Medium: etching (printing process) / Width [cm]: 38 / Subject Terms: architectural subject

Etched by Joseph Mallord William Turner, 1775–1851, British

The Bridge in Middle Distance

1808

Print made by George Cooke, 1781–1834, British

Naples, from the Mole

1819

Print made by Sir Muirhead Bone, 1876–1953, British

Ely Cathedral

1903

Print made by Andrew Fairbairn Affleck, 1874/7–1936

Notre Dame

1908

Print made by William Byrne, 1743–1805, British

The Ruins of the College of Lincluden

1782

Edward Blore, 1787–1879, British

Design for a Park Gateway

undated

Print made by John Pye, 1782–1874, British

The Rialto, Venice

1818-1820

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

The Adam and Eve Tavern, Old Chelsea

1878

Sir Francis Seymour Haden, 1818–1910, British

By Twickenham

1865

Print made by G.F. Storm, active mid–19th century, British

Vol. 6, Plate XXIX

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger

after 1819

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Print made by Samuel Middiman, ca. 1750–1831, British

Bridge at Narni

1819

Print made by Samuel Rawle, 1771–1860, British

Florence, from the Ponte Alla Carraia

1818

Print made by George Cooke, 1781–1834, British

Naples, from the Mole

1818-1820

Sir Francis Seymour Haden, 1818–1910, British

Fulham on the Thames

after 1858

Sir Francis Seymour Haden, 1818–1910, British

Sawley Abbey

1873

Sir Francis Seymour Haden, 1818–1910, British

Harlech, no. 2

1880

Print made by Edward Julius Detmold, 1883–1957, British

The Mill

undated

Print made by George Hollis, 1792–1842, British

Rome, Bridge and Castle of St. Angelo on the Tyber

1818

Sir Francis Seymour Haden, 1818–1910, British

By Twickenham

1865

Print made by James Mitan, 1776–1822, British

Turin from the Portico of the Superga Church

1820

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by Richard Samuel Chattock, 1825–1906, British

Birk's Bridge

undated

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by William Miller, 1796–1882, British

Carew Castle, Pembroke

1834

Print made by William Miller, 1796–1882, British

Durham Cathedral

1836