Medium: etching (printing process) / Subject Terms: landscape - YCBA Collections Search Search Results

Sir Francis Seymour Haden, 1818–1910, British

Cowdray

1882

Print made by James T. Willmore, 1800–1863, British

Mercury and Argus

between 1859 and 1861

Print made by Edward P. Brandard, 1819–1898, British

Apollo and Daphne in the Vale of Tempe

between 1859 and 1861

Print made by Charles Cousen, ca. 1819–1889, British

Bacchus and Ariadne

between 1859 and 1861

Print made by Edward Goodall, 1795–1870, British

Fingal's Cave, Staffa

1833

Print made by John Condé, 1765–1794, French, active in Britain

Mrs. Fitzherbert

1792

Louisa Augusta Greville, 1743–active 1762, British

Man Leading Tow Mules Supporting a Chair, Large Tree in Foreground

1759

Louisa Augusta Greville, 1743–active 1762, British

Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance

1770

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

Print made by James Barry, 1741–1806, Irish

Sacra Christi Familia

undated

John Greig, active 1803–1853, British

Godalming, Surrey

1820

Print made by Louisa Augusta Greville, 1743–active 1762, British

Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground

1760

Print made by William John Cooke, 1797–1865, Irish

Worcester

undated

Print made by S. T. Davies, active ca. 1835, British

Lincoln from the River Witham

undated

Print made by Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)

A Cudgelling Match between English and French Negroes in the Island of Dominica

1779

Print made by Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)

Free Natives of Dominica

1780

Print made by Bradshaw & Blacklock, active ca.1850, British

Bacharach and View near Bingen

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Castles in England

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Four Subjects

after 1850

Print made by Diana Armfield, born 1920, British

Barns at Pant y Neuadd

1974

Print made by George Baxter, 1804–1867, British

George Pritchard, Her Britannic Majesty's Consul

1845

Print made by Bradshaw & Blacklock, active ca.1850, British

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Osborne House

after 1850

after George Baxter, 1804–1867, British

Queen Victoria

ca. 1860

Bradshaw & Blacklock, active ca.1850, British

Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'

after 1850

Bradshaw & Blacklock, active ca.1850, British

Tintern Abbey

after 1850

Print made by Vincent Robert Alfred Brooks, 1814–1885, British

Ten Needle-Box Prints

undated

Print made by Richard Ansdell, 1815–1885, British

Sleepest or Wakest Thou?

ca. 1853

Print made by Graham Sutherland, 1903–1980, British

Lammas

1926

William Woollett, 1735–1785, British

Solitude

1778

Print made by Jean B. C. Chatelain, 1710–1771, French

A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master

1737

Print made by George Bickham the Elder, 1683/4–1758, British

Four dogs, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)

undated

Richard Bernard Godfrey, 1728–op.1794, British

Knighton, the Seat of George M. Bisset, Esq

before 1781

Print made by William Angus, 1752–1821, British

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

1793

Henry Griffiths, 1835–1849, British

Inverlochy Castle, Invernesshire

1836

William Ellis, 1747–1810, British

Baskerville House, the Residence of John Ryland, Esq

1792

William Ellis, 1747–1810, British

Bordesley Hall, the Seat of John Taylor, Esq

1792

Print made by James Caldwall, 1739–1819, British

Ham Court, the Seat of John Martin, Esq

undated

Print made by John Burnet, 1784–1868, British

Buckingham House, St. James' Park

1810

Print made by George Cooke, 1781–1834, British

Tooting Church

1827

Print made by William Angus, 1752–1821, British

Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr

undated

Print made by unknown artist, (J. Appleton)

Mereworth Castle, the Seat of the Right Honble. Lord le Despencer

ca. 1840

John Graham, 1754–1817, British

Knowle Park, the Seat of the Earl of Plymouth

1837

George Bickham the Elder One eagle, one owl and three owlets, a Pl. for 'A New Drawing Book...of Various Kinds of Birds Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)

Print made by George Bickham the Elder, 1683/4–1758, British

One eagle, one owl and three owlets, a Pl. for 'A New Drawing Book...of Various Kinds of Birds Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)

1731

Sir Francis Seymour Haden, 1818–1910, British

Cowdray

1882

Print made by Thomas Abiel Prior, 1809–1886, British

The Golden Bough

1875

John William Edy, 1760–1820, Danish

View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795

1797

Print made by Letitia Byrne, 1779–1849, British

Bolton Abbey, Yorkshire

1809

Print made by Robert Brandard, 1805–1862, British

The Bay of Baiæ

between 1859 and 1861

Print made by unknown artist, ( J. Cary )

Royal Humane Society's Receiving House in Hyde Park

undated

Print made by Graham Sutherland, 1903–1980, British

Barrow Hedges Farm

1924

Print made by William Woollett, 1735–1785, British

Celadon and Amelia

1766

William Woollett, 1735–1785, British

Snowden Hill

1775

Print made by James Clark, 19th century

View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

1812

Thomas Higham, 1796–1844, British

Red-Scar, the Residence of William Cross, Esquire

1832

Print made by Benjamin Comte, 1760–1851, Swiss

Tynemouth Castle and Priory, Northumberland

1802

William Ellis, 1747–1810, British

The House of William Russell, Esq., Showell Green

1792

William Ellis, 1747–1810, British

The House of George Humphrys, Esq., Spark Brook

1792

William Ellis, 1747–1810, British

Beddington

1792

John J. Hinchliff, 1805–1875, British

Lough Foyle, Londonerry

undated

John Cousen, 1804–1880, British

Manse and Church of Cults, the Birthplace of Wilkie

undated

Print made by Samuel David Colkett, 1806–1863, British

The Gipsy Encampment

1822

Print made by Miles Edmund Cotman, 1810–1858, British

River Scene, Aldercar

ca. 1837

Edward Francis Finden, 1791–1857, British

View of Lichfield, The Birth Place of Dr. Samuel Johnson

1835

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Games at Vauxhall: Playing at Cricket

ca. 1743

Print made by John Browne, 1741–1801, British

A View in the Garden of Craigie-Hall, the Seat of the Honble. Charles Hope-Weir

after 1762

Print made by Charles Heath, 1785–1848, British

Benevento, Kingdom of Naples

undated

Print made by Jean B. C. Chatelain, 1710–1771, French

Man and Woman Digging

1737

Print made by Jean B. C. Chatelain, 1710–1771, French

Men Fishing

1737

Print made by Jean B. C. Chatelain, 1710–1771, French

Man Chopping Wood

1737

Print made by George Bickham the Elder, 1683/4–1758, British

Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)

undated

Print made by Jean B. C. Chatelain, 1710–1771, French

Shepherd and Flock Outside a Village

1737

Print made by George Bickham the Elder, 1683/4–1758, British

Two cows and a dog in a stream, Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)

undated

Print made by George Bickham the Elder, 1683/4–1758, British

Two hunting dogs, a wolf and a sheep, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)

undated

Print made by Henry Bonnart, 1642–1711, French

Mater Purissima

undated

Print made by John Crome, 1768–1821, British

Composition: Sandy Road through Woodland

1813

Print made by John Crome, 1768–1821, British

Three Landscape Studies

undated

Print made by John Crome, 1768–1821, British

The Back of the Mills

ca. 1812

Print made by Edward Rooker, 1724–1774, British

Circus of Caracalla

1776

Print made by James Gandon, 1742–1823, British

Banks of the Tiber

1776

Print made by Joseph Farington, 1747–1821, British

Bridge of Augustus at Rimini

1776

Print made by Michael "Angelo" Rooker, 1746–1801, British

In the Villa Adriana

1776

Print made by Joseph Farington, 1747–1821, British

In the Strada Nomentana

1776

Print made by James Gandon, 1742–1823, British

Castle of Ischia

1776

Print made by James Gandon, 1742–1823, British

Pompey's Bridge at Terni

1776

Print made by Michael "Angelo" Rooker, 1746–1801, British

Villa of Mæcenus at Tivoli

1776

Print made by Michael "Angelo" Rooker, 1746–1801, British

Temple of Peace

1776

Print made by William Hodges, 1744–1797, British

Torre Delle Grotte near Naples

1776

Print made by James Gandon, 1742–1823, British

Temple of Romulus and Remus

1776

Ken Ersser, born 1940, British

Mani

1974

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

September

1793

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

August

1793

Joseph Gray, 1890–1962, British

Scottish Landscape

ca. 1928

Joseph Gray, 1890–1962, British

Scottish Landscape

1928

Edward P. Brandard, 1819–1898, British

Marlowe Meadows

1884

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

February

1793

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

July

1789

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

June

1789

Print made by Edward Bouverie-Hoyton, active 1930

Hedging and Ditching

1920s

Print made by Frederick Bacon, 1803–1887, British

Thomas Bewick

1852

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Medium etching (printing process)

Subject Terms landscape

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