Medium: etching (printing process) / Width [cm]: 39 / Subject Terms: trees

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

1874

Etched by Joseph Mallord William Turner, 1775–1851, British

Glaucus and Scylla

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Bridge and Cows

1807

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801, British

After Sun-Set

ca. 1797

Print made by John Browne, 1741–1801, British

Evening

ca. 1797

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

Print made by Joseph Farington, 1747–1821, British

Windsor Bridge

1792

Print made by Stanley Anderson, 1884–1966, British

Somerset House, London

1910

Print made by Sir Muirhead Bone, 1876–1953, British

The Solent

1920

Print made by Richard Samuel Chattock, 1825–1906, British

The Holt

undated

Print made by Jean B. C. Chatelain, 1710–1771, French

Classical Landscape with Travellers, a Dog and House on the left

1741

Sir Francis Seymour Haden, 1818–1910, British

On the Thames

1859

Print made by Richard Earlom, 1743–1822, British

The Exposition of Cyrus

1781

Print made by James T. Willmore, 1800–1863, British

Mercury and Argus

1841

Print made by Henry William Bunbury, 1750–1811, British

Pistol eating Fluellen's Leak - "Henry V"

between 1811 and 1815

Print made by Thomas Gainsborough, 1727–1788, British

Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle

between 1779 and 1780

Print made by James T. Willmore, 1800–1863, British

Mercury and Argus

1841

Print made by John Cousen, 1804–1880, British

Mercury and Herse

1842

Print made by Richard Earlom, 1743–1822, British

Alope

1787