Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold: Early Morning
ca. 1880
2
Edward Lear, 1812–1888, British
Near Edfu
1867
3
Edward Lear, 1812–1888, British
Edfu
1867
4
Edward Lear, 1812–1888, British
Sunset on the Nile
1867
5
Edward Lear, 1812–1888, British
Boats on the Nile
1867
6
Edward Lear, 1812–1888, British
Opposite Melaghara, 5:20 PM
undated
7
Edward Lear, 1812–1888, British
Philae
1867
8
Edward Lear, 1812–1888, British
Near Dishna
1867
9
Edward Lear, 1812–1888, British
Between Ibreem and Wady Halfeh, 3.15 pm, 2 February 1867 (330)
1867
10
Edward Lear, 1812–1888, British
Haram el Ketab
1867
11
Edward Lear, 1812–1888, British
Haram el Ketab
1867
12
Edward Lear, 1812–1888, British
Silsilis
1854
13
Edward Lear, 1812–1888, British
Gebel Sheikh Eredi
1867
14
Edward Lear, 1812–1888, British
Boat on the Nile
January - March 1867
15
Edward Lear, 1812–1888, British
Boat on the Nile
January - March 1867
16
Edward Lear, 1812–1888, British
Deir Kadige
1867
17
George Romney, 1734–1802, British
Figure Composition Study 21 with a Face
undated
18
George Romney, 1734–1802, British
Execution of Mary Stuart
undated
19
George Romney, 1734–1802, British
Richard Cumberland Frontispiece
undated
20
George Romney, 1734–1802, British
Possibly "The Effects of Pride" or "Injustice"
undated
21
George Romney, 1734–1802, British
The Temptation of Christ
undated
22
George Romney, 1734–1802, British
Canidia and the Youth
undated
23
George Romney, 1734–1802, British
Temptation of Christ
undated
24
George Romney, 1734–1802, British
Possibly Lapland Witches
undated
25
George Romney, 1734–1802, British
Two Kneeling Figures Struggling with a Seated Figure
undated
26
George Romney, 1734–1802, British
Three Standing Figures before a Seated Figure
undated
27
George Romney, 1734–1802, British
Seated Female Nude, Probably for "Susannah and the Elders"
undated
28
George Romney, 1734–1802, British
Figures
undated
29
George Romney, 1734–1802, British
A Reclining Woman
undated
30
George Romney, 1734–1802, British
Reclining Figure and Seated Figure
undated
31
George Romney, 1734–1802, British
Samson Overpowered
undated
32
George Romney, 1734–1802, British
Two Kneeling Figures before a Seated Figure
undated
33
George Romney, 1734–1802, British
Fiends for the Temptation of Christ
undated
34
George Romney, 1734–1802, British
Temptation of Christ
undated
35
Edward Lear, 1812–1888, British
West Bank near Howatke; 8:15 A.M., 8 Jan. 1867 (95)
1867
36
Edward Lear, 1812–1888, British
Above Kalabashe; 12:20 P.M., 31 Jan. 1867 (297)
1867
37
Edward Lear, 1812–1888, British
Dishne; 4:30 P.M., 27 Feb. 1867 (554)
1867
38
George Romney, 1734–1802, British
Ms. notes
undated
39
Sir Robert Smirke the younger, 1781–1867, British
In the Friedrich's Shape
1802-1804
40
Capt. Thomas Hastings, 1778–1854, British
Brighton, 26 September 1815
1815
41
Henry Swinburne, 1743–1803, British
Barcelona, Spain
1775 to 1776
42
Henry Swinburne, 1743–1803, British
Near Campo Lautrecco, Naples
1777 to 1778
43
Henry Swinburne, 1743–1803, British
Coastal Landscape
undated
44
Henry Swinburne, 1743–1803, British
View of the Road Near Borchetta
undated
45
Henry Swinburne, 1743–1803, British
Dordogne, France
undated
46
Henry Swinburne, 1743–1803, British
Wooded Clearing, with a River Landscape and Cottage
undated
47
Henry Swinburne, 1743–1803, British
Rocky Landscape with Grotto
undated
48
Henry Swinburne, 1743–1803, British
Madrid, Spain
1775 to 1776
49
Henry Swinburne, 1743–1803, British
Bord du Loiret
undated
50
Henry Swinburne, 1743–1803, British
River View of Bridge and Village in a Distance
undated
51
John Thomas Smith, 1766–1833, British
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
52
William Blake Richmond, 1842–1921, British
Portrait of a Gentleman
undated
53
Luigi Balugani, 1737–1770, Italian
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
ca. 1768
54
Luigi Balugani, 1737–1770, Italian
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits
ca. 1768
55
James Bruce, 1730–1794, British
Madoqua (Dik-dik)
ca. 1768
56
John Gendall, 1790–1865, British
Fulham Palace, Porter's Lodge
undated
57
John Glover, 1767–1849, British
Greenwich
undated
58
Samuel Howitt, 1756–1822, British
Bull and Cow
after 1813
59
Samuel Howitt, 1756–1822, British
The Dog and The Shadow
undated
60
Samuel Howitt, 1756–1822, British
Crane and Frogs
after 1813
61
Samuel Howitt, 1756–1822, British
Raven and Snake
ca. 1813
62
John Frederick Lewis, 1804–1876, British
The Via Mala
1827
63
Sir James Thornhill, 1675–1734, British
A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
ca. 1715
64
Paul Sandby, 1731–1809, British
A Lady Copying at a Drawing Table
ca. 1765
65
Print made by Edward Goodall, 1795–1870, British
St. Julienne's Chapel
1834
66
John Greig, active 1803–1853, British
Herstmonceux Castle, Sussex
1815
67
Sir James Thornhill, 1675–1734, British
The Blinding of Elymas
between 1709 and 1717
68
George Edmund Street, 1824–1881, British
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
69
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Plan of the Chamber Floor
undated
70
John Boyne, ca. 1750–1810, British
Malvolio: Possibly a Self-Portrait in the Role
undated
71
John Vanderbank, 1694–1739, British
Lady and Cockatoo
undated
72
John Glover, 1767–1849, British
River with Fishermen
1792
73
Francis Hayman, 1707/8–1776, British
A Study for "Seeing -- La Vue" ( One of the Five Senses)
undated
74
Sir George Hayter, 1792–1871, British
Portrait Study of Martha, Lady Hayter
1863
75
Thomas Miles Richardson Sr., 1784–1848, British
A Highlander Seated
undated
76
Robert Mabon, died 1798, British
A Durbar Scene, Poona, October 3, 1792
1792
77
J. Findlay, active 1825–1857
Sir Violet Sighaway & Mr. Villiers
undated
78
George Edmund Street, 1824–1881, British
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
79
George Edmund Street, 1824–1881, British
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
80
George Edmund Street, 1824–1881, British
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
81
unknown artist, nineteenth century
View of Swanage Bay, Dorset
1816
82
George Shepheard, ca. 1770–1842, British
Haughton, Field and Shepheard Fighting
undated
83
James Ward, 1769–1859, British
A Thatched Cottage and Trees at the Turn of a Country Road
undated
84
unknown artist, nineteenth century
Moonlit Scene of Castle and Ships
undated
85
unknown artist
Col. Floyd's Villa L -- (?) near Worthing
undated
86
Paul Sandby, 1731–1809, British
London Cries: A Man with a Basket (Man Selling Pots and Pans)
undated
87
Samuel Howitt, 1756–1822, British
Gun Dogs
undated
88
Thomas Lindsay, 1793–1861, British
Oast House at Dusk
undated
89
Attributed to Thomas Lindsay, 1793–1861, British
Cloud Study - Blue and Red Flecked Alto - Cumulus
undated
90
Attributed to Thomas Lindsay, 1793–1861, British
Wispy Cloud Above an Alpine Formation
undated
91
James Bruce, 1730–1794, British
Kefla Yasous with Horse and Ceremonial Equipment
undated
92
George Edmund Street, 1824–1881, British
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
93
George Edmund Street, 1824–1881, British
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
94
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Plan of the Attic Floor
undated
95
unknown artist, nineteenth century
Battersea
undated
96
Paul Sandby, 1731–1809, British
London Cries: A Man Swaggering
undated
97
Angelica Kauffmann, 1741–1807, Swiss, active in Britain (1766–81)
Dr. John Morgan of Philadelphia
1765
98
George Richmond, 1809–1896, British
Portrait of Samuel Palmer, February 5, 1828
1828
99
James Pattison Cockburn, 1779–1847, British
Advanced Guard - Sunrise
ca. 1832
100
John Varley, 1778–1842, British
View of Rugged Coastline, Bamburgh, Northumberland