Medium: etching (printing process) / Subject Terms: fences - YCBA Collections Search Search Results

Print made by John Crome, 1768–1821, British

Road Scene, Trowse Hall, near Norwich

1813

Print made by Henry William Bunbury, 1750–1811, British

The Siege of Namur

between 1773 and 1817

Print made by John Crome, 1768–1821, British

Front of the New Mills

1813

Print made by John Crome, 1768–1821, British

Back of the New Mills, Norwich

1812

Print made by Paul Angier, active 1749, French (active in London)

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

1749

Print made by Robert Sargent Austin, 1895–1973, British

The Cathedral, Palma

1928

Print made by Robert Sargent Austin, 1895–1973, British

Springtime at Fulham

1921

Print made by Robert Sargent Austin, 1895–1973, British

Plane Tree Cottage

1926

Print made by Sir Muirhead Bone, 1876–1953, British

Stirling Castle, No. 2

1909

Print made by Robert Sargent Austin, 1895–1973, British

Early Spring, Gloucestershire

1922

Print made by George Barret, ca. 1728/32–1784, Irish

Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

undated

Print made by William Angus, 1752–1821, British

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

Heneage Finch fourth Earl of Aylesford, 1751–1812, British

Maxstoke Priory

undated

after George Baxter, 1804–1867, British

The Death of Ananias

after 1855

Print made by Charles Golding Constable, 1821–1879, British

Coastal Scene

undated

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Noon

undated

Henry Thomas Alken, 1785–1851, British

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

undated

Print made by George Cruikshank, 1792–1878, British

Adams's Visit to Parson Trulliber

ca. 1831

Engraved by Robert Pollard, 1755–1838, British

View of Queen Square

1789

Print made by John Byrne, 1786–1847, British

A View of Hall-head Sugar Plantation, Jamaica

1816

Print made by Robert Sargent Austin, 1895–1973, British

The Plough

1922

Print made by Robert Sargent Austin, 1895–1973, British

The Angelus

1922

Print made by Robert Sargent Austin, 1895–1973, British

The Pack Bridge

1926

Print made by Robert Sargent Austin, 1895–1973, British

Zoutelande

1929

James Gillray, 1756–1815, British

A Morning Ride

1804

Print made by Robert Sargent Austin, 1895–1973, British

Highbridge

1927

Print made by Robert Sargent Austin, 1895–1973, British

Girl at a Gate

between 1938 and 1939

Print made by Johann Jacobus Haid, 1704–1767

L'Amoureuse

undated

Print made by Samuel Buck, 1696–1779, British

The South-West View of Battel-Abbey, in the County of Sussex

1737

Print made by Louis de Fontaine, active 1723–1757, French

Wandering Musicians

undated

Print made by John Robert Cozens, 1752–1797, British

Bath: The Circus

1773

Print made by John Robert Cozens, 1752–1797, British

Bath: Queen Square

1773

Print made by John Robert Cozens, 1752–1797, British

The City of Bath taken from the London Road

1773

Print made by John Crome, 1768–1821, British

Wooded Landscape

ca. 1812

Print made by Bradshaw & Blacklock, active ca.1850, British

Cathedrals in England

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Eight colour prints

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

after George Baxter, 1804–1867, British

The Death of Ananias

after 1855

Print made by unknown artist

The South Sea House

between 1720 and 1728

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Morning

undated

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Sutton

1912

Print made by Robert Sargent Austin, 1895–1973, British

Cadore

1927

Print made by M. Coote, ca. 1758/62–1801, British

Dudley Priory in Worcestershire, Plate 2

before 1786

Print made by William Angus, 1752–1821, British

Witley Court in Worcestershire, the Seat of Lord Foley

1810

M. Coote, ca. 1758/62–1801, British

Dudley Priory in Worcestershire, Plate 2

before 1786

Print made by James Fittler, 1758–1835, British

Warwick Castle

1780

Print made by Thomas Bonnor, ca. 1740–ca. 1812, British

St. Martin's Church Westminster

1810

Print made by George Bickham the Younger, ca. 1706–1771, British

Architectural Designs Incorporating Chinoiserie Motifs: Oblong Paling. A Door. Parallel railing

1751

George Bickham the Younger Architectural Designs incorporating Chinoiserie motifs: A Chinese Single Brac'd Railing. A Hedge. Double Pailing. Gate...

Print made by George Bickham the Younger, ca. 1706–1771, British

Architectural Designs incorporating Chinoiserie motifs: A Chinese Single Brac'd Railing. A Hedge. Double Pailing. Gate..

1751

Print made by George Bickham the Younger, ca. 1706–1771, British

Architectural Designs Incorporating Chinoiserie motifs: China Railing

1751

Print made by George Bickham the Younger, ca. 1706–1771, British

Architectural Designs incorporating Chinoiserie Motifs: Rails

1751

George Bickham the Younger Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing..

Print made by George Bickham the Younger, ca. 1706–1771, British

Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing.

1751

Print made by Bradshaw & Blacklock, active ca.1850, British

Castles in England

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Rural Scenes

after 1850

Bradshaw & Blacklock, active ca.1850, British

Tintern Abbey

after 1850

Print made by George Bickham the Elder, 1683/4–1758, British

A Man, a horse and two dogs, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 6)

undated

Print made by William Angus, 1752–1821, British

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

1793

Print made by John Burnet, 1784–1868, British

Buckingham House, St. James' Park

1810

Print made by George Cooke, 1781–1834, British

Tooting Church

1827

George Bickham the Elder Doves and Pheasants on two plates on one sheet for 'A New Kind of Drawing Book...of various kinds of Birds Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9)

Print made by George Bickham the Elder, 1683/4–1758, British

Doves and Pheasants on two plates on one sheet for 'A New Kind of Drawing Book...of various kinds of Birds Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9)

1731

Print made by unknown artist, ( J. Cary )

Royal Humane Society's Receiving House in Hyde Park

undated

Print made by Anthony Cardon, 1772–1813, Flemish

Credulity

1796

William Ellis, 1747–1810, British

Beddington

1792

Charles Heath, 1785–1848, British

Green Park

1825

Edward Francis Finden, 1791–1857, British

View of Lichfield, The Birth Place of Dr. Samuel Johnson

1835

Print made by Jean B. C. Chatelain, 1710–1771, French

Man and Woman Digging

1737

Print made by Jean B. C. Chatelain, 1710–1771, French

Shepherd and Flock Outside a Village

1737

Print made by George Bickham the Elder, 1683/4–1758, British

A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

undated

George Bickham the Elder Two Turkeys, two hens and four doves a plate for 'A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)

Print made by George Bickham the Elder, 1683/4–1758, British

Two Turkeys, two hens and four doves a plate for 'A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)

1731

Print made by John Crome, 1768–1821, British

Three Landscape Studies

undated

Print made by John Crome, 1768–1821, British

The Back of the Mills

ca. 1812

Print made by Frederick Bacon, 1803–1887, British

Thomas Bewick

1852

Print made by Stanley Roy Badmin, 1906–1989, British

Swinbrook Bridge

1931

Print made by Bradshaw & Blacklock, active ca.1850, British

Country Scenes

after 1850

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Sheep-Sheering

1798

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Medium etching (printing process)

Subject Terms fences

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