Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
110
Print made by James Mitan, 1776–1822, British
Turin from the Portico of the Superga Church
1820
111
Print made by Edward Goodall, 1795–1870, British
Fall of the Tees, Yorkshire
1827
112
Print made by S. Fisher, active 1831–1844
Coventry, Warwickshire
1833
113
Print made by James T. Willmore, 1800–1863, British
Llandberis Lake, Wales
1834
114
Print made by W. R. Smith, active 1819–1851
Leicester Abbey
1834
115
Print made by W. R. Smith, active 1819–1851
Leicester Abbey
1834
116
Print made by W. R. Smith, active 1819–1851
Beaumaris, Isle of Anglesea
1836
117
Print made by W. R. Smith, active 1819–1851
Harlech Castle, North Wales
1836
118
Print made by Richard Samuel Chattock, 1825–1906, British
Birk's Bridge
undated
119
Print made by James H. Kernot, active early 19th century
St. Catherine's Hill, near Guildford, Surrey
1832
120
Print made by William Miller, 1796–1882, British
Chatham, Kent
1832
121
Print made by Thomas Jeavons, ca. 1800–1867, British
Arundel Castle and Town, Sussex
1834
122
Print made by James C. Allen, active 1821–1831, British
Dunwich, Suffolk
1819-1826
123
Print made by James T. Willmore, 1800–1863, British
Penmaen Mawr
1834
124
Print made by Thomas Higham, 1796–1844, British
Ely Cathedral, Cambridgeshire
1833
125
Print made by William Miller, 1796–1882, British
Carew Castle, Pembroke
1834
126
Print made by William Radclyffe, 1780–1855, British
Keswick Lake, Cumberland
1837
127
Print made by Thomas Jeavons, ca. 1800–1867, British
Kidwelly Castle
1837
128
Print made by William Miller, 1796–1882, British
Durham Cathedral
1836
129
Print made by James T. Willmore, 1800–1863, British
Llangollen
1837
130
Print made by Robert Wallis, 1794–1878, British
Margate, Kent
1832
131
Sir Muirhead Bone, 1876–1953, British
Piccadilly Circus
1915
132
Print made by Charles Wilkin, 1750–1814, British
Here Poor Boy
1796
133
Print made by Henri Emile Lefort, 1852–1916, French
Benjamin Franklin
1896
134
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
135
Print made by James McBey, 1883–1959, British
Torpedoed Sussex
1916
136
Print made by Luigi Schiavonetti, 1765–1810, Italian
Death of the Strong Wicked Man
1808, published 1813
137
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808, published 1813
138
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Death of the Good Old Man
1808, published 1813
139
Print made by Charles Ansell, ca.1752–active 1790, British
Hamlet
1809
140
Print made by James T. Willmore, 1800–1863, British
Mercury and Argus
1841
141
Print made by John Cousen, 1804–1880, British
Mercury and Herse
1842
142
Print made by George Cruikshank, 1792–1878, British
Monstrosities of 1822 - Pt. 5
1835
143
Print made by Isaac Cruikshank, 1764–1811, British
Washing the Blackamoor
1795
144
Print made by James T. Willmore, 1800–1863, British
The Old Téméraire
1845
145
Print made by George Cruikshank, 1792–1878, British
Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess
1835
146
James Faed Sr., 1821–1911, British
Shakespeare in His Study
1859
147
Print made by Robert Brandard, 1805–1862, British
Crossing the Brook
1842
148
John Keyse Sherwin, c.1751–1790, British
Mary Isabella Manners (née Somerset), Duchess of Rutland
1791
149
Print made by Sir Frank Short, 1857–1945, British
The "Victory" Coming Up Channel
1891
150
Print made by William Heath, 1795–1840, British
Opera Reminiscences: Desdemona and Otello
1829
151
William Nutter, 1754–1802, British
Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
1789
152
Thomas Gainsborough, 1727–1788, British
Wooded Landscape with Two Country Carts and Figures
1779 to 1780
153
Print made by Robert Brandard, 1805–1862, British
Crossing the Brook
1838
154
Print made by John Robert Cozens, 1752–1797, British
Bath: The Circus
1773
155
Print made by John Robert Cozens, 1752–1797, British
Bath: Queen Square
1773
156
Print made by John Robert Cozens, 1752–1797, British
The City of Bath taken from the London Road
1773
157
Print made by John Robert Cozens, 1752–1797, British
Bath: The New Bridge
1773
158
Print made by John Robert Cozens, 1752–1797, British
Bath: The Crescent
1773
159
Print made by John Robert Cozens, 1752–1797, British
Bath: The North Parade
1773
160
Print made by John Robert Cozens, 1752–1797, British
South View of Bath
1773
161
Print made by James Bretherton, ca. 1730–1806, British
The Slumbers of Ragotin Interrupted
1773
162
Attributed to Henry Dawe, 1790–1848, British
Raglan Castle
1816
163
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
164
Print made by James T. Willmore, 1800–1863, British
The Old Téméraire
1845
165
Print made by James T. Willmore, 1800–1863, British
The Old Téméraire
1845
166
Print made by John Bell, 1811–1895, British
The City of the Pestilence
between 1826 and 1852
167
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Morning
1745
168
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Night and a Ship on Fire
1745
169
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Noon
1745
170
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Moonlight
1745
171
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Sun Under a Cloud
1745
172
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
A Strong Gale or Squall
1745
173
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Shipwreck
1745
174
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
A Ship in Distress
1745
175
Print made by Robert Blyth, 1750–1784
The Captive
1781
176
Print made by John Bell, 1811–1895, British
Diavoli Pescatori
between 1838 and 1850
177
Charles Grignion, 1717–1810, British
A View of the Bridge at Walton-on-Thames in Surrey
1752
178
Print made by Henry Wallis, 1805–1890, British
The Bank of England and Royal Exchange, Cornhill
1840
179
Print made by Thomas Burke, 1749–1815, British
Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
1789
180
Print made by Robert Walker Macbeth, 1848–1910, British
The Ferry Inn
1881
181
Print made by William Strang, 1859–1921, British
John Masefield No. 2
1912
182
Print made by Robert Brandard, 1805–1862, British
Orford, Suffolk
1827
183
Print made by James T. Willmore, 1800–1863, British
Alnwick Castle
1830
184
Print made by William Tombleson, ca.1795–1835, British
Holy Island
1830
185
Print made by W. R. Smith, active 1819–1851
Tynemouth, Northumberland
1831
186
Print made by John Horsburgh, 1791–1869, British
Malvern Abbey and Gate, Worcestershire
1832
187
Print made by Robert Brandard, 1805–1862, British
Gosport, Entrance to Portsmouth Harbor
1831
188
Print made by J. C. Varrall, active 1815–1827
Valle Crucis Abbey, Denbighshire
1828
189
Print made by Robert Brandard, 1805–1862, British
Orford, Suffolk
1827
190
Print made by James Gillray, 1756–1815, British
Shakespeare Sacrificed; or, The Offering to Avarice
1789
191
James Gillray, 1756–1815, British
Presages of the Millenium
1795
192
James Gillray, 1756–1815, British
A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
1807
193
James Gillray, 1756–1815, British
The Valley of the Shadow of Death
1808
194
Print made by Sir Frank William Brangwyn, 1867–1956, British
Maple Tree
1905
195
Print made by David Lucas, 1802–1881, British
Hadleigh Castle, Large Plate
1830 to 1832
196
Elisha Kirkall, ca. 1682–1742, British
The Death of Adonis
1723
197
Print made by Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
A Negroes Dance in the Island of Dominica
1779
198
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)