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Medium etching (printing process)

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Thomas Ryder The Captive
Print made by Thomas Ryder, 1746–1810, Irish
The Captive
1786
Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
Charles Grignion Britannia Allegory
Charles Grignion, 1717–1810, British
Britannia Allegory
between 1743 and 1747
Robert Blyth The Captive
Print made by Robert Blyth, 1750–1784
The Captive
1781
Sir George Hayter Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape
Sir George Hayter, 1792–1871, British
Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape
1828
Francesco Bartolozzi Lovelace in Prison
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Lovelace in Prison
1788
Joseph Goupy Romanus sum Civis
Joseph Goupy, 1689–1769, British
Romanus sum Civis
1726
Luke Sullivan Paul Before Felix
Print made by Luke Sullivan, 1705–1771, British
Paul Before Felix
1752