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Medium graphite

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Collection Prints and Drawings

Remove constraint Collection: Prints and Drawings

Associated People Shakespeare, William (1564–1616), playwright and poet

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Search Results

Francis Danby Oberon and Titania
Francis Danby, 1793–1861, Irish
Oberon and Titania
1837
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Vine
1852
George Romney The Witches' Cavern
George Romney, 1734–1802, British
The Witches' Cavern
between 1792 and 1793
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802, British
Lear Awakened by Cordelia
ca. 1774
George Romney John Henderson as Falstaff
George Romney, 1734–1802, British
John Henderson as Falstaff
1780
George Romney The Banquet Scene
George Romney, 1734–1802, British
The Banquet Scene
ca. 1792
George Romney Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
George Romney, 1734–1802, British
Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
undated
George Romney Miranda, Prospero, and Caliban: The Tempest
George Romney, 1734–1802, British
Miranda, Prospero, and Caliban: The Tempest
undated
George Romney Prospero and Miranda
George Romney, 1734–1802, British
Prospero and Miranda
ca. 1787
George Romney Standing Figure, Probably for Lady Macbeth
George Romney, 1734–1802, British
Standing Figure, Probably for Lady Macbeth
undated
George Romney Witches' Cavern: MacBeth's Second Visit
George Romney, 1734–1802, British
Witches' Cavern: MacBeth's Second Visit
undated
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802, British
Lear Awakened by Cordelia
between 1774 and 1775
unknown artist Alcibiades and Timon
unknown artist
Alcibiades and Timon
undated
Benjamin Robert Haydon Sketches for a Scene from 'Macbeth'
Benjamin Robert Haydon, 1786–1846, British
Sketches for a Scene from 'Macbeth'
ca. 1811
Samuel De Wilde Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
Samuel De Wilde, 1748–1832, British
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
Henry William Bunbury A Cavalry Officer (Henry IV) Leading a Charge Outside a Castle
Henry William Bunbury, 1750–1811, British
A Cavalry Officer (Henry IV) Leading a Charge Outside a Castle
undated
unknown artist The Death of Cordelia
unknown artist
The Death of Cordelia
undated
Alfred Edward Chalon Cleopatra on the Cydnus to Meet Antony
Alfred Edward Chalon, 1780–1860, British
Cleopatra on the Cydnus to Meet Antony
ca. 1821
John Massey Wright Falstaff Disguised as Herne
John Massey Wright, 1777–1866, British
Falstaff Disguised as Herne
undated
George Fennell Robson Macbeth and Banquo on the Heath
George Fennell Robson, 1788–1833, British
Macbeth and Banquo on the Heath
ca. 1830
Henry William Bunbury The Duel: 'Twelfth Night,' Act III, Scene IV
Henry William Bunbury, 1750–1811, British
The Duel: 'Twelfth Night,' Act III, Scene IV
ca. 1790
John Boyne Malvolio: Possibly a Self-Portrait in the Role
John Boyne, ca. 1750–1810, British
Malvolio: Possibly a Self-Portrait in the Role
undated
Sir John Gilbert Enter Malvolio, Crossgartered...
Sir John Gilbert, 1817–1897, British
Enter Malvolio, Crossgartered..
1863
Sir John Gilbert Apotheosis of Shakespeare's Characters
Sir John Gilbert, 1817–1897, British
Apotheosis of Shakespeare's Characters
1871
Theodor von Holst Ferdinand Riding the Waves
Theodor von Holst, 1810–1844, British
Ferdinand Riding the Waves
ca. 1830
Theodor von Holst Prospero Watching Ferdinand and Miranda
Theodor von Holst, 1810–1844, British
Prospero Watching Ferdinand and Miranda
ca. 1840
George Henry Harlow Queen Katherine's Dream
George Henry Harlow, 1787–1819, British
Queen Katherine's Dream
1807
George Henry Harlow Hecate
George Henry Harlow, 1787–1819, British
Hecate
1815
Francis Hayman Falstaff Inspecting the Recruits
Francis Hayman, 1707/8–1776, British
Falstaff Inspecting the Recruits
between 1761 and 1765
J. Jacobs Shakespeare House, Aldersgate Street
J. Jacobs, active 1816–1864
Shakespeare House, Aldersgate Street
undated
Henry Fuseli Study for 'Finding of the Body of Bassanio'
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Study for 'Finding of the Body of Bassanio'
1804
Robert Smirke Anne Page and Slender
Robert Smirke, 1752–1845, British
Anne Page and Slender
1821
Robert Smirke Prospero and Ariel
Robert Smirke, 1752–1845, British
Prospero and Ariel
1821
Robert Smirke Falstaff Instructing Bardolph
Robert Smirke, 1752–1845, British
Falstaff Instructing Bardolph
1825
Robert Smirke Falstaff Dragging the Body of Hotspur
Robert Smirke, 1752–1845, British
Falstaff Dragging the Body of Hotspur
1825
Henry Pierce Bone The Sleepwalking Scene in Macbeth
Henry Pierce Bone, 1779–1855, British
The Sleepwalking Scene in Macbeth
undated
Henry William Bunbury Launce Teaching His Dog Crab
Henry William Bunbury, 1750–1811, British
Launce Teaching His Dog Crab
undated
Sir John Everett Millais Study for the Head of Ferdinand in "Ferdinand Lured by Ariel"
Sir John Everett Millais, 1829–1896, British
Study for the Head of Ferdinand in "Ferdinand Lured by Ariel"
1849
William Young Ottley Prospero Summoning Ariel
William Young Ottley, 1771–1836, British
Prospero Summoning Ariel
ca. 1800
Thomas Grieve Design for Midsummer Night's Dream
Thomas Grieve, 1799–1882, British
Design for Midsummer Night's Dream
undated
Thomas Grieve Design for A Winter's Tale
Thomas Grieve, 1799–1882, British
Design for A Winter's Tale
undated
Robert Smirke Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
Robert Smirke, 1752–1845, British
Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
1821
Robert Smirke Lysander Awakening to See Helena
Robert Smirke, 1752–1845, British
Lysander Awakening to See Helena
1825
Robert Smirke Falstaff in the Boar's Head
Robert Smirke, 1752–1845, British
Falstaff in the Boar's Head
1807
Samuel De Wilde Head of a Man with a Beard and Long Hair in the Wind
Samuel De Wilde, 1748–1832, British
Head of a Man with a Beard and Long Hair in the Wind
1786
Robert Smirke Falstaff at Herne's Oak
Robert Smirke, 1752–1845, British
Falstaff at Herne's Oak
1807
John Thomas Serres The South Foreland and Shakespeare's Cliff (one of five drawings on one mount)
John Thomas Serres, 1759–1825, British
The South Foreland and Shakespeare's Cliff (one of five drawings on one mount)
undated
James Northcote Macbeth and the Witches
James Northcote, 1746–1831, British
Macbeth and the Witches
between 1777 and 1778
Thomas Rowlandson Henderson in the Character of Falstaff
Thomas Rowlandson, 1756–1827, British
Henderson in the Character of Falstaff
undated
Frederic Leighton The Reconciliation of the Montagues and the Capulets
Frederic Leighton, 1830–1896, British
The Reconciliation of the Montagues and the Capulets
1854
unknown artist Infant Shakespeare, wih Comedy and Tragedy
unknown artist
Infant Shakespeare, wih Comedy and Tragedy
undated
unknown artist Troilus and Cressida?
unknown artist
Troilus and Cressida?
undated
Sir William Chambers Monument to Shakespeare
Sir William Chambers, 1723–1796, British
Monument to Shakespeare
ca. 1763
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
unknown artist Fluellen Forcing Pistol to Eat His Leek
unknown artist
Fluellen Forcing Pistol to Eat His Leek
undated
Richard Westall Alcibiades and Timon
Richard Westall, 1765–1836, British
Alcibiades and Timon
ca. 1805
Mary Hoare Lady Percy Watching the Sleeping Hotspur
Mary Hoare, 1744–1820, British
Lady Percy Watching the Sleeping Hotspur
1781
Mary Hoare Prospero and Miranda
Mary Hoare, 1744–1820, British
Prospero and Miranda
1781
Mary Hoare Imogen in the Cave, 'Cymbeline', Act III, Scene VI
Mary Hoare, 1744–1820, British
Imogen in the Cave, 'Cymbeline', Act III, Scene VI
1782
Mary Hoare Antigonus Disposing of Perdita
Mary Hoare, 1744–1820, British
Antigonus Disposing of Perdita
ca. 1781
Mary Hoare Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
Mary Hoare, 1744–1820, British
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
1780
Joseph Michael Gandy A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
Joseph Michael Gandy, 1771–1843, British
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830
Joseph Farington Shakespearean Scene (?): A Pilgrim
Joseph Farington, (landscape), 1747–1821, British
Shakespearean Scene (?): A Pilgrim
1796
Mary Hoare Ophelia's Death
Mary Hoare, 1744–1820, British
Ophelia's Death
ca. 1781
Mary Hoare Lady Macbeth, Sleepwalking
Mary Hoare, 1744–1820, British
Lady Macbeth, Sleepwalking
1781
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
George Cressal Ellis Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
George Cressal Ellis, ca. 1810–1875
Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
undated
Samuel Atkins Shakespeare Cliff, Dover
Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804)
Shakespeare Cliff, Dover
ca. 1800
Henry Fuseli Figure Leaning over Stairs
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Figure Leaning over Stairs
1789
Mary Hoare The Three Witches from Macbeth: Double, Double, Toil and Trouble
Mary Hoare, 1744–1820, British
The Three Witches from Macbeth: Double, Double, Toil and Trouble
1781
Mary Hoare The Three Witches from Macbeth: Though the Bark Cannot be Lost...
Mary Hoare, 1744–1820, British
The Three Witches from Macbeth: Though the Bark Cannot be Lost..
ca. 1781
Mary Hoare The Apparition of the Armed Head: Macbeth
Mary Hoare, 1744–1820, British
The Apparition of the Armed Head: Macbeth
ca. 1781
Mary Hoare Lear and Cordelia
Mary Hoare, 1744–1820, British
Lear and Cordelia
ca. 1781
Mary Hoare Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
Mary Hoare, 1744–1820, British
Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
1781
Mary Hoare Lear and Cordelia
Mary Hoare, 1744–1820, British
Lear and Cordelia
ca. 1781
Mary Hoare Ferdinand and Ariel
Mary Hoare, 1744–1820, British
Ferdinand and Ariel
ca. 1781
Henry Thomas Alken A Character (? Macbeth) in Renaissance Dress...
Henry Thomas Alken, 1785–1851, British
A Character (? Macbeth) in Renaissance Dress..
undated
unknown artist Scene from MacBeth: Apparition of Banquo?
unknown artist
Scene from MacBeth: Apparition of Banquo?
undated
unknown artist Apparition of Banquo's Ghost: Banquet Scene from MacBeth
unknown artist
Apparition of Banquo's Ghost: Banquet Scene from MacBeth
undated
unknown artist Scene from Macbeth: Apparition of Banquo
unknown artist
Scene from Macbeth: Apparition of Banquo
undated
Richard Cosway Timon of Athens Before His Cave
Richard Cosway, 1742–1821, British
Timon of Athens Before His Cave
ca. 1805
Richard Cosway Othello and Desdemona, 'Othello', Act V, Scene II
attributed to Richard Cosway, 1742–1821, British
Othello and Desdemona, 'Othello', Act V, Scene II
ca. 1805
George Cruikshank Hamlet and the Ghost
George Cruikshank, 1792–1878, British
Hamlet and the Ghost
ca. 1825
George Cruikshank Macbeth and the Witch
George Cruikshank, 1792–1878, British
Macbeth and the Witch
undated
Richard Dadd Sketch for the Passions: Pride
Richard Dadd, 1817–1886, British
Sketch for the Passions: Pride
ca. 1854
William Marshall Craig Macbeth and the Apparition of the Armed Head
William Marshall Craig, 1763 or 1764–1829, British
Macbeth and the Apparition of the Armed Head
ca. 1820
Richard Dadd Sketch for the Passions: Love
Richard Dadd, 1817–1886, British
Sketch for the Passions: Love
1853
Wyndham Lewis Warrior for Timon of Athens
Wyndham Lewis, 1882–1957, British
Warrior for Timon of Athens
1919
unknown artist A Fashion in 1845
unknown artist, (Hablot K. Browne or Cruikshank?)
A Fashion in 1845
ca. 1845
unknown artist Reclining Nude, Possibly Titania
unknown artist
Reclining Nude, Possibly Titania
undated
unknown artist Apparition: Banquo?
unknown artist
Apparition: Banquo?
undated
unknown artist Scene from MacBeth: Banquo?
unknown artist
Scene from MacBeth: Banquo?
undated
unknown artist Scene from the Tempest
unknown artist
Scene from the Tempest
undated