Medium: etching (printing process) / Width [cm]: 38 / Subject Terms: man - YCBA Collections Search Search Results

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Medium etching (printing process)

Width [cm] 38

Subject Terms man

William Byrne The Ruins of the College of Lincluden

Print made by William Byrne, 1743–1805, British

The Ruins of the College of Lincluden

1782

Francesco Bartolozzi A Lecture on Gadding

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

A Lecture on Gadding

1789

John Goldar The Sacrifice

John Goldar, 1729–1795, British

The Sacrifice

1767

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

1745

James Mitan Turin from the Portico of the Superga Church

Print made by James Mitan, 1776–1822, British

Turin from the Portico of the Superga Church

1820

W. R. Smith Leicester Abbey

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

W. R. Smith Leicester Abbey

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

James H. Kernot St. Catherine's Hill, near Guildford, Surrey

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

William Miller Durham Cathedral

Print made by William Miller, 1796–1882, British

Durham Cathedral

1836

Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Hovering over the Body reluctantly Parting with Life

1808, published 1813

Isaac Cruikshank Washing the Blackamoor

Print made by Isaac Cruikshank, 1764–1811, British

Washing the Blackamoor

1795

James Faed Sr. Shakespeare in His Study

James Faed Sr., 1821–1911, British

Shakespeare in His Study

1859

Robert Blyth The Captive

Print made by Robert Blyth, 1750–1784

The Captive

1781

Thomas Burke Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

Print made by Thomas Burke, 1749–1815, British

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

1789

Francesco Bartolozzi Lovelace in Prison

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Lovelace in Prison

1788

Francesco Bartolozzi Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

1786