Evening with a Procession of Choir Boys Walking Towards Westminster Abbey
undated
4
William Henry Hunt, 1790–1864, British
The Portico of St. Martin-in-the-Fields
ca. 1862
5
William Parrott, 1813–ca. 1869, British
Waterloo Bridge from the Garden of M. A. Taylor, Esq
undated
6
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
7
Attributed to Charles Gore, 1729–1807, British
A Large Church (Westminster Abbey) at Sunset
undated
8
Alexander Nasmyth, 1758–1840, British
Westminster Abbey from Dean's Yard
undated
9
Patrick Nasmyth, 1787–1831, British
Part of Regent's Park
1805
10
George Belton Moore, 1805–1875, British
A Proposed plan for Trafalgar Square
1841
11
Paul Sandby, 1731–1809, British
A Family in Hyde Park
undated
12
attributed to Michael "Angelo" Rooker, 1746–1801, British
Scenery, Haymarket Theatre
undated
13
Frederick Nash, 1782–1856, British
Ambulatory, Westminster Abbey
undated
14
George Sidney Shepherd, 1784–1862, British
Green Park
ca. 1830
15
Thomas Hosmer Shepherd, 1792–1864, British
The Houses of Parliament
undated
16
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
17
Thomas Rowlandson, 1756–1827, British
Skating on the Serpentine
before 1790
18
Thomas Rowlandson, 1756–1827, British
Hyde Park Corner
undated
19
Samuel Scott, 1701/2–1772, British
Westminster Bridge under Construction
undated
20
unknown artist, eighteenth century
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
21
unknown artist, eighteenth century
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
22
Print made by James Basire the younger, 1769–1822, British
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
23
unknown artist, nineteenth century
Plan of the Old Parliament Houses, Westminster
1820
24
Attributed to John Carter, 1748–1817, British
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
25
John Carter, 1748–1817, British
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
26
Attributed to John Carter, 1748–1817, British
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
27
Attributed to John Carter, 1748–1817, British
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
28
Attributed to John Carter, 1748–1817, British
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
29
Attributed to John Carter, 1748–1817, British
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
30
Attributed to John Carter, 1748–1817, British
Impost moldings, St Stephen's Chapel
between 1790 and 1802
31
Attributed to John Carter, 1748–1817, British
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
32
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
33
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
34
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
35
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
36
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
37
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
38
Attributed to John Carter, 1748–1817, British
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
39
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
40
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
41
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
42
unknown artist, nineteenth century
Grave of the Supposed William Lyndewode
1852
43
Attributed to office of Sir John Soane, (George Bailey), 1753–1837, British
Part of the Construction in the Old House of Lords
1823
44
Attributed to John Carter, 1748–1817, British
North Side, Painted Chamber
between 1793 and 1799
45
Attributed to John Carter, 1748–1817, British
East End, Painted Chamber
between 1793 and 1799
46
Attributed to John Carter, 1748–1817, British
Door on South Side of Painted Chamber
between 1793 and 1799
47
George Birch, 1842–1904, British
View of Guy Fawkes' Tower
1827
48
George Birch, 1842–1904, British
Sections of Room under Painted Chamber
1827
49
George Harley, 1791–1871, British
Ruins of Westminster Palace
1834
50
Attributed to John Carter, 1748–1817, British
Plan of Princes Chamber, One Pair
between 1800 and 1807
51
Attributed to John Carter, 1748–1817, British
East Front of Princes Chamber
between 1800 and 1807
52
Attributed to John Carter, 1748–1817, British
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
53
Attributed to John Carter, 1748–1817, British
Princes Chamber
between 1800 and 1807
54
Attributed to John Carter, 1748–1817, British
South Side of Princes Chamber West
between 1800 and 1807
55
Attributed to John Carter, 1748–1817, British
Window Detail, Princes Chamber
between 1800 and 1807
56
Attributed to John Carter, 1748–1817, British
Door near Painted Chamber
between 1800 and 1807
57
Frederick Mackenzie, 1788–1854, British
Old Palace Yard
1809
58
Charles James Richardson, 1806–1871, British
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
59
Charles James Richardson, 1806–1871, British
Ceiling of Front Parlor House in Old Palace Yard
1871
60
unknown artist
Henry VII Chapel, Westminster Abbey
undated
61
Attributed to John Carter, 1748–1817, British
Buildings on East Side of Dean's Yard
between 1806 and 1815
62
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
63
Michael "Angelo" Rooker, 1746–1801, British
The Admiralty Building from Whitehall
1782
64
George Shepheard, ca. 1770–1842, British
The Banqueting House, Whitehall, from the River
ca. 1810
65
Julius Caesar Ibbetson, 1759–1817, British
Skating in Hyde Park
ca. 1785
66
George Moutard Woodward, ca. 1760–1809, British
'A Whistler!'
undated
67
John Carter, 1748–1817, British
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
68
unknown artist, eighteenth century
Entrance Doorway in the Tower, St Stephen's Chapel
undated
69
John Carter, 1748–1817, British
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
70
Attributed to John Carter, 1748–1817, British
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
71
Attributed to John Carter, 1748–1817, British
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
72
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
73
Attributed to John Carter, 1748–1817, British
New East Front, St Stephen's Chapel
ca. 1801
74
Attributed to John Carter, 1748–1817, British
Capitals, St Stephen's Chapel
between 1790 and 1802
75
Attributed to John Carter, 1748–1817, British
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
76
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
77
George Johann Scharf, 1788–1860, British
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
78
Print made by Charles Grignion, 1717–1810, British
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
79
Attributed to William Capon, 1757–1827, British
Entrance to the House of Lords
1796
80
Attributed to John Carter, 1748–1817, British
Plan of the Basement Story under the House of Lords
between 1800 and 1807
81
Attributed to John Carter, 1748–1817, British
Parts in Stone Underhouse of Lords
between 1800 and 1807
82
Attributed to John Carter, 1748–1817, British
View in Basement Story under House of Lords
between 1800 and 1807
83
Attributed to office of Sir John Soane, (George Bailey), 1753–1837, British
Part of the Construction in the Old House of Lords
1823
84
Attributed to John Carter, 1748–1817, British
Elevation of the Basement Story, House of Lords
between 1800 and 1807
85
Attributed to office of Sir John Soane, (George Bailey), 1753–1837, British
Part of the Construction in the Old House of Lords
1823
86
Attributed to office of Sir John Soane, 1753–1837, British
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
87
unknown artist, nineteenth century
New Rooms at Westminster for the Bishops
undated
88
Attributed to office of Sir John Soane, 1753–1837, British
Plan of the Ground Floor, House of Lords
1835
89
Print made by John Greig, active 1803–1853, British
The Painted Chamber, Westminster
1804
90
unknown artist
Exterior of Painted Chamber, North View
undated
91
Attributed to John Carter, 1748–1817, British
Palace at Westminster
between 1800 and 1807
92
Attributed to John Carter, 1748–1817, British
Plan of Painted Chamber
between 1793 and 1799
93
Attributed to John Carter, 1748–1817, British
Side Window, North, Painted Chamber
between 1793 and 1799
94
Attributed to John Carter, 1748–1817, British
East Front of Painted Chamber
between 1793 and 1799
95
Attributed to John Carter, 1748–1817, British
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
96
Attributed to John Carter, 1748–1817, British
Wall Paintings
between 1793 and 1799
97
Attributed to John Carter, 1748–1817, British
Enlarged Detail of Figures from Painting Shown in Previous Sketch