Evening with a Procession of Choir Boys Walking Towards Westminster Abbey
undated
4
William Henry Hunt, 1790–1864, British
The Portico of St. Martin-in-the-Fields
ca. 1862
5
William Parrott, 1813–ca. 1869, British
Waterloo Bridge from the Garden of M. A. Taylor, Esq
undated
6
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
7
Attributed to Charles Gore, 1729–1807, British
A Large Church (Westminster Abbey) at Sunset
undated
8
Alexander Nasmyth, 1758–1840, British
Westminster Abbey from Dean's Yard
undated
9
Patrick Nasmyth, 1787–1831, British
Part of Regent's Park
1805
10
George Belton Moore, 1805–1875, British
A Proposed plan for Trafalgar Square
1841
11
Paul Sandby, 1731–1809, British
A Family in Hyde Park
undated
12
attributed to Michael "Angelo" Rooker, 1746–1801, British
Scenery, Haymarket Theatre
undated
13
Frederick Nash, 1782–1856, British
Ambulatory, Westminster Abbey
undated
14
George Sidney Shepherd, 1784–1862, British
Green Park
ca. 1830
15
Thomas Hosmer Shepherd, 1792–1864, British
The Houses of Parliament
undated
16
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
17
Thomas Rowlandson, 1756–1827, British
Skating on the Serpentine
before 1790
18
Thomas Rowlandson, 1756–1827, British
Hyde Park Corner
undated
19
Samuel Scott, 1701/2–1772, British
Westminster Bridge under Construction
undated
20
unknown artist, eighteenth century
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
21
unknown artist, nineteenth century
Plan of the Old Parliament Houses, Westminster
1820
22
Attributed to John Carter, 1748–1817, British
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
23
John Carter, 1748–1817, British
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
24
Attributed to John Carter, 1748–1817, British
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
25
Attributed to John Carter, 1748–1817, British
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
26
Attributed to John Carter, 1748–1817, British
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
27
Attributed to John Carter, 1748–1817, British
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
28
Attributed to John Carter, 1748–1817, British
Impost moldings, St Stephen's Chapel
between 1790 and 1802
29
Attributed to John Carter, 1748–1817, British
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
30
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
31
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
32
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
33
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
34
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
35
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
36
Attributed to John Carter, 1748–1817, British
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
37
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
38
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
39
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
40
unknown artist, nineteenth century
Grave of the Supposed William Lyndewode
1852
41
Attributed to office of Sir John Soane, (George Bailey), 1753–1837, British
Part of the Construction in the Old House of Lords
1823
42
Attributed to John Carter, 1748–1817, British
North Side, Painted Chamber
between 1793 and 1799
43
Attributed to John Carter, 1748–1817, British
East End, Painted Chamber
between 1793 and 1799
44
Attributed to John Carter, 1748–1817, British
Door on South Side of Painted Chamber
between 1793 and 1799
45
George Birch, 1842–1904, British
View of Guy Fawkes' Tower
1827
46
George Birch, 1842–1904, British
Sections of Room under Painted Chamber
1827
47
George Harley, 1791–1871, British
Ruins of Westminster Palace
1834
48
Attributed to John Carter, 1748–1817, British
Plan of Princes Chamber, One Pair
between 1800 and 1807
49
Attributed to John Carter, 1748–1817, British
East Front of Princes Chamber
between 1800 and 1807
50
Attributed to John Carter, 1748–1817, British
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
51
Attributed to John Carter, 1748–1817, British
Princes Chamber
between 1800 and 1807
52
Attributed to John Carter, 1748–1817, British
South Side of Princes Chamber West
between 1800 and 1807
53
Attributed to John Carter, 1748–1817, British
Window Detail, Princes Chamber
between 1800 and 1807
54
Attributed to John Carter, 1748–1817, British
Door near Painted Chamber
between 1800 and 1807
55
Frederick Mackenzie, 1788–1854, British
Old Palace Yard
1809
56
Charles James Richardson, 1806–1871, British
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
57
Charles James Richardson, 1806–1871, British
Ceiling of Front Parlor House in Old Palace Yard
1871
58
unknown artist
Henry VII Chapel, Westminster Abbey
undated
59
Attributed to John Carter, 1748–1817, British
Buildings on East Side of Dean's Yard
between 1806 and 1815
60
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
61
Michael "Angelo" Rooker, 1746–1801, British
The Admiralty Building from Whitehall
1782
62
George Shepheard, ca. 1770–1842, British
The Banqueting House, Whitehall, from the River
ca. 1810
63
Julius Caesar Ibbetson, 1759–1817, British
Skating in Hyde Park
ca. 1785
64
George Moutard Woodward, ca. 1760–1809, British
'A Whistler!'
undated
65
John Carter, 1748–1817, British
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
66
unknown artist, eighteenth century
Entrance Doorway in the Tower, St Stephen's Chapel
undated
67
John Carter, 1748–1817, British
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
68
Attributed to John Carter, 1748–1817, British
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
69
Attributed to John Carter, 1748–1817, British
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
70
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
71
Attributed to John Carter, 1748–1817, British
New East Front, St Stephen's Chapel
ca. 1801
72
Attributed to John Carter, 1748–1817, British
Capitals, St Stephen's Chapel
between 1790 and 1802
73
Attributed to John Carter, 1748–1817, British
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
74
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
75
George Johann Scharf, 1788–1860, British
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
76
Attributed to William Capon, 1757–1827, British
Entrance to the House of Lords
1796
77
Attributed to John Carter, 1748–1817, British
Plan of the Basement Story under the House of Lords
between 1800 and 1807
78
Attributed to John Carter, 1748–1817, British
Parts in Stone Underhouse of Lords
between 1800 and 1807
79
Attributed to John Carter, 1748–1817, British
View in Basement Story under House of Lords
between 1800 and 1807
80
Attributed to office of Sir John Soane, (George Bailey), 1753–1837, British
Part of the Construction in the Old House of Lords
1823
81
Attributed to John Carter, 1748–1817, British
Elevation of the Basement Story, House of Lords
between 1800 and 1807
82
Attributed to office of Sir John Soane, (George Bailey), 1753–1837, British
Part of the Construction in the Old House of Lords
1823
83
Attributed to office of Sir John Soane, 1753–1837, British
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
84
unknown artist, nineteenth century
New Rooms at Westminster for the Bishops
undated
85
Attributed to office of Sir John Soane, 1753–1837, British
Plan of the Ground Floor, House of Lords
1835
86
Attributed to John Carter, 1748–1817, British
Palace at Westminster
between 1800 and 1807
87
Attributed to John Carter, 1748–1817, British
Plan of Painted Chamber
between 1793 and 1799
88
Attributed to John Carter, 1748–1817, British
Side Window, North, Painted Chamber
between 1793 and 1799
89
Attributed to John Carter, 1748–1817, British
East Front of Painted Chamber
between 1793 and 1799
90
Attributed to John Carter, 1748–1817, British
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
91
Attributed to John Carter, 1748–1817, British
Wall Paintings
between 1793 and 1799
92
Attributed to John Carter, 1748–1817, British
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
93
George Birch, 1842–1904, British
Plan and View of Room under the Painted Chamber
1827
94
Charles James Richardson, 1806–1871, British
Sections of Room under Painted Chamber
1827
95
Attributed to William Capon, 1757–1827, British
Elevation of Buildings Fronting Westminster Hall
1822
96
Charles James Richardson, 1806–1871, British
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
97
Charles James Richardson, 1806–1871, British
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
1871
98
Charles James Richardson, 1806–1871, British
Decoration between Windows of Parlor, No. 3 Old Palace Yard