Medium: etching (printing process) / Width [cm]: 44 / Subject Terms: landscape (representation)

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorset

1811-1812

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1825

Print made by John Landseer, 1769–1852, British

Fall of the Tees

1821

Print made by John Landseer, 1769–1852, British

Fall of the Tees

1818-1823

Print made by John Pye, 1782–1874, British

Junction of the Greta and Tees at Rokeby

1818-1823

Print made by Samuel Rawle, 1771–1860, British

Brignall Church

1821

Print made by Thomas Jeavons, ca. 1800–1867, British

Lillebonne, Château and Tower

1834

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorset

1812

Print made by William Bernard Cooke, 1778–1855, British

Plymouth Dock, from Mount Edgecumbe

1816

Print made by George Cooke, 1781–1834, British

Pendennis Castle and Entrance of Falmouth Harbour

1814 to 1826

Print made by George Cooke, 1781–1834, British

Pendennis Castle, and Entrance of Falmouth Harbour

1814-1826

Print made by William Bernard Cooke, 1778–1855, British

East & West Looe, Cornwall

1818

Print made by William Bernard Cooke, 1778–1855, British

Minehead, Somersetshire

1820

Print made by William Bernard Cooke, 1778–1855, British

Minehead, Somersetshire

1820

Print made by John Wykeham Archer, 1808–1864, British

Richmond Castle and Town

1820

Print made by James C. Allen, active 1821–1831, British

Addingham Mill on the Warfe

1821

Print made by Thomas Higham, 1796–1844, British

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by John Pye, 1782–1874, British

Wycliffe, near Rokeby

1823

Print made by John Scott, 1774–1828, British

Aysgarth Force

1818-1823

Print made by John Wykeham Archer, 1808–1864, British

Crook of the Lune, Looking towards Hornby Castle

1821

Print made by William Bernard Cooke, 1778–1855, British

Lyme Regis

1814

Print made by William Bernard Cooke, 1778–1855, British

Fowey, Cornwall

1820

Print made by Samuel Middiman, ca. 1750–1831, British

Bridge at Narni

1818-1820

Print made by Robert Wallis, 1794–1878, British

Lake Albano

1828

Print made by Thomas Jeavons, ca. 1800–1867, British

Lillebonne, Château and Tower

1834

Print made by Thomas Higham, 1796–1844, British

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by William Radclyffe, 1780–1855, British

Hornby Castle, from Tatham Church

1822

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print made by John Scott, 1774–1828, British

Aysgarth Force

1820

Print made by John Pye, 1782–1874, British

Ehrenbreitstein

1845

Print made by Robert Brandard, 1805–1862, British

Crossing the Brook

1838

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorset

1811-1812

Print made by James C. Allen, active 1821–1831, British

Dunwich, Suffolk

ca. 1830

Print made by Edward Goodall, 1795–1870, British

Richmond Hill

1826-1832

Print made by Robert Wallis, 1794–1878, British

Virginia Water No. 1

1828

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print made by Sir Frank Short, 1857–1945, British

Bonneville, Savoy

1887

Print made by Sir Frank Short, 1857–1945, British

Bonneville, Savoy

1887

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Medium etching (printing process)

Width [cm] 44

Subject Terms landscape (representation)

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Medium etching (printing process)

Width [cm] 44

Subject Terms landscape (representation)

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