Medium: etching (printing process) / Subject Terms: wings - YCBA Collections Search Search Results

Print made by William Hogarth, 1697–1764, British

Tail Piece, or the Bathos

1764

Print made by William Hogarth, 1697–1764, British

Paul Before Felix Burlesqued

1751

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 27, "O treacherous conscience!"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

ca. 1797

Print made by William Blake, 1757–1827, British

At Length for Hatching Ripe He Breaks the Shell; Plate 8

1793

Print made by William Blake, 1757–1827, British

Aged Ignorance; Plate 13

1793

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by Robert Sargent Austin, 1895–1973, British

Romance

1922

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by Samuel William Reynolds, 1773–1835, British

Vulture and Lamb

1799

Print made by Thomas Burke, 1749–1815, British

Cupid and Cephisa: "One Day as I was Walking in the Woods..."

1789

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: For the Benefit of Mr. Salpietro

1799

Charles Grignion, 1717–1810, British

Britannia Allegory

between 1743 and 1747

Print made by Henry J. Townsend, 1810–1890, British

Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus

1853

Print made by Andrew Fairbairn Affleck, 1874/7–1936

Six Venice Etchings, Title Page

undated

Print made by Andrew Fairbairn Affleck, 1874/7–1936

Porta della Carta

undated

Print made by Anthony Cardon, 1772–1813, Flemish

Cupid Wounded

1801

Print made by Isaac Fuller, 1606/20–1672, British

Putto Holding a Torch

undated

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Meeting of a Family in Heaven

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Day of Judgment

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Death of the Good Old Man

1808, published 1813

Print made by Richard Earlom, 1743–1822, British

The Enchantress

1786

Print made by Richard Earlom, 1743–1822, British

The Enchantress

1786

Print made by Thomas Cheesman, 1760–1834/35, British

Marchioness of Townshend and Child

1792

Print made by Guillaume Sulpice Chevalier, 1804–1866, French

Intemperance

undated

Print made by John Bell, 1811–1895, British

The Web

undated

Print made by Thomas Gaugain, 1748–1812, French

James Beattie, LL.D

1805

unknown artist, (Richard Hayes)

Ornamental Ticket for Society of Painters

1690

Print made by Thomas Burke, 1749–1815, British

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

1789

Print made by Richard Earlom, 1743–1822, British

Vulcan's Forge

1802

Print made by James Gillray, 1756–1815, British

Shakespeare Sacrificed; or, The Offering to Avarice

1789

James Gillray, 1756–1815, British

Presages of the Millenium

1795

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Lovelace in Prison

1788

Print made by Simon Gribelin, 1662–1733, French, active in Britain

The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

1720

Print made by Simon Gribelin, 1662–1733, French, active in Britain

The Ceiling in the Banqueting House at Whitehall

ca. 1720

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Venus Chiding Cupid

1784

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket to Westminster Abbey

before 1791

George Bickham the Elder One eagle, one owl and three owlets, a Pl. for 'A New Drawing Book...of Various Kinds of Birds Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)

Print made by George Bickham the Elder, 1683/4–1758, British

One eagle, one owl and three owlets, a Pl. for 'A New Drawing Book...of Various Kinds of Birds Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)

1731

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

The Virgin

1778

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Cupid Disarmed by Venus

1804

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: For the Benefit of Mr. Salomon

1794

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: Mr. Cox's Museum

1772

Print made by Placido Columbani, born ca. 1744, active 1801, Italian, active in Britain

At Rome

undated

Print made by Placido Columbani, born ca. 1744, active 1801, Italian, active in Britain

At the City of Albano

undated

Print made by Placido Columbani, born ca. 1744, active 1801, Italian, active in Britain

At the Minerva at Rome

undated

Print made by Edward Julius Detmold, 1883–1957, British

The Falcon

1904

Print made by Thomas Cook, 1744–1818, British

Time Smoking a Picture

early 1800s

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Meeting of a Family in Heaven

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Death of the Good Old Man

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Death of the Good Old Man

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Meeting of a Family in Heaven

1808

Print made by Edward Julius Detmold, 1883–1957, British

Phoenix

1899

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Medium etching (printing process)

Subject Terms wings

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