Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
304
Attributed to John Carter, 1748–1817, British
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
305
Attributed to John Carter, 1748–1817, British
Impost moldings, St Stephen's Chapel
between 1790 and 1802
306
Attributed to John Carter, 1748–1817, British
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
307
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
308
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
309
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
310
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
311
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
312
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
313
Attributed to John Carter, 1748–1817, British
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
314
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
315
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
316
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
317
unknown artist, nineteenth century
Grave of the Supposed William Lyndewode
1852
318
Attributed to office of Sir John Soane, (George Bailey), 1753–1837, British
Part of the Construction in the Old House of Lords
1823
319
Attributed to John Carter, 1748–1817, British
North Side, Painted Chamber
between 1793 and 1799
320
Attributed to John Carter, 1748–1817, British
East End, Painted Chamber
between 1793 and 1799
321
Attributed to John Carter, 1748–1817, British
Door on South Side of Painted Chamber
between 1793 and 1799
322
George Birch, 1842–1904, British
View of Guy Fawkes' Tower
1827
323
George Birch, 1842–1904, British
Sections of Room under Painted Chamber
1827
324
George Harley, 1791–1871, British
Ruins of Westminster Palace
1834
325
Attributed to John Carter, 1748–1817, British
Plan of Princes Chamber, One Pair
between 1800 and 1807
326
Attributed to John Carter, 1748–1817, British
East Front of Princes Chamber
between 1800 and 1807
327
Attributed to John Carter, 1748–1817, British
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
328
Attributed to John Carter, 1748–1817, British
Princes Chamber
between 1800 and 1807
329
Attributed to John Carter, 1748–1817, British
South Side of Princes Chamber West
between 1800 and 1807
330
Attributed to John Carter, 1748–1817, British
Window Detail, Princes Chamber
between 1800 and 1807
331
Attributed to John Carter, 1748–1817, British
Door near Painted Chamber
between 1800 and 1807
332
Frederick Mackenzie, 1788–1854, British
Old Palace Yard
1809
333
Charles James Richardson, 1806–1871, British
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
334
Charles James Richardson, 1806–1871, British
Ceiling of Front Parlor House in Old Palace Yard
1871
335
unknown artist
Henry VII Chapel, Westminster Abbey
undated
336
Attributed to John Carter, 1748–1817, British
Buildings on East Side of Dean's Yard
between 1806 and 1815
337
Henry Thomas Alken, 1785–1851, British
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
338
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
339
Thomas Rowlandson, 1756–1827, British
The Canterbury-Dover Coach Passing Vanbrugh Castle
between 1795 and 1800
340
Michael Searles, 1750–1813, British
Design for a London Townhouse: Elevation
undated
341
Michael Searles, 1750–1813, British
Design for a London Townhouse: Elevation
undated
342
Thomas Rowlandson, 1756–1827, British
Greenwich
1795 to 1800
343
Michael "Angelo" Rooker, 1746–1801, British
The Admiralty Building from Whitehall
1782
344
Michael Searles, 1750–1813, British
Design for a London Townhouse: Elevation
undated
345
Michael Searles, 1750–1813, British
Design for a London Townhouse: Elevation
undated
346
George Shepheard, ca. 1770–1842, British
The Banqueting House, Whitehall, from the River
ca. 1810
347
Julius Caesar Ibbetson, 1759–1817, British
Skating in Hyde Park
ca. 1785
348
George Moutard Woodward, ca. 1760–1809, British
'A Whistler!'
undated
349
John Carter, 1748–1817, British
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
350
unknown artist, eighteenth century
Entrance Doorway in the Tower, St Stephen's Chapel
undated
351
John Carter, 1748–1817, British
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
352
Attributed to John Carter, 1748–1817, British
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
353
Attributed to John Carter, 1748–1817, British
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
354
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
355
Attributed to John Carter, 1748–1817, British
New East Front, St Stephen's Chapel
ca. 1801
356
Attributed to John Carter, 1748–1817, British
Capitals, St Stephen's Chapel
between 1790 and 1802
357
Attributed to John Carter, 1748–1817, British
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
358
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
359
George Johann Scharf, 1788–1860, British
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
360
Print made by Charles Grignion, 1717–1810, British
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
361
Attributed to William Capon, 1757–1827, British
Entrance to the House of Lords
1796
362
Attributed to John Carter, 1748–1817, British
Plan of the Basement Story under the House of Lords
between 1800 and 1807
363
Attributed to John Carter, 1748–1817, British
Parts in Stone Underhouse of Lords
between 1800 and 1807
364
Attributed to John Carter, 1748–1817, British
View in Basement Story under House of Lords
between 1800 and 1807
365
Attributed to office of Sir John Soane, (George Bailey), 1753–1837, British
Part of the Construction in the Old House of Lords
1823
366
Attributed to John Carter, 1748–1817, British
Elevation of the Basement Story, House of Lords
between 1800 and 1807
367
Attributed to office of Sir John Soane, (George Bailey), 1753–1837, British
Part of the Construction in the Old House of Lords
1823
368
Attributed to office of Sir John Soane, 1753–1837, British
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
369
unknown artist, nineteenth century
New Rooms at Westminster for the Bishops
undated
370
Attributed to office of Sir John Soane, 1753–1837, British
Plan of the Ground Floor, House of Lords
1835
371
Print made by John Greig, active 1803–1853, British
The Painted Chamber, Westminster
1804
372
unknown artist
Exterior of Painted Chamber, North View
undated
373
Attributed to John Carter, 1748–1817, British
Palace at Westminster
between 1800 and 1807
374
Attributed to John Carter, 1748–1817, British
Plan of Painted Chamber
between 1793 and 1799
375
Attributed to John Carter, 1748–1817, British
Side Window, North, Painted Chamber
between 1793 and 1799
376
Attributed to John Carter, 1748–1817, British
East Front of Painted Chamber
between 1793 and 1799
377
Attributed to John Carter, 1748–1817, British
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
378
Attributed to John Carter, 1748–1817, British
Wall Paintings
between 1793 and 1799
379
Attributed to John Carter, 1748–1817, British
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
380
George Birch, 1842–1904, British
Plan and View of Room under the Painted Chamber
1827
381
Charles James Richardson, 1806–1871, British
Sections of Room under Painted Chamber
1827
382
Attributed to William Capon, 1757–1827, British
Elevation of Buildings Fronting Westminster Hall
1822
383
Charles James Richardson, 1806–1871, British
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
384
Charles James Richardson, 1806–1871, British
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
1871
385
Charles James Richardson, 1806–1871, British
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
386
Attributed to John Carter, 1748–1817, British
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
387
Attributed to John Carter, 1748–1817, British
Continuation of the Preceeding Ornaments
1793
388
William Capon, 1757–1827, British
Henry VII Chapel
ca. 1793
389
John Phillipps Emslie, 1839–1913, British
Houses Adjacent to Westminster Abbey in the Process of Demolition
1896
390
John Carter, 1748–1817, British
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
391
Attributed to John Carter, 1748–1817, British
Door-way in Wall of South Precints of Westminster Abbey
undated
392
Attributed to John Carter, 1748–1817, British
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
393
Attributed to John Carter, 1748–1817, British
Continuation of Details
between 1806 and 1815
394
Attributed to John Carter, 1748–1817, British
Window, Dean's Yard
between 1806 and 1815
395
Attributed to John Carter, 1748–1817, British
Continuation of Detail
between 1806 and 1815
396
Attributed to John Carter, 1748–1817, British
Continuation of Detail
between 1806 and 1815
397
Thomas Rowlandson, 1756–1827, British
The London Citizen
undated
398
Attributed to John Carter, 1748–1817, British
Detail, Dean's Yard
between 1806 and 1815
399
Attributed to John Carter, 1748–1817, British
Figure study, Henry VII Chapel
ca. 1793
400
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel