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Hog Deer
Creator:
Samuel Howitt, 1756–1822, British
Date:
after 1813
Medium:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 5 5/8 inches (21.3 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Tiger Resting: the frontispiece for "Oriental Field Sports"
Creator:
Samuel Howitt, 1756–1822, British
Date:
1805
Medium:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 13 inches (23.2 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Title Page: The Naturalist Library: Mammalia. Introduction. Volume: 1:13
Creator:
Charles Hamilton Smith, 1776–1859, Belgian
Date:
ca. 1837
Medium:
Pen and gray ink, gray wash and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 5 3/4 inches (19.7 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cave of the Golden Calf: Design for a Decorative Panel, Worshippers and Calf
Creator:
Spencer Frederick Gore, 1878–1914, British
Date:
1912
Medium:
Graphite and pen and black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 12 x 10 3/4 inches (30.5 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick Gore
Cave of the Golden Calf: Worshippers and Calf
Creator:
Spencer Frederick Gore, 1878–1914, British
Date:
1912
Medium:
Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 12 x 10 3/4 inches (30.5 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick Gore
Cave of the Golden Calf: Study for Mural of Calf and Worshipping Figures
Creator:
Spencer Frederick Gore, 1878–1914, British
Date:
1912
Medium:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 18 inches (8.9 x 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund