Medium: etching (printing process) / Subject Terms: caricature

Print made by William Hogarth, 1697–1764, British

Tail Piece, or the Bathos

1764

Print made by William Hogarth, 1697–1764, British

Paul Before Felix Burlesqued

1751

Charles Grignion, 1717–1810, British

A Macarony at a Sale of Pictures

1771

Print made by James Caldwall, 1739–1819, British

Now Sir, You're a Complete Macaroni

1772

Print made by James Bretherton, ca. 1730–1806, British

The Damnation of Obadiah

1773

Print made by James Bretherton, ca. 1730–1806, British

Every Sous Begad!

1799

Print made by James Bretherton, ca. 1730–1806, British

The Full Blown Macaroni

1772

Print made by James Bretherton, ca. 1730–1806, British

A Modern Spread Eagle

1782

Print made by James Bretherton, ca. 1730–1806, British

Monsieur Le Fouet, La Francia

1772

Print made by James Bretherton, ca. 1730–1806, British

Man with a Walking Stick in a Landscape

1773

Print made by Henry William Bunbury, 1750–1811, British

The Siege of Namur

between 1773 and 1817

Print made by Henry William Bunbury, 1750–1811, British

Overthrow of Dr. Slop

between 1773 and 1817

Print made by Charles Catton the elder RA, 1728–1798, British

The Margate Hoy

1785

Print made by George Cruikshank, 1792–1878, British

Fitting out. - Plate 1

1820

Print made by John Goldar, 1729–1795, British

Captain Conquest and His Baggage Wagon

1772

Print made by James Caldwall, 1739–1819, British

A Macarony Alderman and His Rib

1772

Print made by William Heath, 1795–1840, British

Who'll Have a Crown - Now's Your Time

1830

Print made by Matthew Darly, active 1754–1778, British

Caricature of Matthew Darly

1776

Print made by George Cruikshank, 1792–1878, British

Mr. B seeking the Bubble reputation - Plate 5

1820

Print made by George Cruikshank, 1792–1878, British

Blear-Eyed Moll

ca. 1832

Print made by George Cruikshank, 1792–1878, British

Davy Jones

undated

Print made by George Cruikshank, 1792–1878, British

The Tailors Baffling the Bailiff

undated

Print made by George Cruikshank, 1792–1878, British

Sagittarius - The Archer (Not "Venus' Son Divine.")

undated

James Gillray, 1756–1815, British

The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."

1806

James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

James Gillray, 1756–1815, British

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

1806

James Gillray, 1756–1815, British

The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

1806

James Gillray, 1756–1815, British

The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

1806

James Gillray, 1756–1815, British

The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

1806

Print made by James Gillray, 1756–1815, British

A Cognocenti Contemplating ye Beauties of ye Antique

1801

Print made by George Cruikshank, 1792–1878, British

Sales by Auction! - or Provident Children Disposing of their Deceased Mother's Effects for the Benefit of the Creditors!!

1819

Print made by George Cruikshank, 1792–1878, British

Finding things not exactly what he expected - Plate 2

1820

Print made by George Cruikshank, 1792–1878, British

Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

1820

Print made by George Cruikshank, 1792–1878, British

Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3

1820

Print made by Richard Newton, 1777–1798, British

The World As It Goes

1792

Thomas Rowlandson, 1756–1827, British

Dr. Syntax and his Counterpart

1820

Print made by Lydia Bates, active 1784

Literary Characters Assembled around the Medallion of Shakespeare

ca. 1777

Print made by John Dixon, ca. 1740–1811, Irish

The Old Beau in an Extasy

1773

Print made by Charles Ansell, ca.1752–active 1790, British

Hamlet

1809

Print made by Henry William Bunbury, 1750–1811, British

Love and Wind

undated

Print made by Henry William Bunbury, 1750–1811, British

How to Ride Without a Bridle

undated

Print made by George Cruikshank, 1792–1878, British

Monstrosities of 1822 - Pt. 5

1835

Print made by Isaac Cruikshank, 1764–1811, British

Washing the Blackamoor

1795

Print made by George Cruikshank, 1792–1878, British

Traveling in France -or, -Le départ de la diligence

1818

Print made by Henry Heath, active 1824–1835, British

Extravaganza's of 1827

1827

Print made by George Cruikshank, 1792–1878, British

Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

1835

Print made by Henry Heath, active 1824–1835, British

Miss-Ann-Thropy

undated

Print made by George Cruikshank, 1792–1878, British

A Scene in the New Farce - as Performed at the Royalty Theatre!

1821

Print made by Robert Dighton, 1752–1814, British

Hamlet in Scotland

1794

James Gillray The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

Print made by James Gillray, 1756–1815, British

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

1805

Print made by Henry William Bunbury, 1750–1811, British

Pistol eating Fluellen's Leak - "Henry V"

between 1811 and 1815

Robert Dighton, 1752–1814, British

A Lesson Westward - or A Morning Visit to Betsy Cole

1782

Print made by Lydia Bates, active 1784

A Choral Band

ca. 1777

Print made by Richard Brookshaw, 1736–1804

The Contented Dutchmen

1770

William Dickinson, 1746–1823, British

The Puzzle for the Dog, the Puzzle for the Horse, the Puzzle for Turk, Frenchman, or, Christian

1791

Print made by James Bretherton, ca. 1730–1806, British

The St. James's Macaroni

1772

Print made by James Bretherton, ca. 1730–1806, British

The Salutation Tavern

1801

Print made by James Bretherton, ca. 1730–1806, British

Strephon and Chloe

1801

Print made by James Bretherton, ca. 1730–1806, British

The Slumbers of Ragotin Interrupted

1773

Print made by Henry William Bunbury, 1750–1811, British

The Damnation of Obadiah

between 1773 and 1817

Print made by James Caldwall, 1739–1819, British

The Cotillion Dance

1771

Charles Grignion, 1717–1810, British

A French Petit Maître and His Valet

1771

Print made by James Caldwall, 1739–1819, British

A French Physician with His Retinue Going to Visit His Patients

1771

Print made by James Caldwall, 1739–1819, British

The Macarony Brothers

1772

Print made by James Bretherton, ca. 1730–1806, British

The Houndsditch Macaroni

1772

Print made by James Bretherton, ca. 1730–1806, British

John Jehu L'Inghilterra

1772

Print made by Henry William Bunbury, 1750–1811, British

The Judgement of Paris

1771

Print made by James Bretherton, ca. 1730–1806, British

Englishman at Paris, 1767

1799

Print made by Matthew Darly, active 1754–1778, British

The Preposterous Head Dress, or the Feathered Lady

1776

Print made by Robert Isaac Cruikshank, 1789–1856, British

A Favorite Poodle Hatching Poultry!! - or A Present of Feather Breeches from the Sandwich Isles

1824

Print made by Robert Isaac Cruikshank, 1789–1856, British

Dandies Having a Treat

1818

Print made by George Cruikshank, 1792–1878, British

Specimens of Waltzing

1817

Print made by Robert Isaac Cruikshank, 1789–1856, British

Monstrosities of 1827

1835

Robert Dighton, 1752–1814, British

A Jack in Office

1793

Print made by George Cruikshank, 1792–1878, British

Very Unpleasant Weather, or, the Old Saying Verified "Raining Cats, Dogs, & Pitchforks."!!!

1835

Print made by James Gillray, 1756–1815, British

Shakespeare Sacrificed; or, The Offering to Avarice

1789

James Gillray, 1756–1815, British

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

1802

James Gillray, 1756–1815, British

The Death of the Great Wolf

1795

James Gillray, 1756–1815, British

Presages of the Millenium

1795

James Gillray, 1756–1815, British

Le Coup de Maitre

1797

Print made by James Gillray, 1756–1815, British

Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars

1793

James Gillray, 1756–1815, British

The Valley of the Shadow of Death

1808

James Gillray, 1756–1815, British

Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)

1791

Print made by Matthew Darly, active 1754–1778, British

Hats

1773

Print made by James Bretherton, ca. 1730–1806, British

Damn Mambrino

1799

Print made by Isaac Cruikshank, 1764–1811, British

Young Ladies

1795

Print made by Callender, active mid–18th century

Flash Maccaroni

1748

Print made by Callender, active mid–18th century

Voluntier

1745

Print made by Callender, active mid–18th century

John's Coffee House

1745

Print made by Callender, active mid–18th century

Study of a Man with a Cutlass

between 1745 and 1748

Print made by unknown artist, (Cabbage )

The Methodist Tailor Caught in Adultery

1768

Print made by Matthew Darly, active 1754–1778, British

Statue Hall or the Modern Register Office

1769

Print made by unknown artist, seventeenth century

The Double Deliverance, 1588–1605

1621

Henry Heath, active 1824–1835, British

Ominum Gatherum No. 6

undated

Henry Heath, active 1824–1835, British

Ominum Gatherum, Second Series, No. 3

undated

Henry Heath, active 1824–1835, British

Ominum Gatherum, Second Series, No. 5

1831

James Gillray, 1756–1815, British

Doublûres of Characters; - or - Striking Resemblance in Phisiognomy

1798

Henry Heath, active 1824–1835, British

Omnium Gatherum, No. 7

undated

Thomas Patch, 1725–1782, British

Caricatures - 47 portraits on 26 sheets bound in a volume

1768

Print made by Thomas Rowlandson, 1756–1827, British

Dr. Syntax Returned from His Tour

1813

William Heath, 1795–1840, British

Oh Yes Believe Me. Love Has Eyes

undated

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