<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Medium etching (printing process)

Remove constraint Medium: etching (printing process)

Image Use Free to Use

Remove constraint Image Use: Free to Use

Subject Terms women

Remove constraint Subject Terms: women

Search Results

Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851, British
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851, British
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner The Drawing of the Clyde
Etched by Joseph Mallord William Turner, 1775–1851, British
The Drawing of the Clyde
1809
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851, British
The Woman and Tambourine
1807
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851, British
The Woman and Tambourine
1807
William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
1797
William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
1797
William Blake Young's Night Thoughts, Page 13, "The present moment terminates our sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 13, "The present moment terminates our sight"
ca. 1797
William Blake Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
ca. 1797
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
ca. 1797
William Blake Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
ca. 1797
William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
William Blake Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
ca. 1797
William Blake Young's Night Thoughts, Page 27, "O treacherous conscience!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
William Blake Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
ca. 1797
William Blake I Found Him Beneath a Tree; Plate 3
Print made by William Blake, 1757–1827, British
I Found Him Beneath a Tree; Plate 3
1793
William Blake Fear & Hope Are -- Vision; Plate 15
Print made by William Blake, 1757–1827, British
Fear & Hope Are -- Vision; Plate 15
1793
William Blake Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
ca. 1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
ca. 1797
William Blake Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
ca. 1797
William Blake Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
ca. 1797
William Blake Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
ca. 1797
William Blake Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
1797
William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
1797
William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
William Blake Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
1797
William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
William Blake For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 1, Title Page
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 1, Title Page
1826
William Blake For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
1826
John Browne Evening
Print made by John Browne, 1741–1801, British
Evening
ca. 1797
John Browne Evening
Print made by John Browne, 1741–1801, British
Evening
ca. 1797
Agostino Brunias The West India Washer-Women
Print made by Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
The West India Washer-Women
1779
John Sell Cotman Column at Yarmouth to the Memory of Lord Nelson
Print made by John Sell Cotman, 1782–1842, British
Column at Yarmouth to the Memory of Lord Nelson
1817
Joseph Farington Windsor Bridge
Print made by Joseph Farington, 1747–1821, British
Windsor Bridge
1792
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834, British
Florence, from the Chiesa al Monte
1820
Francesco Bartolozzi Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785
1785
Paul Angier A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
Print made by Paul Angier, active 1749, French (active in London)
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
Sir Muirhead Bone A Spanish Good Friday
Print made by Sir Muirhead Bone, 1876–1953, British
A Spanish Good Friday
1925
Sir David Young Cameron A Venetian Fountain [North Italian Set: No. 7]
Sir David Young Cameron, 1865–1945, British
A Venetian Fountain [North Italian Set: No. 7]
1894
Sir David Young Cameron Ponte Vecchio [North Italian Set: No. 21]
Sir David Young Cameron, 1865–1945, British
Ponte Vecchio [North Italian Set: No. 21]
1895
Sir David Young Cameron Roslyn
Sir David Young Cameron, 1865–1945, British
Roslyn
1899
Sir David Young Cameron The Palace of the Stuarts
Sir David Young Cameron, 1865–1945, British
The Palace of the Stuarts
1898
Sir David Young Cameron The North Porch, Harfleur
Sir David Young Cameron, 1865–1945, British
The North Porch, Harfleur
1904
Sir David Young Cameron The Palace, Stirling Castle
Sir David Young Cameron, 1865–1945, British
The Palace, Stirling Castle
1893
Sir David Young Cameron Porta del Molo, Genoa [North Italian Set: No. 23]
Sir David Young Cameron, 1865–1945, British
Porta del Molo, Genoa [North Italian Set: No. 23]
1896
Sir David Young Cameron Montivilliers
Sir David Young Cameron, 1865–1945, British
Montivilliers
1903
Robert Bryden Auld Brig, Ayr
Print made by Robert Bryden, 1865–1939, British
Auld Brig, Ayr
1904
George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
Print made by George Barret, ca. 1728/32–1784, Irish
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
undated
George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
Print made by George Barret, ca. 1728/32–1784, Irish
Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
undated
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834, British
Florence, from the Chiesa al Monte
1820
James Mitan Turin from the Portico of the Superga Church
Print made by James Mitan, 1776–1822, British
Turin from the Portico of the Superga Church
1820
John Alexander Lot and His Family
Print made by John Alexander, 1686–before 1768, British
Lot and His Family
ca. 1718
George Baxter The Healing of the Lame Man
after George Baxter, 1804–1867, British
The Healing of the Lame Man
after 1855
Francesco Bartolozzi A Lecture on Gadding
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
A Lecture on Gadding
1789
George Baxter The Healing of the Lame Man
after George Baxter, 1804–1867, British
The Healing of the Lame Man
after 1855
John Goldar The Sacrifice
John Goldar, 1729–1795, British
The Sacrifice
1767
John Goldar The Refusal
John Goldar, 1729–1795, British
The Refusal
1768
George Baxter The Death of Ananias
after George Baxter, 1804–1867, British
The Death of Ananias
after 1855
Charles Grignion Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV
Charles Grignion, 1717–1810, British
Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV
undated
Francesco Bartolozzi Evening
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Evening
undated
David Allan Peggy Advocates a Sweetheart
Print made by David Allan, 1744–1796, British, born in Scotland
Peggy Advocates a Sweetheart
1808
David Allan Sir William Worthy and Patie
Print made by David Allan, 1744–1796, British, born in Scotland
Sir William Worthy and Patie
1808
David Allan Madge and Bauldy
Print made by David Allan, 1744–1796, British, born in Scotland
Madge and Bauldy
1808
David Allan Sir William Worthy's Blessing
Print made by David Allan, 1744–1796, British, born in Scotland
Sir William Worthy's Blessing
1808
John Chalon Study
Print made by John Chalon, 1738 – 1795
Study
1789-1790
Francesco Bartolozzi Noon
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Noon
undated
Francesco Bartolozzi Ticket to a Concert of Ancient Vocal and Instrumental Music
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket to a Concert of Ancient Vocal and Instrumental Music
1786
Francesco Bartolozzi Ticket to Concert of Ancient Vocal and Instrumental Music
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket to Concert of Ancient Vocal and Instrumental Music
1786
Sir Muirhead Bone Entrance from the Piazza
Print made by Sir Muirhead Bone, 1876–1953, British
Entrance from the Piazza
1901
Sir Muirhead Bone Ireland and Russia
Print made by Sir Muirhead Bone, 1876–1953, British
Ireland and Russia
1901
Sir Muirhead Bone The Art Gallery
Print made by Sir Muirhead Bone, 1876–1953, British
The Art Gallery
1901
James McNeill Whistler Ryde Pier
Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
Ryde Pier
1887
James McNeill Whistler Île de la Cité, Paris
James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
Île de la Cité, Paris
1859
James Pollard Cottager's Hospitality to Travellers of The Coach Broke Down
James Pollard, 1792–1867, British
Cottager's Hospitality to Travellers of The Coach Broke Down
1819
George Cruikshank Blear-Eyed Moll
Print made by George Cruikshank, 1792–1878, British
Blear-Eyed Moll
ca. 1832
George Cruikshank Jack Sheppard Committing the Robbery in Willesden Church
Print made by George Cruikshank, 1792–1878, British
Jack Sheppard Committing the Robbery in Willesden Church
1839
George Cruikshank Audacity of Jack Sheppard
Print made by George Cruikshank, 1792–1878, British
Audacity of Jack Sheppard
1839
George Cruikshank Jack Sheppard Tricking Shotbolt, the Gaoler
Print made by George Cruikshank, 1792–1878, British
Jack Sheppard Tricking Shotbolt, the Gaoler
1839