Medium: etching (printing process) / Width [cm]: 34 - YCBA Collections Search Search Results

Print made by unknown artist

Theatrum Sive Coliseum Romanum

1547 to 1560

Print made by William Walcot, 1874–1943, British

Caesar in Egypt

1926

Print made by Thomas Mann Baynes, 1794–1854, British

The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

after 1835

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

1786

Print made by Thomas Abiel Prior, 1809–1886, British

The Golden Bough

1875

Print made by Ernest Stephen Lumsden, 1883–1948, British

Udaipur, Morning

1913

Print made by Robert Wallis, 1794–1878, British

On the Thames

1875

James Mitchell, 1791–1852, British

Rat Hunters

1830

Print made by John Roffe, 1769–1850, British

Oxford

undated

Print made by Edward Rooker, 1724–1774, British

Circus of Caracalla

1776

Print made by James Gandon, 1742–1823, British

Banks of the Tiber

1776

Print made by Joseph Farington, 1747–1821, British

Bridge of Augustus at Rimini

1776

Print made by Michael "Angelo" Rooker, 1746–1801, British

In the Villa Adriana

1776

Print made by Joseph Farington, 1747–1821, British

In the Strada Nomentana

1776

Print made by James Gandon, 1742–1823, British

Castle of Ischia

1776

Print made by James Gandon, 1742–1823, British

Pompey's Bridge at Terni

1776

Print made by Michael "Angelo" Rooker, 1746–1801, British

Villa of Mæcenus at Tivoli

1776

John Golding, 1929–2012, British

Untitled

1963

Print made by Michael "Angelo" Rooker, 1746–1801, British

Temple of Peace

1776

Print made by William Hodges, 1744–1797, British

Torre Delle Grotte near Naples

1776

Print made by James Gandon, 1742–1823, British

Temple of Romulus and Remus

1776

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

September

1793

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

August

1793

Joseph Gray, 1890–1962, British

Scottish Landscape

1928

William Heath, 1795–1840, British

Oh Yes Believe Me. Love Has Eyes

undated

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

February

1793

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

March

1793

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

July

1789

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

June

1789

Print made by George Vertue, 1684–1756, British

Thomas Sackvill Earl of Dorset, Baron of Buckhurst

ca. 1740

Print made by unknown artist

Edward Montague Lord Kimbolton

ca. 1740

Print made by John Phillips, active 1840–1852

Removing Rubbish. Cabinet In's and Out's

1827

Print made by John Phillips, active 1840–1852

The King Commander in Chief; or, the Upset of Waterloo - Man, Bags & Baggage

1827

Print made by James Gandon, 1742–1823, British

Baths of Dioclesian

1776

Print made by Dame Elisabeth Frink, 1930–1993, British

The Franklin's Tale

1972

Print made by Dame Elisabeth Frink, 1930–1993, British

The Nun's Priest Tale

1972

Print made by Dame Elisabeth Frink, 1930–1993, British

The Reeve's Tale

1972

Print made by Dame Elisabeth Frink, 1930–1993, British

The Squire's Tale

1972

Print made by Dame Elisabeth Frink, 1930–1993, British

The Merchant's Tale

1972

Print made by Dame Elisabeth Frink, 1930–1993, British

The Shipman's Tale

1972

Print made by Charles Williams, active 1796–1830, British

A Scene from the Beggars Opera the Principal Characters by his Majesty's Servants

ca. 1805

Print made by Sir Frank William Brangwyn, 1867–1956, British

The Lot at Vers

1911

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Cockayne

1936

Hedley Fitton, 1859–1929, British

Barge Building, Limehouse

undated

Sir William Russell Flint, 1880–1969, British

A Dwelling in Aragon

1929

Sir William Russell Flint, 1880–1969, British

Amazons on a Breton Beach

1931

Hedley Fitton, 1859–1929, British

Juliet House

undated

Print made by Ernest Stephen Lumsden, 1883–1948, British

The Buddha

1922

Sir William Russell Flint, 1880–1969, British

Acrobats at Lorca Fair

1931

Print made by Edward Julius Detmold, 1883–1957, British

Dawn

1923

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Exploring the Recesses of the Grave

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

William Blake, Frontispiece

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Day of Judgment

1808

Print made by Sir David Young Cameron, 1865–1945, British

R. 34 Bothwell. No. 5 in the Clyde Set

1889

Print made by Sir David Young Cameron, 1865–1945, British

R. 361 Pont Neuf

1904

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Meeting of a Family in Heaven

1808

Print made by Sir Frank Short, 1857–1945, British

Pan and Syrinx, No. 2

1896

Print made by Paulus Pontius, 1603–1658, Flemish

Frederico Henrico D.G

between 1630 and 1645

William Dickinson, 1746–1823, British

Charlotte at the Tomb of Werther

1785

Print made by Sir Frank Short, 1857–1945, British

The "Victory" Coming Up Channel

1891

Print made by Frederick Bacon, 1803–1887, British

The Penitent

between 1842 and 1887

Print made by Edward Julius Detmold, 1883–1957, British

Evening Quiet

undated

James Gillray The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber.

James Gillray, 1756–1815, British

The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber

1807

James Gillray, 1756–1815, British

Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes

1804

James Gillray, 1756–1815, British

Pillars of the Constitution - Three O'Clock and A Cloudy Morning

1809

James Gillray British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition

James Gillray, 1756–1815, British

British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition

1807

James Gillray, 1756–1815, British

Blood on Thunder Fording the Red Sea

1788

Print made by Sir Frank Short, 1857–1945, British

Entrance of the Meuse

1889

James Gillray The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"

James Gillray, 1756–1815, British

The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"

1806

James Gillray, 1756–1815, British

Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row

1806

Print made by Sir Frank Short, 1857–1945, British

Falls of the Rhine, Shaffhausen

1896

Print made by William Strang, 1859–1921, British

The Wine Drinkers

1904

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Medium etching (printing process)

Width [cm] 34

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Width [cm] 34

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