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Medium gouache
Remove constraint Medium: gouacheCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionSubject Terms horses (animals)
Remove constraint Subject Terms: horses (animals)Search Results
1
- Horses Fighting
- undated
2
- Tours: Sunset: Looking Backwards
- between 1826 and 1830
3
- Wychwood Forest
- 1806
4
- The Temple of Vesta, Rome
- 1849
5
- The Gateway of Lancaster Castle
- ca. 1778
6
- The Bayswater Turnpike
- undated
7
- Sketch for the Oil Painting "The Conversion of St. Paul"
- undated
8
- Old Bridge at Shrewsbury
- 1772
9
- A Village Snow Scene
- 1819
10
- Group of Figures: A Dogfight
- ca. 1785
11
- Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
- between 1770 and 1780
12
- Figures and Animals in a Vineyard
- ca. 1829
13
- Stable Boy with Cart Horses
- undated
14
- The Dilkoosha, Lucknow in the Distance
- 1866
15
- The Cottage, Residence of the Governor
- 1857
16
- View at Charlton, Kent
- ca. 1783
17
- Brighton Races
- 1805
18
- St. Paul's Cathedral
- undated
19
- Finsbury Square
- 1814
20
- Temple Bar
- undated
21
- Form Open Column in Rear of Right
- undated
22
- `Now then! Are you ready?'
- 1905
23
- Cuirassiers
- ca. 1832
24
- Valley of Rocks, Lynton, North Devon
- undated
25
- Travellers on Horseback Approaching a Village with a Spire
- between 1765 and 1770
26
- A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
- ca. 1830
27
- Kennington Common
- 1776
28
- Landscape with a Ruined Norman Church
- undated
29
- Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
- undated
30
- Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
- undated
31
- Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
- undated
32
- An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
- 1842
33
- Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
- undated
34
- Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)
- between 1713 and 1718
35
- `Ar Never Gets Off' - Hunting Scene
- undated
36
- Taking a Fence Side-Saddle
- undated
37
- Royal Review at Windsor - Queen Victoria and Khedive Ismail Pashe of Egypt, June 26th, 1868
- undated
38
- Newmarket - Pulling Up
- 1933
39
- Tom Conolly of Castletown Hunting with His Friends
- 1769
40
- Up and Over
- undated
41
- The Sporting Parson: "He Sheweth Them the Way They Should Go"
- undated
42
- The Sporting Parson: "Next a Little Low Church"
- undated
43
- The Sporting Parson: "He Trieth a Little 'High Church' Style"
- undated
44
- The Sporting Parson: "He Then Goes in For Baptism"
- undated
45
- The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "
- undated
46
- Two Riders Exercising Horses at a Gallop
- undated
47
- The Night Riders of Nacton: Preparing to Start. Ipswich, the Watering Place behind the Barracks
- undated
48
- The Night Riders of Nacton: Whoop! and Away! The large field near Biles Corner
- undated
49
- The Race
- ca. 1850
50
- The Night Riders of Nacton: The Last Field near Nacton Heath
- undated
51
- Stag Hunting - The Hind at Bay: In a Mill-Stream Below a Water-Mill, Right..
- undated
52
- Stag Hunting - Full Cry: the Stag Hounds Tear Down a Slop at Right..
- undated
53
- A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire
- undated
54
- Stag Hunting - The Meet: a Hind Released From a Van.
- undated
55
- The Duke of Cumberland Riding With Mr. de Burgh's Hunt
- undated
56
- Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'
- ca. 1835
57
- Foxhunting at Melton Mowbray, 1835: The Cream of the Thing
- ca. 1835
58
- Salmon Spearing
- undated
59
- An Elopement by Moonlight
- 1834
60
- The Stable of an Inn
- ca. 1790
61
- Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
- undated
62
- "Some Do and Some Don't: It is All a Notion:" Getting Home
- between 1820 and 1821
63
- Dosing a Racehorse
- undated
64
- A Match at Newmarket
- undated
65
- The Sporting Parson: "He Joins to Cheer Them on Hallelujah!!!!"
- undated
66
- The Sporting Parson: "He Sends Mother Eve's Apples Flying"
- undated
67
- Foxhunting: Full Cry
- undated
68
- Foxhunting: Drawing a Cover
- undated
69
- The Night Riders of Nacton: The Finish. Nacton Church and Village
- undated
70
- Foxhunting: The Refreshment
- undated
71
- The London-Dumphries Royal Mail
- between 1830 and 1840
72
- The London-Dover Royal Mail, c. 1830-1840
- undated
73
- Horse and Rider Walking to Left in a Hilly Landscape
- undated
74
- The Leicestershire Hunt - A Struggle for the Start
- undated
75
- The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails
- undated
76
- The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country
- undated
77
- The Leicestershire Hunt - The Death
- undated
78
- Insult to Injury
- undated
79
- The Quorn towards Ashby de la Zouch, Leicestershire
- 1919
80
- Two Shetland Ponies With a Groom
- 1834
81
- Setting Off for the Chase: The Huntsman Leading out a Pack of Harriers followed by the Master and the Whipper-In
- undated
82
- A Lady and a Gentleman Riding Out
- undated
83
- A Gentleman on a Managed Horse Riding Out With a Lady
- undated
84
- Horse Fair in East Anglia
- 1899
85
- Constructing a Fort
- undated
86
- Crossing Lancaster Sands
- mid-1830s
87
- The Pays de Valais
- between 1780 and 1785
88
- Hussars
- ca. 1832
89
- A Lesson Westward - or A Morning Visit to Betsy Cole
- 1782
90
- St. Winifred's Well, Holywell, Flintshire, Wales with the Artist in the Foreground..
- undated
91
- Haymaking
- 1792
92
- View from the Round Tower, Windsor Castle
- 1827
93
- The Quorn Hunt: The Whissendine Appears in View
- undated
94
- Foxhunting in England
- undated
95
- Well Over
- undated
96
- The Bullfinch: `Black as yer hat on this side and glorious uncertainty on the other'
- ca. 1913