Medium: etching (printing process) / Image Use: Free to Use - YCBA Collections Search Search Results

Print made by Valentine Green, 1739–1813, British

Scene in a Country Town at Time of a Race

1789

Print made by Robert Pollard, 1755–1838, British

Boys Playing at Marbles

1786

Print made by Paul Adolphe Rajon, 1842–1888, French

John Stuart Mill

undated

Print made by David Lucas, 1802–1881, British

Dedham Vale

1838

Print made by Paulus Pontius, 1603–1658, Flemish

Frederico Henrico D.G

between 1630 and 1645

Print made by Bradshaw & Blacklock, active ca.1850, British

Ben Nevis

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Highland Dancers

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Constantinopole

after 1850

William Dickinson, 1746–1823, British

Charlotte at the Tomb of Werther

1785

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Visiting Card of Sir Joshua Reynolds

1790

unknown artist

Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

unknown artist

Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

unknown artist

Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

unknown artist

Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

unknown artist

Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

unknown artist

Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

unknown artist

Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

unknown artist

Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

Print made by Thomas Cook, 1744–1818, British

Samuel Johnson

1787

Print made by James T. Willmore, 1800–1863, British

The Golden Bough

1856

Print made by James T. Willmore, 1800–1863, British

Venice - Bellini's Pictures being Conveyed to the Church of the Redentore

1858

Print made by John Burnet, 1784–1868, British

Battle of Trafalgar, Nelson's Ship

1858

Print made by William Miller, 1796–1882, British

The Bell Rock Lighthouse

1862

Print made by William Miller, 1796–1882, British

The Bell Rock Lighthouse

1862

Print made by William Chapman, 1817–1879, British

The Straits of Dover

1863

$William Chapman Ilfracombe$

Print made by William Chapman, 1817–1879, British

Ilfracombe

between 1853 and 1874

Print made by Frederick Bacon, 1803–1887, British

The Penitent

between 1842 and 1887

William Lee Hankey, 1869–1952, British

Mere et son fils

1918

Print made by Luigi Schiavonetti, 1765–1810, Italian

Two Bunches a Penny Primroses, Two Bunches a Penny

1793

Print made by Giovanni Vendramini, 1769–1839, Italian

Knives, Scissors, and Razors to Grind

1795

Print made by Giovanni Vendramini, 1769–1839, Italian

Fresh Gathered Peas, Young Hastings

1795

Print made by Giovanni Vendramini, 1769–1839, Italian

Strawberrys, Scarlet Strawberrys

1795

Print made by Giovanni Vendramini, 1769–1839, Italian

Old Chairs to Mend

1795

Print made by Giovanni Vendramini, 1769–1839, Italian

Hot Spice Gingerbread, Smoking Hot!

1796

Print made by William Walcot, 1874–1943, British

The Frigidarium of the Baths of Caracalla

1919

Edward Francis Finden, 1791–1857, British

Hester Lynch Piozzi (Mrs. Thrale)

1835

Print made by William Strang, 1859–1921, British

On Greenhow Hill

1900

Print made by William Strang, 1859–1921, British

The Taking of Lungtungpen

1900

Print made by William Strang, 1859–1921, British

In the Rukh

1900

Print made by William Strang, 1859–1921, British

In the House of Suddhoo

1900

Print made by William Strang, 1859–1921, British

My Friend in Soho

1901

Print made by William Strang, 1859–1921, British

William the Conqueror

1900

Print made by William Strang, 1859–1921, British

Ghent Gate, Bruges

1898

Print made by William Strang, 1859–1921, British

The Finances of the Gods

1900

Print made by William Strang, 1859–1921, British

The Mutiny of the Mavericks

1900

Print made by William Strang, 1859–1921, British

The Man Who Would Be King

1900

Print made by Mathieu Liart, 1736–1782, British

Cephalus lamenting the Death of Procris

1783

James Gillray, 1756–1815, British

The Nursery, with, Britannia Reposing in Peace

1802

James Gillray Patriotic-Petitions on the Convention/ the Cockney Petition; The Westminster Petition, The Chelmsford Petition, the Middlesex Petition

James Gillray, 1756–1815, British

Patriotic-Petitions on the Convention/ the Cockney Petition; The Westminster Petition, The Chelmsford Petition, the Middlesex Petition

1808

James Gillray The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber.

James Gillray, 1756–1815, British

The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber

1807

James Gillray, 1756–1815, British

Introduction of Citizen Volpone - and His Suite, at Paris

1802

James Gillray, 1756–1815, British

German - Nonchalence: - or - The Vexation of Little Boney

1803

James Gillray, 1756–1815, British

The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins

1800

James Gillray, 1756–1815, British

The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners

1800

James Gillray, 1756–1815, British

Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes

1804

James Gillray, 1756–1815, British

Half Natural

1799

James Gillray, 1756–1815, British

Pen-etration

1799

James Gillray, 1756–1815, British

Citizens Visiting the Bastille, - Vide. Democratic Charities. -

1799

James Gillray, 1756–1815, British

Pizarro, Contemplating (over) The Product of His Peruvian Mine

1799

James Gillray, 1756–1815, British

Pillars of the Constitution - Three O'Clock and A Cloudy Morning

1809

James Gillray, 1756–1815, British

Overthrow of the Republican-Babel

1809

James Gillray, 1756–1815, British

An Old English-Gentleman pester'd by Servants wanting Places

1809

James Gillray, 1756–1815, British

Spanish Patriots Attacking the French Banditti - Loyal Britons Lending a Lift!

1808

James Gillray, 1756–1815, British

Delicious Dreams! Castles in the Air! Glorious Prospects!

1808

James Gillray British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition

James Gillray, 1756–1815, British

British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition

1807

James Gillray, 1756–1815, British

Fat Cattle, a Sketch of Tavistock Farmyard Dedicated to the Society for Improving the Breed of Cattle

1802

James Gillray, 1756–1815, British

Sketch of the Interior of St. Stephen's, as It Now Stands. -

1802

James Gillray, 1756–1815, British

Hope

1802

James Gillray, 1756–1815, British

Despair

1802

James Gillray, 1756–1815, British

Be gone Dull Care, I Prithee Begone From Me!

1801

James Gillray, 1756–1815, British

Forming a Line on the Parade

1801

James Gillray, 1756–1815, British

Bologna Sausages, or Opposition Flux'd

1788

James Gillray, 1756–1815, British

Pacific Overtures - or - A Flight from St. Clouds - "Over the Water to Charley" - A New Dramatic Peace now Rehearsing

1806

James Gillray, 1756–1815, British

Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise

1806

James Gillray, 1756–1815, British

The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats

ca. 1808

James Gillray Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose

James Gillray, 1756–1815, British

Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose

1807

James Gillray The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)

James Gillray, 1756–1815, British

The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)

1800

James Gillray, 1756–1815, British

The Apotheosis of the Corsican Phoenix

1808

Print made by Thomas Bonnor, ca. 1740–ca. 1812, British

Stanford, the Seat of Sir Edward Winnington, Baronet

undated

James Gillray, 1756–1815, British

Blood on Thunder Fording the Red Sea

1788

James Gillray, 1756–1815, British

The Introduction of the Pope to the Convocation at Oxford, By the Cardinal Broad Bottom

1809

James Gillray, 1756–1815, British

True Reform of Parliament, i.e. - Patriots Lighting a Revolutionary Bonfire in New Palace Yard

1809

James Gillray, 1756–1815, British

Delicious Weather

1808

James Gillray, 1756–1815, British

Prince Pitt

1788

Print made by Niccoló Schiavonetti, 1771–1813, Italian

New Mackrel, New Mackrel

1795

Print made by Luigi Schiavonetti, 1765–1810, Italian

Milk below Maids

1793

James Gillray, 1756–1815, British

The Spanish-Bull-Fight - or - The Corsical-Matador in Danger

1808

James Gillray, 1756–1815, British

The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket

1806

James Gillray The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"

James Gillray, 1756–1815, British

The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"

1806

James Gillray, 1756–1815, British

Westminster-Conscripts under the Training Act

1806

Robert Dighton, 1752–1814, British

Mr. Deputy Dumpling and Family Enjoying a Summer Afternoon

1781

James Gillray, 1756–1815, British

Preliminaries of Peace! - or - John Bull, and His Little Friends "Marching to Paris"

1801

James Gillray, 1756–1815, British

Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger

1801

James Gillray, 1756–1815, British

Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row

1806

Print made by Isaac Cruikshank, 1764–1811, British

An Abyssinian Breakfast

1791

Print made by Lucas Vorsterman I, 1595–1675, Flemish

Petrus Stevens

ca. 1635

Print made by Bradshaw & Blacklock, active ca.1850, British

Constantinople

after 1850

Print made by Sir David Young Cameron, 1865–1945, British

The Frews

between 1915 and 1917

Print made by Pieter de Jode II, ca. 1606–1674, Flemish

Adam de Coster

ca. 1635

Print made by Sir David Young Cameron, 1865–1945, British

Old St. Etienne

1907

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

New Additions

Classification

Creator Gender

Collective Title

Period

Medium

Height [cm]

Width [cm]

Work Type

Genre

Subject Terms

Associated Places

Associated People

Exhibition History

Credit Line

Medium etching (printing process)

Image Use Free to Use

YCBA Collections Search

Refine your search

Search Constraints

Medium etching (printing process)

Image Use Free to Use

Search Results