Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
2
John Thomas Smith, 1766–1833, British
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
3
John Thomas Smith, 1766–1833, British
Hogarth Declaring His Love to Miss Thornhill
1817
4
Thomas Shotter Boys, 1803–1874, British
Queen Anne Boleyn's Room, Windsor Castle
undated
5
John Thomas Smith, 1766–1833, British
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
6
John Thomas Smith, 1766–1833, British
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
7
John Thomas Smith, 1766–1833, British
The Smock Exposed
1817
8
John Thomas Smith, 1766–1833, British
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
9
John Thomas Smith, 1766–1833, British
The Reconcilation
1817
10
John Thomas Smith, 1766–1833, British
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
11
John Thomas Smith, 1766–1833, British
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
12
John Thomas Smith, 1766–1833, British
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
13
John Thomas Smith, 1766–1833, British
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
14
Samuel Howitt, 1756–1822, British
Honey-Badger
1817
15
Samuel Howitt, 1756–1822, British
Polecat
ca. 1817
16
Samuel Howitt, 1756–1822, British
North American Lynx
ca. 1817
17
John Thomas Smith, 1766–1833, British
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
18
John Thomas Smith, 1766–1833, British
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
19
John Thomas Smith, 1766–1833, British
The Eleventh Hour
1817
20
John Frederick Tayler, 1802–1889, British
A Fruit Stall in a Market
undated
21
William Heath, 1795–1840, British
An Episode at the Battle of Waterloo
1817
22
William Henry Hunt, 1790–1864, British
Interior of the Belfry, Bushey Church
ca. 1822
23
Alexander Monro, 1802–1844
Lewes Bridge, Sussex
undated
24
Alexander Monro, 1802–1844
Landscape at Boxhill, Surrey
undated
25
John Frederick Tayler, 1802–1889, British
Stable Boy with Cart Horses
undated
26
William Henry Hunt, 1790–1864, British
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
27
Thomas Lound, 1802–1861, British
The Keep and Gate, Ludlow Castle, Shropshire
undated
28
John Thomas Smith, 1766–1833, British
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
29
John Thomas Smith, 1766–1833, British
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
30
Thomas Shotter Boys, 1803–1874, British
A Christening
undated
31
John Thomas Smith, 1766–1833, British
Hogarth Drawing Sarah Malcolm
1817
32
John Thomas Smith, 1766–1833, British
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
33
John Thomas Smith, 1766–1833, British
Hogarth Sitting to Roubiliac for His Bust
1817
34
Alexander Monro, 1802–1844
Porchester Castle
undated
35
Alexander Monro, 1802–1844
Boxhill from West Humble Lane
undated
36
Alexander Monro, 1802–1844
Classical Landscape
undated
37
Thomas Shotter Boys, 1803–1874, British
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
38
Thomas Rowlandson, 1756–1827, British
A Tub Thumper
between 1817 and 1820
39
Thomas Shotter Boys, 1803–1874, British
Courtyard of an Inn on the Thames
undated
40
Thomas Shotter Boys, 1803–1874, British
Landscape with Windmills
undated
41
Henry Edridge, 1769–1821, British
Terrace at St. Germain-en-Laye
between 1817 and 1819
42
Francis Oliver Finch, 1802–1862, British
Landscape with Castle, Waterfall and Stream in Foreground
undated
43
Francis Oliver Finch, 1802–1862, British
Landscape with a Temple and Figures by a River
undated
44
Francis Oliver Finch, 1802–1862, British
Valley of Rocks, Lynton, North Devon
undated
45
Hon. Henrietta Anne Fortescue, ca. 1765–1841, British
Cascatella, Tivoli, 1817
1817
46
Thomas Rowlandson, 1756–1827, British
The Family Picture
1817
47
Sir Edwin Henry Landseer, 1802–1873, British
An Irish Wolfhound
undated
48
Thomas Rowlandson, 1756–1827, British
The Vicar of Wakefield: Frontispiece
1817
49
Attributed to John Frederick Tayler, 1802–1889, British
Four Hooded Falcons
undated
50
John Frederick Tayler, 1802–1889, British
A Ploughboy Riding One of a Pair of Draught-horses Up a Hill
undated
51
Thomas Rowlandson, 1756–1827, British
Jealousy, Rage, Disappointment..
1817
52
Thomas Rowlandson, 1756–1827, British
Mr. Michell's Picture Gallery, Grove House, Enfield 1817
1817
53
Isaac Weld, 1774–1856, Irish
Commencement of the Passage/ Towards the Gemmi/ from the Bernese Side
1817
54
Isaac Weld, 1774–1856, Irish
1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
1817
55
Isaac Weld, 1774–1856, Irish
Grisons/ Looking to Glarnisch (Switzerland) Mountains
1817
56
Isaac Weld, 1774–1856, Irish
"After Pinnelli" (Group of Peasants Outside a House)
1817
57
Isaac Weld, 1774–1856, Irish
After Pinnelli - Group of Peasants Outside a Church