Medium: etching (printing process) / Subject Terms: genre subject

Print made by M. Coote, ca. 1758/62–1801, British

Edgar's Tower at Worcester

before 1786

Print made by James Fittler, 1758–1835, British

Warwick Castle

1780

Print made by Louis Charles Ruotte, 1754–ca. 1806, French

The West India Flower Girl

undated

Louisa Augusta Greville, 1743–active 1762, British

Man Leading Tow Mules Supporting a Chair, Large Tree in Foreground

1759

Louisa Augusta Greville, 1743–active 1762, British

Five People Praying

1760

Louisa Augusta Greville, 1743–active 1762, British

Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance

1770

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

William Lee Hankey, 1869–1952, British

Young Woman Reading to a Small Child

undated

Print made by Louisa Augusta Greville, 1743–active 1762, British

Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground

1760

Print made by Joseph Samuel Alpenny, 1787–1858, Irish

Two Travellers Watering Three Horses

undated

Print made by William John Cooke, 1797–1865, Irish

Worcester

undated

Print made by S. T. Davies, active ca. 1835, British

Lincoln from the River Witham

undated

Print made by Matthew Darly, active 1754–1778, British

Hats

1773

Print made by Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)

A Cudgelling Match between English and French Negroes in the Island of Dominica

1779

Print made by Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)

A Negroes Dance in the Island of Dominica

1779

Print made by Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)

Free Natives of Dominica

1780

Print made by James Bretherton, ca. 1730–1806, British

Damn Mambrino

1799

Print made by Isaac Cruikshank, 1764–1811, British

Young Ladies

1795

Print made by Sir George Clausen, 1852–1944, British

Shifting Feed Sacks

undated

Print made by Bradshaw & Blacklock, active ca.1850, British

Castles in England

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Four Subjects

after 1850

Bradshaw & Blacklock, active ca.1850, British

Set of Needle-Box Prints

after 1850

Print made by Callender, active mid–18th century

Flash Maccaroni

1748

Print made by Callender, active mid–18th century

Voluntier

1745

Print made by John Copley, 1875–1950, British

Fiesta Mallorquina

1932

Print made by John Copley, 1875–1950, British

Morning on a Hillside

1936

Print made by John Copley, 1875–1950, British

An Autumn Afternoon on Hampstead Heath

1939

Print made by Bradshaw & Blacklock, active ca.1850, British

Four Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Hampton Court

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Rural Scenes

after 1850

Bradshaw & Blacklock, active ca.1850, British

Swiss Costumes

after 1850

Bradshaw & Blacklock, active ca.1850, British

Set of 18 Labels from 'Twining & Sons' Hairpins Boxes

after 1850

Print made by Robert Sargent Austin, 1895–1973, British

Before Mass

1927

Print made by Callender, active mid–18th century

John's Coffee House

1745

Print made by Callender, active mid–18th century

Study of a Man with a Cutlass

between 1745 and 1748

Print made by David Allan, 1744–1796, British, born in Scotland

Pilgrims Paying Their Devotion in St. Peters at Rome

between 1773 and 1775

Paul Sandby, 1731–1809, British

The Opening of the Carnival at Rome

ca. 1781

Print made by unknown artist, (Cabbage )

The Methodist Tailor Caught in Adultery

1768

Print made by Matthew Darly, active 1754–1778, British

Statue Hall or the Modern Register Office

1769

Print made by Richard Ansdell, 1815–1885, British

Sleepest or Wakest Thou?

ca. 1853

Print made by John Bogle, 1746–1804, British

Night Watchman

1776

Print made by Graham Sutherland, 1903–1980, British

Lammas

1926

Henry Heath, active 1824–1835, British

Ominum Gatherum No. 6

undated

Henry Heath, active 1824–1835, British

Ominum Gatherum, Second Series, No. 3

undated

Henry Heath, active 1824–1835, British

Ominum Gatherum, Second Series, No. 5

1831

Print made by George Cooke, 1781–1834, British

Part of Waterloo Bridge with the Shot Tower, &c

1832

Print made by George Bickham the Elder, 1683/4–1758, British

A Man, a horse and two dogs, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 6)

undated

John Hassell, 1767–1825, British

Clapham Manor-House, Surry

between 1804 and 1822

William Ellis, 1747–1810, British

Bordesley Hall, the Seat of John Taylor, Esq

1792

Print made by John Burnet, 1784–1868, British

Buckingham House, St. James' Park

1810

Print made by George Cooke, 1781–1834, British

Tooting Church

1827

Print made by Ebenezer Challis, active 1837–1859

The Baron's Hall

1844

Edward Francis Finden, 1791–1857, British

Yarmouth, Norfolk

1837

Print made by Axel Herman Haig, 1835–1921, British

An Old Hanse Town

undated

Print made by Robert Isaac Cruikshank, 1789–1856, British

A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820

after 1820

Print made by William Richardson, active 1842–1877, British

Crossing the Brook

between 1859 and 1861

Charles Grignion, 1717–1810, British

A Perspective View of the Foundling Hospital with Emblematic Figures

1749

Print made by Anthony Cardon, 1772–1813, Flemish

Credulity

1796

John Eginton, active 1763–1800

The Affectionate Daughter

1792

Print made by Jean B. C. Chatelain, 1710–1771, French

Horseman Fording a Stream with Cattle

1737

Print made by unknown artist

Messrs. Morgan & Sanders, Catherine St., Strand

1809

Henry Heath, active 1824–1835, British

Omnium Gatherum, No. 7

undated

Print made by Benjamin Comte, 1760–1851, Swiss

Tynemouth Castle and Priory, Northumberland

1802

William Ellis, 1747–1810, British

The House of William Russell, Esq., Showell Green

1792

William Ellis, 1747–1810, British

The House of George Humphrys, Esq., Spark Brook

1792

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Virtuous Love

1793

Charles Heath, 1785–1848, British

Green Park

1825

John J. Hinchliff, 1805–1875, British

Lough Foyle, Londonerry

undated

John Cousen, 1804–1880, British

Manse and Church of Cults, the Birthplace of Wilkie

undated

Print made by Samuel David Colkett, 1806–1863, British

The Gipsy Encampment

1822

Edward Francis Finden, 1791–1857, British

View of Lichfield, The Birth Place of Dr. Samuel Johnson

1835

Print made by Robert Havell & Son, 1769–1832, British

View of the Old Corn Market and Tuns Inn, Guildford

1819

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Games at Vauxhall: Playing at Cricket

ca. 1743

Print made by John Browne, 1741–1801, British

A View in the Garden of Craigie-Hall, the Seat of the Honble. Charles Hope-Weir

after 1762

Print made by Philip Dawe, ca.1745–ca.1809, British

Reading by a Paper-Bell Shade

1768

Print made by Jean B. C. Chatelain, 1710–1771, French

Man and Woman Digging

1737

Print made by Jean B. C. Chatelain, 1710–1771, French

Men Fishing

1737

Print made by Jean B. C. Chatelain, 1710–1771, French

Man Chopping Wood

1737

Print made by Jean B. C. Chatelain, 1710–1771, French

Shepherd and Flock Outside a Village

1737

Print made by George Bickham the Elder, 1683/4–1758, British

Seven and a man, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

undated

Print made by Pietro Antonio Martini, 1738–1797, Italian

The Exhibition of the Royal Academy, 1787

1787

William Dickinson, 1746–1823, British

The Deserter

1784

James Bretherton, ca. 1730–1806, British

Dancing Bear with Its Keeper, Piper, and Audience of One

1774

Print made by John Crome, 1768–1821, British

Composition: Sandy Road through Woodland

1813

Print made by John Crome, 1768–1821, British

The Back of the Mills

ca. 1812