Medium: etching (printing process) / Subject Terms: vines - YCBA Collections Search Search Results

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

1797

Print made by J. Carwitham, active 1720–1740

A New Drawing Book of Variety of Landskips

ca. 1730

Sir David Young Cameron, 1865–1945, British

The Abbazia, Venice

1900

Print made by Richard Samuel Chattock, 1825–1906, British

The Holt

undated

Heneage Finch fourth Earl of Aylesford, 1751–1812, British

Maxstoke Priory

undated

Print made by Auguste Boulard, 1852–1927, French

A Difference of Opinion

1897

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Totterne Inn

1919

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Sellenger

1917

Print made by Jacob Bonneau, 1741–1786, British

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Print made by Robert Sargent Austin, 1895–1973, British

Autumn

1922

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Mortmain

1918

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Palace Farm

1922

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

The Minister

1924

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Palace Farm

1921

Print made by William Faithorne, ca. 1620–1691, British

Henry More

1675

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Meppershall Chapel

1915

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Meppershall Chapel

1915

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Meppershall Chapel

c.1915

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

The Pipe and Tabour

1916

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Priory Farm

1913

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

The Pool

1915

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

The Pool

1915

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Sellenger

1922

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Stoke Poges

1918

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

The Minister

1918

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

The Minister

1918

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Totterne Inn

1919

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Stanley Pontlarge

1913

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Priory Farm

1913

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Carnagh

1915

Print made by Thomas Cheesman, 1760–1834/35, British

Lady Hamilton as The Sempstress

1787

Print made by Richard Earlom, 1743–1822, British

A Shepherd Boy

1781

Print made by John Dixon, ca. 1740–1811, Irish

A Peasant Family

between 1765 and 1771

Print made by Richard Earlom, 1743–1822, British

The Exposition of Cyrus

1781

Print made by James H. Baker, born 1829

Come Gentle Night: "Romeo and Juliet," Act III, Scene II

between 1839 and 1849

Print made by Thomas Cheesman, 1760–1834/35, British

Lady Hamilton as the Spinster

1789

Print made by Richard Earlom, 1743–1822, British

The Enchantress

1786

Print made by Richard Earlom, 1743–1822, British

The Enchantress

1786

Print made by Bradshaw & Blacklock, active ca.1850, British

Garden Flowers

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Robert Blyth, 1750–1784

Silenus

1779

Print made by Robert Blyth, 1750–1784

Silenus

1779

Print made by James Charles Armytage, 1802–1897, British

The Balcony

between 1835 and 1854

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Morning

undated

Print made by Edward Julius Detmold, 1883–1957, British

Peacocks

1905

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Sutton

1912

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Sellenger

1921

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Stoke Poges

1918

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Sellenger

1917

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Sellenger

1917

Caroline Watson, 1760–1814, British

Garrick Reading the Ode at the Shakespeare Jubilee

1784

Print made by Bradshaw & Blacklock, active ca.1850, British

Garden Flowers

after 1850

after George Baxter, 1804–1867, British

Prince Albert

after 1855

after George Baxter, 1804–1867, British

Prince Albert

after 1855

Print made by Simon Gribelin, 1662–1733, French, active in Britain

The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

1720

Print made by Simon Gribelin, 1662–1733, French, active in Britain

The Ceiling in the Banqueting House at Whitehall

ca. 1720

James Gillray, 1756–1815, British

Doublûres of Characters; - or - Striking Resemblance in Phisiognomy

1798

Print made by Anthony Cardon, 1772–1813, Flemish

Credulity

1796

Simon François Ravenet, 1706–1774, French, active in Britain

Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet

1753

George Bickham the Elder Two Turkeys, two hens and four doves a plate for 'A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)

Print made by George Bickham the Elder, 1683/4–1758, British

Two Turkeys, two hens and four doves a plate for 'A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)

1731

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

September

1793

Print made by Paul Drury, 1903–1987, British

March Morning

1933

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Medium etching (printing process)

Subject Terms vines

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