1817
82
John Thomas Smith, 1766–1833, British
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
83
John Thomas Smith, 1766–1833, British
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
84
John Thomas Smith, 1766–1833, British
The Smock Exposed
1817
85
John Thomas Smith, 1766–1833, British
The Reconcilation
1817
86
John Thomas Smith, 1766–1833, British
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
87
John Thomas Smith, 1766–1833, British
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
88
John Thomas Smith, 1766–1833, British
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
89
John Thomas Smith, 1766–1833, British
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
90
unknown artist
Design for Wall Paper
ca. 1760
91
Thomas Stothard, 1755–1834, British
Sketch of Classical Figures in Action
undated
92
James Bruce, 1730–1794, British
Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec
undated
93
Luigi Balugani, 1737–1770, Italian
Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruiting branch